Bhimaa

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movie

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movie

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movies.

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movies.

Disappointment is the lingering sentiment as the credits roll, and one can't help but feel a sense of loss for what might have been-a cinematic gem that instead turned into a broken promise.

The film starts promisingly enough, with a premise that intrigues and characters that seem layered. The cinematography is breathtaking, capturing the essence of the setting with a vivid palette of colors. The score, too, begins as a symphony that promises to carry the audience through a spectrum of emotions.

The performances, while earnest, are hampered by a script that feels both overwrought and underdeveloped. Talented actors struggle to breathe life into dialogue that ranges from the melodramatic to the mundane. Moments meant to be poignant feel forced, leaving the audience disconnected and disengaged.

Oh, what a delight, a film where the plot flirts with the idea of being interesting only to take a nosedive into the sea of cliché and cringe. It's like stepping back into an era where boredom was the norm, with a narrative that's as fresh as last week's leftovers. Dialogues so cheesy, you'd think they were competing in a dairy product fair. Our leading lights in the acting department seem to think they're at a shouting match, turning every scene into a test of patience. Priya might be somewhat tolerable, hovering around the realm of just okay, while Malavika proves that stunning looks don't translate to acting prowess. As for the ensemble, they simply meander along the path of least resistance, presumably following the uninspired direction they were given. The cinematography and production values wave a little flag of decency in this desert of mediocrity, and while the songs might have you reaching for the mute button, the background score mercifully doesn't exacerbate the situation. Recommending this film? I'd say you'd have a more enriching experience watching water boil.

People saying objectification of women is shown in the movie, I want to ask that any of you will not get attracted to a woman you like as shown in the film. Yes, it could have been considered objectification if the hero had treated all the women like that in the film. Hence, You are wrong and here is the saying that as you are yourself so you see the other. The main point most reviewers saw and were focused on that but not the graphics they showed. It felt better than Bollywood where is your praise for that, where is your praise for such wonderful acting of all the stars of the movie? From my heart, I would recommend this movie to all my friends and I assure you that it is more entertaining than you would have thought it to be.

Outdated and waste of time and money. Get the director out of TFI and let him continue his cringe worthy, mindless movies in KFI.

When there are many talented directors inTFI, Gopi sir chose the worst of worst.

Scenes are copied from so many movies and predictable. Front benchers were moving out post interval. This story wouldve been a blockbuster in 1995-2000 era, but world and cinema has moved on. Mr. Harsha, please watch GAAMI to know what is new age cinema.

Every sequence just revels in the concept of 'mass elevation' and few dialogues are double meaning showing the mindset of the person who wrote those dialogues.