The Salt Path

The only redeeming feature of this film for me was the scenery, as I am familiar with this area and have visited much of the coastline. I found the story itself rather slow and pointless. I haven't read the book but know others who have. Perhaps this is one of those books that doesn't transform well into film.

I thought the sound and diction were very poor, and couldn't make out around 25% of Jason Isaacs's mumbled speech. It should be possible for experienced actors to speak with a regional accent (in this case Staffordshire) without mumbling.

Both my wife (who has read the book) and I left the cinema feeling quite underwhelmed.

As the partner of someone with a severe neurological disability, this movie is a hilarious slap-in-the-face of a "Just walk it off!" that we could not help but laugh at. It doesn't get more literal. I'm sure my partner would if she could! Maybe she should follow suit and just stop taking her meds!

Half an hour in, we couldn't help but think in the cinema "Are we actually enjoying this?" At home, we would have switched it off. I was hoping for something closer to Into The Wild. This is not it. It does not "become" something half way through.

My partner's father walked this path for her for charity and he found the book equally tedious, whiny, and offensive to what the path can actually mean.

The painfully slow reveal of the movie's main driver never fully materialises, leaving you frustrated at the length of the movie.

The overexposed shots of the landscape soured the otherwise wonderful soundscapes, which are particularly good in the theatre. There - that's a star gained!

Overall, this is not the one!

There is no doubt that what drew me to this movie was the casting of Gillian Anderson and Jason Isaac. Two supreme actors who continue to enthrall me and entertain. I soon became engrossed in the story and was mesmerised by both actors, whose performances brought into stark reality the awful circumstances of their characters. Tragic, dramatic but heartwarming this is not a movie of sensations but it is gritty realism. Great production and wonderful images of the beautiful south west of England are a great backdrop to this harrowing journey that set a stunning contrast to the pain and anguish of the plight of the two. Hats off to Gillian and Jason for very fine performances and for recreating the accents and manner of speech of the midlands characters. This film impressed me and left me wanting more.

Thoroughly enjoyed the movie, because of the nature shots, intimate scènes between Gillian Anderson and Jason Isaacs and I just wanted to stay in that world a little longer. They are showing their real faces, wrinkles and spots and all, and I loved them for it.

I've read the book and I feel they followed it quite strictly. Seeing the movie gave me that extra time I would have liked after I finished the book.

The way the movie is written, it solves for 'endless walking scenes' by shocking you to life every 10m or so. Either by an event, the light, or music, or something. That was well thought through, so it's not just forever walking till boredom. At all.

The connection between Anderson and Isaacs feels genuine.

It's hopeful, adventurous, reinvigorating, and touches upon loss and homelessness in a not all-consuming way.

I knew nothing of the source material memoir (never even knew it existed), so that didn't color my experience. As a man in his early 60s, what I saw was an authentic relationship of a middle-aged couple embarking on a journey to put a crisis behind them, still deeply in love despite it all and there for each other, support each other and rest in one another. The screenplay might have felt meandering at times, but that's because it's not the three-act "Hero's Journey" we're used to. Moth and Ray are literally trying to find their way after their life is upended, and the characters they meet along that path are various aspects of life. If you're willing to let things unfold, highly recommended.