Wrong Numbers

If I watch B-grade movies, it's usually as a precursor to falling asleep and it generally works. This one was no exception, probably because it was (IMO) boring as.

The story focuses on two people who meet by chance; there is a twenty-year gap between the young, single woman and an older man and we observe their main interaction over twenty-four hours, with a brief encounter several months later. This kind of scenario (one on one) requires strong characters, an interesting story-line and engagement by the viewer. Unfortunately, it's a mediocre tale about stereotypes: she is finding herself, desperately wants a boyfriend/husband and latches on to the sympathetic, happily-married family man, with predictable results.

While the male lead appears sympathetic and believable in his role, the woman is irritating in her know-all manner and smart-a responses. However, it is no surprise that he gives in to the once-off opportunity, despite the remorse afterwards (the old cliché of "she made me feel alive" comes to mind). These are not exciting characters and their short-lived relationship is dragged out over the duration of the movie, with nothing to relieve the tedium.

Because the characters are dull, we don't really care about the predictable ending (although it's meant to be a twist on the familiar theme) and where they go from there. We're just glad it's over.

Duane Edward's drama/thriller/romance "Wrong Numbers" was a recent discovery (through the film's Facebook page), and what started as a blind watch turned into a 2025 gem discovery!

It takes a lot to captivate an audience these days, especially with a limited cast (two in this case), and essentially focus on one story throughout, which, as a fellow writer, is beyond admirable, and something I hope to accomplish one day.

Yes, there is a lot of back-and-forth talking between the two characters, however, the importance is the realism of the conversations being had and how the actions are handled in an entirely realistic manner.

I promise that once you finish this film (and I know you will) that you will say to yourself, "I know someone like that".

Mission accomplished to everyone attached to this beautiful indie drama.

*I watched Duane Edwards' film Wrong Numbers via the Indie Rights YouTube channel for free (with ads).

The dialogue between Emma and Jack is smart, captivating, witty, and makes you think, but also leaves you feeling as if you've been in the same situation yourself. (brilliant filmmaking)

Wrong Numbers showcases the real impact of casual encounters on individuals' lives and how we allow them to consume not only our hearts but also our entire way of life.

Thankfully, I've never been in this situation before, so it was an exciting "fly on the wall" type of watch; however, I know many people who have encountered this, and believe me, it typically does not end well, and Duane paints that picture perfectly!

I just watched the movie WRONG NUMBERS.

The movie has a lot of strong scenes that are deep and takes a look at what can go wrong from a one night stand.

The movie is directed by Duane Edwards and stars Emily Hall & David Kelsey.

This is a very realistic journey of a woman with believable characters that are incredibly genuine to watch on screen.

The storyline pulls you in many directions as you're watching this movie.

The movie has lots of real life circumstances. This is a natural ride through life portrayed on screen. It was also shot in a very cool way with many scenes that make you think and reflect. I thought all the lead actors all had great onscreen chemistry- they were great together. The sets and scenes are great. Check this movie out! You'll remember it!

First of all, let me just start up by saying I don't understand all of the one star reviews. This is a very well done indie that deserves quite a bit of praise. First off, the film looks great, well shot and composed. Both actors were entirely natural and real - something that is often missing from movies like this. The writing is strong, with an emphasis on conversation between disparate male/female dynamics. As the action progressed and took a genuine turn, l found myself talking to the TV, which I don't do often, and to me, that's good writing...I was fully engaged. Give this film a look; it showcases a lot of talent and is a cut above usual small-budget films.