Y2K

The defining feature of Y2K is it's rather startling accuracy. They included all of the details, even some you might have forgotten. I think this has a low score because it's TOO realistic. This is a lot like being young in the 90s and early 2000s with a dorky intensity that may not appeal to the Zoomers or Alphas who are a similar age in 2025 and want some ultra-sick year 2000 aesthetics that only existed in media. I can just see their bored and confused looks of disapproval from a distance.

It's a fun watch. This is a comedy way more than a horror movie and it won't be a meaningful experience for anyone over 50 or under 35.

Trailer looked awesome, but trailer makers know what they are doing! They sold it!

The filmmakers, failed. On every level.

This is such a bad film, I had to review. I've only come on here 4 or 5 times to review a film over 20+ years and review when a film is so bad, it deserves no recognition or success. It's just horrific.

No redeeming features at all. Terrible acting, terrible set pieces, poor direction and writing, and a woful silly story that could have been ace, had it been executed correctly. Kills were quick and also pointless, deaths not scary or gory, and so so painfully unfunny.

Also, Fred Durst. It's a no from me. Unsure who this is aimed at, but it's not anyone from 1970-2010.

Trash.

Imagine an SNL Sketch blended with apocalypse vibes, nostalgia, technology, and 90s insanity blended together, mixed up with a bunch of acids that makes things chaotic and all over the place. That's what Y2K is, but the opposite of good.

Kyle Mooney puts all his efforts with the direction, writing and atmosphere approach on the setting and narrative and he does offer some fun vibes of a disaster comedy. Including good production designs and a good setting. The performances from Jaeden Martell, Julian Dennison, and Rachel Zegler are pretty solid but nothing really stood out.

Unfortunately, the movie does feel like a satire that doesn't take itself seriously, but the issue was it's repetitive atmosphere, direction, and characters that are poorly handled drags the movie down a lot. Almost having most of the charm of the 90s and non-serious fun to feel blown away into nothing.

It feels like Mooney is creating a new Superbad and a satire of the trashy 90s comedy, but kind of misses the point of what made them good and makes it repetitive.

It's not great. I like Brigsby Bear, I'm happy to see Mooney still being able to make works of dumb fun but this wasn't it.

This could have been good. The concept is there, you have a cast that was willing to put themselves in goofy situations and obviously the budget to create something memorable. What went wrong? The limp direction and the forced screenplay.

Firstly, the acting is awful. Not because of the cast, but because the screenplay is written with so many hamfisted jokes thrown in that it gave the actors little room breathe, not to mention these are not traditionally comic actors. Felt bad for the leads, because I know they are capable of much more than this.

Secondly, the script needs more work. Nobody talked like this in the 90s. You got the references and the slang, but none of the delivery. Not a single bit of dialog felt natural to the scene. The comedy only works maybe a quarter of the time because the jokes are so sudden and forced.

Thirdly, where is the shock value? For a movie like this to work, there needed to be more shock. A bit more graphic violence, maybe a bit more nudity. Something to make me say "Whoa!". It felt tame for the subject matter and general feel of the film. Should've taken the murderous robot scheme further.

Overall, it was trash. Unbelievable, not funny and childish. I would only recommend watching it if it's free on streaming and you have absolutely nothing else to watch on a rainy afternoon.

1 brain implant out of 5.

It's hard to tell exactly where this movie goes wrong. Maybe it's that the beginning doesn't get you firmly enough on the leads side. Could have used better humor to do that, or maybe some more relatable and less cliched characterization.

Whatever it is, when this movie started leaning into its emotional moments, and you can tell it's trying because of the music and style, it ended up alienating me because I didn't feel what it was trying to make me feel. And that continued right up thru the end of the movie.

I'd say about half the humor landed for me, but that's not always the filmmakers fault.

Most of the characters felt very stereotypical, and felt like they were trying to be brought to life for us, by just a couple extra zany details, instead anything that felt authentic.

What it felt like, Kyle Mooney and Evan Winter forgive me if this wrong, is that money got behind this movie too early, or too quickly, and the script didn't make it past a first draft. Maybe, too, all the comedy was written in, and not improvised in the way that great comedy movies rely on for the real snappy humor that pops. And, I think in Editting they were giving the humor too much of a pause; too much space for what should have been audience laughter, in a way that also alienated me and probably others. And most of the humor was pretty toothless as well, especially when you compare it to the movies it's drawing influence from.

So unfortunately this movie just feels mediocre; lazily trying to be heartfelt; I wish I had felt toward it what the filmmakers clearly thought I'd feel.