Una serie de robos a bancos y autos asusta a las comunidades del Pacífico. Un agente del FBI cree que los delitos no son obra de delincuentes tradicionales con motivaciones económicas, sino ... Leer todoUna serie de robos a bancos y autos asusta a las comunidades del Pacífico. Un agente del FBI cree que los delitos no son obra de delincuentes tradicionales con motivaciones económicas, sino de un grupo de peligrosos terroristas domésticos.Una serie de robos a bancos y autos asusta a las comunidades del Pacífico. Un agente del FBI cree que los delitos no son obra de delincuentes tradicionales con motivaciones económicas, sino de un grupo de peligrosos terroristas domésticos.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 7 nominaciones en total
- Bank Manager
- (as Bryan McHale)
Resumen
Reseñas destacadas
One scene that really stuck with me was the discovery of the body. I think it's my "favorite" one; it felt disturbingly real and visceral, especially with the character using his hands to dig up the grave instead of a shovel. That detail made it feel grounded, almost like you were right there, literally watching dirty work.
The pacing is slow, but it builds towards a more gripping third act. The motel shootout was shock, and it's in the final act where everything comes together. I think you usually have it in the back of your head, absentmindedly even, that the main characters will make it so the theatre gasped. The film touches on themes of hate , and it's always ironic and unsettling to hear people using the guise of faith to spread such. It was pretty interesting to me that the book referenced in the story is connected to real-world events like January 6 as well.
While I wasn't blown away, the movie met my expectations-which were sorta high. It's well-made and believable, even if it leans on familiar archetypes and tropes: the hate-filled ideology, the cult dynamics, the people working to dismantle it. So while nothing in the movie really surprises or blows you away, it's that familiarity makes the story feel real because characters like these do exist.
In the end, while it didn't resonate with me on a deeper level or stick with me after the credits rolled, it's a solid film with strong performances and a compelling, relevant narrative.
What Nitram did though, and this film never managed, was it made me look at things from a different perspective. The concept that the person behind a mass shooting is, exactly that, a person, is just nothing I had given consideration to before. Easier to label a monster (which they are, but there are reasons behind this) and move on than to think about it.
I guess therefore I was expecting to try and understand something here. Like it was going to say something. But in the end it felt very procedural. Some white guys are racist because they are and some other guy hunts them down because he does. Honestly, that's about it.
I never felt for a second like I understood anything about Nicholas Holts character or why he was a complete (insert word rhyming with duck) head. I guess there is an argument that you don't want to give oxygen but I feel this film maker has had a lot more to say in the past and if you aren't going to say anything then probably don't say anything at all.
Anyway, not offensive but just very very average.
Saw in AMC theater 12-14-2024.
It's those kind of movies which are good but you feel like something is missing.
Jude law is amazing in this movie. He is carrying the whole movie on his shoulders and he does an amazing job.
Rest all are good.
Nicholas hoult had nothing more to do and anyone could have played that role.
Direction is fine and cinematography looks really good.
Apart from that there is nothing much to say about this movie.
It's a slow burn thriller. Watch it for the amazing acting and that's it.
¿Sabías que...?
- CuriosidadesNicholas Hoult told reporters how he and Jude Law, adversaries in the film, did not speak or interact with each other for the first four weeks of filming in an attempt to distance themselves from each other.
- PifiasAgent Husk enters Torres' cell while wearing his firearm. No law enforcement or corrections official would enter an inmate's cell with a firearm. Husk, Carney, and Bowen would have had to secure their weapons before entering the area where prisoners were held. In the film, they're wearing their weapons.
- Citas
Alan Berg: You know what my problem is with every fanatic fundamentalist, from the Catholics, to the Orthodox, to the KKK? The one thing you all have in common is, and you're too ignorant to see it, is that you're too inept to get by in the world, so your only recourse is to try and curtail the enjoyment of others.
- ConexionesReferenced in Film Junk Podcast: Episode 974: Nosferatu (2025)
- Banda sonoraKOA Radio Jingle
JAM Creative Productions, Inc.
Courtesy of Jonathan Wolfert
Used under license
Selecciones populares
- How long is The Order?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- The Order
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 2.010.901 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 877.855 US$
- 8 dic 2024
- Recaudación en todo el mundo
- 2.270.354 US$
- Duración
- 1h 56min(116 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1