Vettaiyan

Definitely a good movie with all the characters doing justice to their roles.

Rajni and Fahad combo was fun to watch. Mass moments were there for Rajni but expected more.

Anil **njans spreading negative reviews and finally true positive wom is attracting family audience and others increasing the screens globally.

Definitely we can watch twice. Atleast one time must watch. There is no lag in the second half.

Climax could have been better. Felt thalaivar dialogue delivery in the climax was not proper (pronounciation)

The one liner is very catchy Kuri vecha era vizhanum..

Back to back hits for thalaivar after annathe failure.. Waiting for his career best Coolie with Lokesh. Hoping Lokesh would cook his best for Thalaivar standalone.

One cannot miss the chance to watch Rajini and Bachchan sharing screen for a movie. You just can't. Along with these two GOAT's, casting of Fahadh Faasil, Rana Daggubati and Manju Warrier is just icing on the cake. Pat on the back for T. J. Gnanavel.

Vettaiyan is an action packed, high octane crime thriller that despite its minor flaws, lack of logic, and predictable narrative is enjoyable till the end. Rajinikanth plays V Athiyan aka Vettaiyan, a police officer known for his foolproof encounters while Amitabh Bachchan is Justice Satyadev who contests that police encounters violate basic human rights and dishonours the Indian constitution. This is what this movie is all about, Vigilante Justice vs. Legal Justice.

With powerful emotional moments and few twist & turns, this film is a treat for all the Rajini fans out there.

Vettaiyan unfolds in two gripping parts, combining high-octane police encounters with a poignant examination of justice. The first half immerses viewers in thrilling action, showcasing relentless chase sequences and dramatic shootouts. However, the narrative shifts post-intermission, focusing on the legal intricacies of seeking justice after an untimely death. This transition highlights the stark contrast between the adrenaline of the chase and the sobering reality of the legal system. The film's pacing is swift, though it occasionally feels like a slow motion advert for photochromic glasses, overall it's an engaging blend of action and drama.

I'm not really going to structure my review for this, and instead use this as an impression dump. "Vettayan" was definitely the best Rajni movie since "Petta", but it's also the case that there just hasn't been a half decent Rajni movie since "Petta". "Vettayan" does its best to hold ground, but it still ends up being a rather tiresome watch. The main reason for this is just how long this movie went on for when it didn't really need to.

The first half was pretty good and while that might have been enough to keep your attention for a while, the second half fumbles the ball as soon as they reveal the direction of the movie. There's nothing here really that you haven't seen a million times before, but at the very least, there wasn't anything embarrassingly bad... except maybe the action, as has been the case in every Rajni movie, where the best action choreography you could do with a 70 year old man is to get him to swing his arms and flick his wig.

It's a passable movie for sure, and by Rajni standards, that's a good thing.

I enjoyed this movie overall. The story conveys a strong message, and the character balance is thoughtfully handled. Rajinikanth and Amitabh Bachchan share excellent chemistry, and Fahadh Faasil truly proves himself as a chameleon, adapting seamlessly to his role.

However, the film's length and certain screenplay choices weigh it down. Some scenes, like the death scene, are replayed excessively, and numerous lingering shots add to the runtime without contributing much to the story. The decision to introduce the villain so late also felt like a missed opportunity; it led to hurried exposition to catch the audience up, which disrupted the flow.

While I don't mind a lengthy movie if it has enough to say, this one felt stretched. Tightening up the pacing would have made for a more engaging experience without sacrificing the depth or impact.