Hasta que te mate

Not only is this a compelling, uncomfortable drama, one almost unique in not seeking to exploit misogynistic violence for kicks, but also an indictment of a judicial system where everyone involved is clearly compromised by seeing the victim as a means to their end career-wise. The police want a conviction and the criminal is the target and the victim is merely the enabling ammunition to achieve this; a passive cipher best forgotten afterwards unless they become useful again.

The viewer is also forced to confront their expectations of a true-crime victim. Typically these are vulnerable and quite passive individuals lacking confidence and not infrequently conventionally attractive as film and television producers seek to manipulate empathy from their audiences by all means at their disposal. Delia Balmer/Anna Maxwell Martin does not bow to this convention and the syrup-free drama is all the better for presenting a victim in the round.

One of those shows where you hover between "Surely it couldn't have happened like that!" and "How on earth can people be so incompetent?" It's a true story, though, and from what we know of other cases, the failings of the police and the demands of the criminal justice system damage far too many victims - which was Delia case.

Anne Maxwell Martin plays Delia with an extraordinary intensity, rarely making it easy to like her: she is irrascible, mercurial and unpredictable.

Shaun Evans is truly scary, switching from the quiet and self-effacing shy man Deliameets in a pub, to a furious and violent narcissist with a dark, dark past.

A very well-written, cleverly-paced and carefully directed short series.

Agency nurse Delia Bulmer meets and falls for John Sweeney on a night out. Delia quickly falls for John, he moves in a relationship begins. It begins evident quickly that John is controlling and violent, and worse, confesses to a murder.

It's been a while since we've had a real life crime drama, the likes of Des and Pembrokeshire Murders, Until I kill you continues the remarkable standard, I wasn't aware of Delia's Incredible, but tragic story, it's fascinating.

It's very realistic, it shows John's horrendous cruelty and barbarity, and the way that poor Delia was failed by that criminal justice. It doesn't pull its punches, it shows what Delia suffered in graphic detail, appalling violence.

The production is great, I recognise so much of my birthplace Swansea, including the wonderful La Braseria restaurant in episode 3. The period detail is great, and you'll be rescuing for Spotify for the likes of The Charlatans.

The acting is remarkable, Shaun Evans and co are excellent, but Anna Maxwell Martin will surely win an award for her incredible performance as Delia, she has phenomenal talent.

9/10.

Engaging story and great acting. The lead actress's dialect did not bother me as it did others but it was definitely noticeable. She did an incredible job though. Great acting by the lead actress and everyone else.

I'd read an article that while working on the script the writer worried about how people would find empathy or be on the side of someone.with an "unconventional personality." She was quirky for sure. I didn't find that distractive though. I did however find her abusive to the people trying to help her. I found it difficult to watch because she was quite simply not a likable person. That does not mean she deserved anything that happened to her or that she caused it in any way. It just means it's understandably challenging to tell her story. Others have pointed out that she would of course have anger. I agree. But that anger was directed at other people. People that cared about her and were trying to help. For me this made the series difficult to watch.

As a story, 'Before I Kill You' is rather depressing: a true tale of a psychopath who murdered two women, and nearly killed a third. In fact, what makes it more interesting is even more depressing: it shows us how abusers identify victims who are vulnerable and how badly those who survive can be damaged by their experience. What makes it worth watching is the excellent performance by Anna Maxwell-Martin, who plays a woman who is something of a misfit even before the murderer targets her. We're all to dramas where all sympathetic characters are cuddly and "nice"; the protagonist here is much harder to love, although of course she deserves none of what she has to go through. I hope that the real Delia Balmer has finally managed to rebuild her life, and is happy with her portrayal on screen (if it is accurate, I reckon she will be).