Mea culpa

This movie is dull and put on. It has the feel of a Lifetime movie but less interesting. Kelly Rowland plays a supposed tough Chicago lawyer but her character doesn't translate the grit or depth that a tough lawyer character should have. She has only one note and an expressionless face. The only expression that helps her is when she smiles which she should play more roles that would allow that. And the lead actor.... Ug! He's terrible! He can't deliver a line to save his life! He doesn't come off like an artist at all, he comes off like a professional athlete attempting to deliver a line like a cheesy commercial. I lost interest way early on. The characters are all dimensionless, vapid and predictable. The story could have been better with the right actors and director but this one is awful. I'm going to try and finish it but I'm not interested enough to do so.

Well what do you know another weak script written in 2 weeks by Mr Tyler Perry. Please sir give it up already. Please hire some real writers. This peace of crap looks like it was written in 2 weeks and shot in a week. Another mediocre attempt. Don't understand why he's just happy settling for crap. This man thinks very little of his fan base. He only gives them mediocre and feels that it is good enough. My question to Mr Perry what's wrong with being great? You don't think your fans deserve better....and you wonder why your work is never rewarded. Maybe come up with.the concept and hire professional writers to execute.

I am truly beginning to believe that Tyler Perry understands that his achievements and ability to employ so many black actors/actresses and workers has struck such a cord of respect from Black America, that he knows that he'll never be cut off from us and continues to shovel out this crap. I am disheartened for Miss Kelly Rowland who deserved better than this and I am saddened to have to be so negative.

This movie is full of the typical TP (Tyler Perry) tropes and overly written caricatures. He is such a poor writer and it continues to be seen in the poor quality of repugnant caricatures he creates. He doesn't know how to allow characters to be victimized without having to overly exaggerate the scenarios and people surrounding them for it to be possible.

Mea (Kelly Rowland) is supposed to be high profile lawyer who is very good at what she does, yet we get nothing to build her as such. She spends most of her screen time being a skulking, moody shell of a woman who, for a lawyer, seems to leave her brain at home every time she crosses the doorway. We get no peek at her being a great lawyer, a wife or a friend. Everything just begins happening and her reactions to the unfolding of her life are always confusing and just plain DUMB!

The cast of caricatures around her are as flat as a dollar bill. Zyair (Trevante Rhodes) is literally just in the movie to look sexy and talk slow. His character has no substance. Mea's husband (Sean Sagar) is flat and as usual, written to be so extremely uninvolved and weak that you can't like or dislike anything about him. The brother in law and Mother in law are extremely exaggerated as being insufferable (in order to make Mea look like a complete victim), but you get no reference as to why their relationship is like this or why they do what they do.

This movie was supposed to be an erotic thriller and this seems to be the area where TP really put all of his energy (go figure). The interactions between Mea and Zyair are supposed to be sexy and seductive however, no seductive or alluring nature is given from Zyair that would make any married woman want to compromise her entire marriage for. Instead both individuals come off as dumb and just looking for excuses to have unwarranted and immoral sex. And the "excuses" (because that's what they are) that are mapped out via the plot are weak and watery at best. I also don't feel Mea's character showed enough interest to suddenly shift gears so suddenly the way she did. TP tried to make her this strong, unflinching woman who wasn't going to give in, so we never really saw her interested. (This is a miss both in the writing and the acting... Sorry Kelly.)

For Background, the set design and environments are getting better than his movies of the past. But again, we are introduced to the TP prototypes: every actor/actress is stunning and in great shape. The homes they live in, cars they drive and clothes they wear are a stretch compared to their work or the financial situations they are supposed to be in and this all takes away from being able to take the movie seriously rather than seeing it as another TP stage play.

Overall, the plot is predictable and full of tropes and holes. The writing is terribly poor and underwhelming. The characters are flat and snooze worthy. The acting is sub-par at best (a step above daytime soap operas) With the exception of Ronreaco Lee who plays Jimmy the PI. Ronreaco was a save in this film. You can tell he's a seasoned actor and he brought what little light to this film there was to be had. The ending offered nothing new or intriguing and TP needs to be stopped. But hey, at least we didn't get bad wigs eh?

Everything is just so wrong. Plot is a mess, storyline is pathetic, zero intrigue, acting is just so horrible.

I initially was not going to watch this based off on existing IMDB reviews. For some reason decided to give it a shot and couldn't be so disappointed. You initially get tempted because there's a few characters who you think might be interesting, but then the story doesn't really take you any where. This is probably one of the worse movies I ahve seen in a fee years.

This is time I am never getting back. Why does Netflix agree to release such horrible content all the time.

Tyler Perry can definitely do better than this.

Tyler Perry's always been very short on subtlety with his directing/writing to me. He continues to grow as a filmmaker but in small steps rather than leaps and bounds. With his most recent effort, he still shows the bad habit of writing paper thin characters and rather perplexing plotlines. The plot twist can be felt coming for some because of this fact. The direction is so-so, as he lets some scenes go on for too long and spends an excess of screentime attempting to build anxiousness with viewers with time that could be used in a more effective manner to build depth on both character and narrative. The acting is solid from all players, though there's no particularly strong chemistry between any. Production value decent as well, everyone looks good, the film is shot well, decent score to build tension for some scenes. Overall, it's not a film of zero charm but doesn't have enough in freshness, style or accomplishment to make it recommended viewing.