Man chang de ji jie

This TV show triggered self-compassion for my own midlife crisis.

Yes, you may not encounter the sad life in this series, but you will definitely get older. Even the most powerful people will get old, and when that time comes, how to live decently?

It does suck to have your wife and children die abnormally and your best friend die in a car accident like Wang Xiang in this title, but it's even worse to face your own old age. The good thing is that the screenwriter gives a more positive and optimistic attitude, which seems to encourage us viewers not to be afraid of getting old. But specifically for each individual, it may not always be that easy.

Frankly, I've started to have to face some of the signs of aging, my mind gets older sometimes, and trying to act young seems to make me cringe because appearances can't hide it.

Let's hope I get the same optimistic ending, like the ending line: look forward, don't look back!

Snapping my fingers once in a while, shattering the distance between the distant past and reality.

For the middle-aged people in the northeast of China, 1990s is an unforgettable era which is full of magic and trauma. The transformation and decline of industry deeply affected the society and every family's life. People lost their jobs and the crime rate became higher. All of them make the era an abundant source for Chinese literature, and the creation of this amazing tv drama.

Basically this is a crime drama, but this is more about the characters' personalities and life, which is familiar with true detective series. It's a brilliant and touching combination of 1990s China style and tough detective novel. The emotion and the connection between people in this drama are so powerful. If you are a fan of true detective, you may love this.

I gave this 10 stars, for very specific reasons, both technical and artistic, which are detailed below.

This is a superb production; it honours the thriller genre, which has become a very sophisticated genre in recent years, but also brings its own spirit, at times lively and charming, at others very dark.

The story takes place in two eras: 2017, or 'now', and 1997; the visual recreation of the earlier period is meticulous, as well realised as a very good feature film; and the cultural and social fabric of that time, its complexities and contradictions, is beautifully evoked. Events are centred around the Hualin Steel Works, a huge factory, more like a small city with its own housing, hospital, and a large security force. The Steel Works is in steep financial decline; the middle-aged workers belong to the old China of Mao-style Communism ("I was a Model Worker!" says Wang Xiang), while the younger characters belong to the new China, still in its infancy. Economic fears, severe personal financial fears, and fear of what the future holds, pervade the community; corruption and crime are high, and, Wang Xiang, the hero of the story, struggles to be a good man in society where the costs of doing good are high, and where the community and many of those close to him have stopped believing in the morals of the past.

The narrative style is subtle, sophisticated and genuinely enthralling. The story unfolds slowly; the interwoven timelines blend gently, jumps in time at first catch you unawares. The story contains many minor characters, some of whom graduate to major characters; facts and details, hints and suggestions, are revealed here and there; a lot of guesswork and deduction is required of the viewer. Slowly the dark threads are drawn together. There is a thematic thread about 'fate', in the shape of forces outside personal control; and much of the cast consists of anti-heroes (those trying to do the right thing, but failing), and sympathetic villains (forced into wickedness by desperation), while the truly evil lurks for a long time in the shadows.

To aid with the viewer grappling with this perplexity and darkness, the script is generous with character comedy, particularly in the 'now' timeline, woven together with scenes of friendship and unresolved sadness.

The soundtrack is excellent; the show is visually cinematic; the acting is wonderful (Qin Hao, who plays Gong Biao, for example, executes one of the most convincing performances of aging 20 years that I have ever seen, so good that it was hard to believe he played both roles). My Chinese guide tells me the dialogue is also rich in idiom, accent and dialect.

In short, this is a brilliant and unique work of story-telling that both honours the genre and goes beyond it.

It is not only the suspense story itself, but also the beautiful work that presents the truth of life with a mixture of joy and sorrow through the description of life and people. The suspense is part of the story, and the core is life and destiny.

At the first few episodes, it starts out a bit slow. I also confuse by the different time narratives. When it comes to build up more characters likes Wang Yang, Shen Mo and brother, as compared to the suspenseful dismemberment case, it is more attractive about the fate of these people. The more I feel empathy for the murder, the more I sense about impermanence of life.

The success of the TV drama is not only reflected in the restoration of the sense of time in the props and scenery, but also the character creation and the actors' subtle performance. Though I'm not a native Putonghua speaker, I can still understand their effort in picking up a perfect Northeastern Chinese accents. Wang Xiang and Gong Biao in the play, regardless of their accents or demeanor, are exactly like our uncles and fathers in real life! Plus, the lighting and music are exceptional good.

For those of you reading this epitaph, we don't know at this point that this is the whispering train whistling through the Möbius Ring rising and sinking after generations of crushing Then let's give a resonant ring. If there is no echo, the season will continue to be long, but be sure to turn back before moving forward.

I admire and marvel at the director's ability for pacing, and his artistic standards are amazingly high. I love his camera angles and techniques, and I love the soundtrack in this drama. The plot is well thought out and interesting in many places. The natural human condition of the Chinese people is captured with ease. And, of course, it's all thanks to the superbly cast actors and actresses. Except for Shen Mo, whose acting sometimes lacks an explosive power and seems a bit stilted compared to the rest of the cast.

Why is this season so long? Maybe this is the season of life.