Where Are You, Christmas?

First of all, don't expect strict realism from this movie; it's more of a fantasy.

Once you accept that, I think it's really well done. There are a few sketchy and unexplained parts, such as how an app can grant a wish and erase the memory of Christmas from the entire world, but as I said, it's a fantasy. Lyndsy Fonseca, I think, was a great choice for this movie and I felt a great deal of sympathy and affinity for her character. When she first meets up with her romantic interest (Hunter), you can tell he is quite taken by her. And I can understand why.

I was impressed with the merging of color and black-and-white portions in the scenes, and I think it added a great deal to the film. It was also interesting to see how the normally good-hearted characters could be so easily portrayed as not so pleasant with the change in circumstances, particularly the father. The ending could probably have been written a little better, but overall it was an enjoyable movie and I'd probably watch it again.

First, nice story, very typical Hallmark (with can be a good thing). The two leads had great chem and were nice to watch together. Lyndsy was funny on her own and a better actor than some of the other Hallmark Heroines.

But there were too many problems to overcome for me to like this more.

1) Dad's constant passive aggressiveness toward his daughter. No wonder she doesn't come back more often. I know I wouldn't if I had face that barrage of attacks.

2) The green screen effects for a bunch of the fake backgrounds (in color or BW) were so cheap, I thought they were done with an iPhone. I guess if they had to blow their budget on the BW -> Color stuff, something else was going to suffer

3) Dad DOESN'T get his color after the heartfelt convo with daughter, but only when the rest of the town sings his praises... self-centered much?

4) Too much of a rip off of Pleasantville. My wife and I often play the "guess the movie it's based on", but this wasn't even subtle.

Good people in a less than good movie.

I love Lyndsy Fonseca and have since her turn in Nikita. It's great to see her doing another Christmas movie, and this one is good. It feels oddly similar to Next Stop, Christmas back in 2021. But it doesn't take away from this being a good movie and her giving a good performance. The whole cast is good, and the setting has that small-town Christmas charm these movies love to showcase.

The message of finding your Christmas spirit, which is so prevalent in Christmas movies, is handled very well. It doesn't seem too forced or outrageous, and the whole premise seems very grounded in the hustle and bustle of today.

This one is a keeper and worth watching,

Very rare to enjoy a new holiday movie,that Hallmark has put out over the years.. With that said,was it perfect? No! Was full of clichés,including taking a concept done from Pleasantville.

However actually nice it wasn't about saving a business,festivals or usual themed topics.

Was cast ok,feel another lead actress might of did better.

Didn't even recognize Julie Warner,until double checking who the mom was played by.

Acting overall was decent enough,as well the cinematography.. Some color adjustments despite the black & white parts felt dull in vibrancy,so that may of helped it feel more magical.

Music didn't overwhelm the conversations,but could be toned a bit.

As mentioned rare to enjoy newer movies,have only liked a handful in years because Hallmark mass produces cookie cutter productions.

Worth checking out,as its something different.. Well,for Hallmark anyway.

This movie was, obviously, planned with great ambitions and its theme is perfect for Christmas. Addy, played by Lyndsy Fonseca, has lost proper balance in her life, focusing on material goals, and forgotten her Christmas spirit. Back to her hometown, once the epitome of Christmas yuletide, she finds her family and friends struggling with real life constraints that mar the seasonal joy. She wishes a life without Christmas and wakes up in a black and white world. The story leads us to understand that only finding real joy and love can bring (back) color to a drab life. In this production, the huge metaphor is carried far, perhaps too far. Situations are somewhat overblown and characters feel stereotyped, a bit empty. The love connection of Andy with the somber town mechanic, played by Michael Rady, is poorly developed and unconvincing, with minimal chemistry between the two. Essentially, the movie fails in the attempt to create the magic that could have resulted from the premises, with a more insightful script.

The wonderful metaphor of gray vs color life could have been a winning point, if it had not been stolen, and not so well played, from the successful 1998 movie 'Pleasantville'. In summary, I feel this film is watchable, family-friendly, great on intent, yet weakened by a less than inspired execution. Accepted that real sentiments and emotions provide color to our life, where are the colors in this movie?