Las cuatro hijas

Incrediby strange and powerful and emotional film. In a sense, it is a movie about film-making, since we see the actors and the real people the documentary is about interacting in the scenes, between the scenes, and in the research phase. I had moment of pure outbursts of laughter intertwined with moments of unease and even horror depicting the tragedy of olfa and her daughters relations and bleak life choices. The mother, played by the real woman the documentary is about, is an extremely complex, charismatic, violent, funny, overbearing, relatable character who steals every scene, even in the presence of professional actresses.

This film has the worst intro I have ever seen. I couldn't stand it out, behind the scenes should be behind the scenes, why I had to watch all that crab that makes the viewer less interested and bored af! I couldn't watch the full film and closed it after 20 minutes. It's one of the worst (if not the worst) watch experiences I've been through!

Does it get better? I don't know and really I don't care. Maybe these types of films aren't for me, all I just saw is crab and horrible way of storytelling that doesn't suit my taste. I don't know why the director chose this annoying way it made me so uncomfortable!

Four daughters is a film like no other. Mixing documentary with reenactment of the past with actors is as interesting as it is confusing to watch.

I found the untreated trauma, lack of emotional development and self reflection of Olfa painful to watch, eventhough the film gave a good glance on what life can look like as a victim of generational trauma. I wouldn't say I completely understand her actions but it's clear how her experiences broke her judgement on what's good and bad.

And for the youngest daughters, I very much hope they get the treatment and rest they deserve. Some say the making of the film might have been therapeutic for them, but I highly question that. The point where the male actor stopped the scene on the bed was heartbreaking and made me question whether the makers understood what they were dealing with.

I feel like both Olfa and her daughters - who are adults (looking at their behavior I thought they were younger), are not aware enough of their own trauma to judge whether partaking in such a film is a good thing for them. Same goes for the makers. But then again, the fact that I think that might say more about me and how i view trauma, therapy and personal choice than about them.

One of the finest movies of the year, Kaouther Ben Hania's "Four Daughters" offers an illuminating exposé into family dynamics and generational trauma within a radically repressive society. Following a single mother and her two youngest daughters re-enacting their childhood with stand-in actors portraying the mother (for whenever she is overwhelmed playing herself) and her two oldest daughters who eventually went on to join the Islamic State, the movie brilliantly navigates the trauma and the bitterness of their tragic past without ever appearing distasteful.

With one of Tunisia's most talented contemporary directors at the helm, Kaouther Ben Hania presents an expertly crafted documentary that stresses the importance of independence, education, and societal deradicalization.

It's an incredible film (documentary) with heart-wrenching, funny and highly nuanced performances. It wouldn't be right to call it a "performance" as the reality is literally unfolding in front of your eyes. But still. The film, for me, has completely blurred the lines between what is real and what is not. By the end of the film, I was left with a funny feeling in my stomach, and its a rare feeling for all I believe. I hope it comes out on a platform soon so that it reaches the right kind of audience and gets the appreciation it deserves.

The filmmaker, the actors, and lastly Olfa and her daughters -- they all have my heart.