Incógnito

I really struggle to care about romance films. Love is such a private, subjective, and in many ways arbitrary experience and, as a show-don't-tell medium, movies in my opinion just aren't an easy art through which to explore how people feel it. Generally movies standardize it to "well she fills his X deficit/need and he fills her Y deficit/need and that's why they work". I don't care about such contrived, transactional relationship.

Plainclothes, however, completely breaks through this trap. For spoilers I won't detail how, but this easily the most "real" romance I've seen in recent memory, perhaps late memory. I teared up several times in this one. If you're gay or bi, this is especially moving. But even if you're not, you're in for a novel concept and a tense story to keep you glued through an eye-opening experience about gay love, or the lackthereof...

Another reason this works so well is that, while substantively a tragic romance, it FEELS like you're watching a thriller due to the pacing, anxious cinematography, and tense writing structure.

So, so good. Keep an eye out on the creative team. Exceptional film.

Yes, it's still necessary.

Even in 2025, homosexuality is still punishable under the law in some places - even as far as a death sentence - and/or gay marriage is illegal. Even now, rights of queer people are being withdrawn and denied in the supposedly more forward-thinking West.

Some may criticise the film's focus on the story of coming out, and long for happier queer films. Guess what, they exist. But this isn't it. And, actually, coming out remains a terrifying experience for many, which is not exclusive to the queer community.

In any case, I wouldn't even call this a coming out story.

Actual plot: Set in a time and place where the local law enforcement is cracking down on homosexuals, by trapping them into revealing themselves to undercover police officers in bathrooms, the undercover cop in question is struggling with feelings of homosexuality and suffering anxiety due to the opinions of those in his life, but begins to fall for one of his marks.

This is a very tragic love story between two people, so ashamed of their existence and their feelings they are forced into secrecy. For me, the nostalgic, bygone, filming style** only adds to the effect of the main character's anxiety and sucks you right into it with him.

It's a story about people and it delivers. Forget the rest. All the mess and chaos and pain of love - it's there - and the final scene is as devastating as their love.

Solid movie. Perfect pacing. A very interesting watch. Two exceptional performances.

At just an hour and a half, I wanted more.

*for anyone unfamiliar with Tovey's work, he starred in a British sitcom, titled Him & Her.

**a smarter person than me could analise and opine on this decision and how it mirrors the films themes, but check Sight & Sound or something for that.

It's 2025 and why are gay themed films still examining men coming out, in this case, when it appears to be set a few decades back. This story has been done over and over again, for decades, and while this is an excellent film, it would be great if film makers moved on to some other facet of gay life.

What saves this film is that it's fairly well written and the performances are outstanding. Tom Blythe is exceptional in the lead role and the entire film's plot is grounded in reality, even if it's a sad reality.

What brings the movie down is the decision, I assume, to film this as if it were actually filmed decades ago on the worst camcorder ever. The movie looks cheaply made and there are too many ugly video effects added. The editing and many quick cuts don't help. With as many fine actors that there are in this I doubt the decision to film this with horrible cinematography was one of budget , but of choice. It was a bad idea. It takes away from the film and overall the film is very moving and has a real message.

I was really excited to see this film because Russell Tovey is one of my favorite actors, and representation matters to me. I try to watch everything he's in. His performance as Andrew evoked a familiar mix of love, lust, and the potential for heartbreak.

Tom Blyth's performance as Lucas was phenomenal! He completely drew me in; I felt every emotion and experienced everything Lucas went through right alongside him.

Carmen Emmi-I'm a huge fan! The story was beautifully crafted and directed, transporting me back to 1996. This time, though, I was observing the stories that were used as scare tactics to keep us in line. Learning about the elements of Carmen's own life woven into the narrative, and hearing Carmen's motivation for creating this film during that specific time period, made me connect with it even more deeply.

The movie explores several themes that most queer adults have experienced. I'm being intentionally vague to avoid spoilers, but much of what Lucas experiences resonated with me. Some aspects were painfully familiar, while others made me laugh with recognition-yes, I've been there, even the minivan!

Lucas's anxiety and pain are palpable. Andrew's words in two key moments were spot-on, and I respected his character for the way he communicated with Lucas. He didn't shy away from the pain, but wrapped his words in compassion. It made my younger self feel seen.

Finally, the ending was so satisfying. I've encountered that type of person in my own life, and it was refreshing to see that moment of freedom portrayed so powerfully.

The film has the intimate feel of an exclusive memoir, the chemistry between the two actors takes the audience's breath away, the wonderful performances and images make an old story very beautiful, and the language of the shots can make you feel it!

The first encounter between the two actors is well shot, and the first half of the film is when the audience is fascinated by their story. The film's biggest feature is the way it is edited, the old DV machine cuts and the sound of the machine malfunctioning create a sense of tension and anxiety. As a fan of Russell Tovey, I think compared with his previous gay movies, his performance in this movie is very fitting and reaches another level.

From another perspective, this is like our real grindr story, sometimes you will fall in love with a stranger after ONS, which is beautiful, but it is painful and can not be eternal.

Definitely one of the films you must watch in 2025.

I hope we all find our own San Francisco.