Daaku Maharaaj
- 2025
- 2h 30min
PUNTUACIÓN EN IMDb
5,9/10
4,5 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA daring robber, striving for survival and establishing his own territory amid conflicts with powerful adversaries, battling to become a 'king without a kingdom'.A daring robber, striving for survival and establishing his own territory amid conflicts with powerful adversaries, battling to become a 'king without a kingdom'.A daring robber, striving for survival and establishing his own territory amid conflicts with powerful adversaries, battling to become a 'king without a kingdom'.
- Dirección
- Guión
- Reparto principal
Mahadev Vikram
- Politician
- (as Vikram Veramaneni)
Reseñas destacadas
IDaaku Maharaaj is a new Telugu language movie directed by Bobby Kolli and it stars Balakrishna, Pragya Jaiswal, Shradha Srinath and Bobby Deol with a cameo appearance by Urvashi Rautela. This movie tracks well with Balakrishna template where he is introduced as nobody but has a flashback where was a savior of people and he unleashes that fierceness in the climax. No surprises there. This movie was as predictable as sunrise and sunset.
While there is nothing wrong with formulaic commercial mass movies, the way this particular movie is written is an insult to the audience. The makers planned a "high elevation" scene every 10 minutes where we see Balakrishna uttering a senseless "punch dialogue" to cater to the "masses" followed by equally senseless songs with disgusting lyrics disguised as "mass numbers" all the while aided by S. Thaman's raucous background score that he lifted from Anirudh's Jailer theme "Alapara" and Hans Zimmer's Dune desert bass. Fortunately, this movie was not as loud as his other recent works so that's a concession, I guess.
While the movie shows so many objectionable scenes, especially involving little girls and women, the audience have to come accept that these form the core of a "Balakrishna Template". This is an unfortunate development where the audience make this kind of low effort scrap a commercial success. I cringed a little every time Balakrishna spanks the female lead in the movie. If that is not enough, the director Bobby Kolli made a little girl, probably a 6 year old, spank the female lead for Balakrishna in the name of "mass". Not stopping there, the liberal use of double entendres which leave no room for imagination is low even for Balakrishna's standards. The screenplay leaves no element of surprise by providing you exactly what you'd expect to happen exactly at the time you'd expect to happen.
What felt fresh, again for a Balakrishna template, was the cinematography. They were more subdued than a typical Balakrishna movie. However, the color grading was all over the place. There are scenes where excessive grunge effect was applied turning blood into a black colored liquid, again, presumably, to appease to the masses I guess.
Bottomline: This movie was a low effort scrap that caters to very specific set of audience.
While there is nothing wrong with formulaic commercial mass movies, the way this particular movie is written is an insult to the audience. The makers planned a "high elevation" scene every 10 minutes where we see Balakrishna uttering a senseless "punch dialogue" to cater to the "masses" followed by equally senseless songs with disgusting lyrics disguised as "mass numbers" all the while aided by S. Thaman's raucous background score that he lifted from Anirudh's Jailer theme "Alapara" and Hans Zimmer's Dune desert bass. Fortunately, this movie was not as loud as his other recent works so that's a concession, I guess.
While the movie shows so many objectionable scenes, especially involving little girls and women, the audience have to come accept that these form the core of a "Balakrishna Template". This is an unfortunate development where the audience make this kind of low effort scrap a commercial success. I cringed a little every time Balakrishna spanks the female lead in the movie. If that is not enough, the director Bobby Kolli made a little girl, probably a 6 year old, spank the female lead for Balakrishna in the name of "mass". Not stopping there, the liberal use of double entendres which leave no room for imagination is low even for Balakrishna's standards. The screenplay leaves no element of surprise by providing you exactly what you'd expect to happen exactly at the time you'd expect to happen.
What felt fresh, again for a Balakrishna template, was the cinematography. They were more subdued than a typical Balakrishna movie. However, the color grading was all over the place. There are scenes where excessive grunge effect was applied turning blood into a black colored liquid, again, presumably, to appease to the masses I guess.
Bottomline: This movie was a low effort scrap that caters to very specific set of audience.
Urvashi Rautela is a flop actress and basically an item girl. They could have cast any nice South Indian heroine. She can neither act nor talk properly in interviews.
Movie is just average, nothing crazy good. Not even close to being a blockbuster. Script is okay, other actors have acted well but not earth shattering good. Dance moves are super cringe and you could get second hand embarrassment. Not suitable for kids. Just a plain movie but honestly it is a snooze fest. So yes think about it. Do you want to waste your lonely on an average film or would you rather binge watch Harry Potter at home? Most people would prefer the latter.
Movie is just average, nothing crazy good. Not even close to being a blockbuster. Script is okay, other actors have acted well but not earth shattering good. Dance moves are super cringe and you could get second hand embarrassment. Not suitable for kids. Just a plain movie but honestly it is a snooze fest. So yes think about it. Do you want to waste your lonely on an average film or would you rather binge watch Harry Potter at home? Most people would prefer the latter.
Bobby seems to have picked up where he left his villainous role in animal movie.
These type of movies need a ruthless villain and Bobby delivers, your all familiar with Balakrishna style, larger than life character.
The movie is a good weekend entertainer, with a recycled storyline of good vs evil.
The director's of south have found a winning formula of cramming 2 stories into one movie, although highly entertaining and your getting more movie for your buck. Not every movie can pull this off and this is where daaku maharaj leaves you yearning for more.
This movie would have been a solid 10 but, storyline seems rather rushed.
These type of movies need a ruthless villain and Bobby delivers, your all familiar with Balakrishna style, larger than life character.
The movie is a good weekend entertainer, with a recycled storyline of good vs evil.
The director's of south have found a winning formula of cramming 2 stories into one movie, although highly entertaining and your getting more movie for your buck. Not every movie can pull this off and this is where daaku maharaj leaves you yearning for more.
This movie would have been a solid 10 but, storyline seems rather rushed.
Routine south Indian movie, where hero fights to save a village or a family with some backstory and few elevation scenes.
Positives: 1. Balakrishna performance 2. Thaman background score 3. No cringe comedy between hero and other characters 4. No unnecessary between hero and heroine 5. All the elevations worked well because of Balayya's screen presence
Negatives: 1. No snakes and ladder game between hero and villain. Always hero wins as in all the south Indian movies 2. Few emotions didn't work well 3. Few scenes in the second half are not that engaging and felt bore 4. Multiple villains just to extend the storyline and have more fights 5. Few illogical scenes from direction point of view.
Positives: 1. Balakrishna performance 2. Thaman background score 3. No cringe comedy between hero and other characters 4. No unnecessary between hero and heroine 5. All the elevations worked well because of Balayya's screen presence
Negatives: 1. No snakes and ladder game between hero and villain. Always hero wins as in all the south Indian movies 2. Few emotions didn't work well 3. Few scenes in the second half are not that engaging and felt bore 4. Multiple villains just to extend the storyline and have more fights 5. Few illogical scenes from direction point of view.
I don't know if it's too much to ask a basic, decent movie, with bare minimum emotional touch, watching big hero movie from Telugu is frustrating
Balakrishna does everything in his usual style, albeit with the loudness toned down. Urvashi's Butts has got more screentime than her face, Pragya does nothing, Shraddha Srinath surprisingly has got a decent role and did well. Bobby Deol except for fighting cigarettes does nothing.
Technically, movie is super slick with solid cinematography by Vijay Karthik, rousing score by Thaman, fair work by editor Ruben, production values are fine for a Balayya film.
Coming to writer-director Bobby Kolli, don't know how he keeps churning out such half baked movies on a consistent basis, might do commercially well, but they are far from satisfactory.
BOTTOMLINE : It's neither VIKRAM nor JAILER.
Balakrishna does everything in his usual style, albeit with the loudness toned down. Urvashi's Butts has got more screentime than her face, Pragya does nothing, Shraddha Srinath surprisingly has got a decent role and did well. Bobby Deol except for fighting cigarettes does nothing.
Technically, movie is super slick with solid cinematography by Vijay Karthik, rousing score by Thaman, fair work by editor Ruben, production values are fine for a Balayya film.
Coming to writer-director Bobby Kolli, don't know how he keeps churning out such half baked movies on a consistent basis, might do commercially well, but they are far from satisfactory.
BOTTOMLINE : It's neither VIKRAM nor JAILER.
¿Sabías que...?
- CuriosidadesThe film was trolled for the song where Bala is shown hitting the rare of a much younger Urvashi.
- Versiones alternativasThe version available worldwide via Netflix has graphic scenes of violence blurred.
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Detalles
Taquilla
- Recaudación en todo el mundo
- 157.823 US$
- Duración
- 2h 30min(150 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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