PUNTUACIÓN EN IMDb
5,8/10
52 mil
TU PUNTUACIÓN
Cuatro eminentes directores indios exploran el sexo, el deseo y el amor a través de cortometrajes en esta secuela de 'Lust Stories', nominada al Emmy de 2018.Cuatro eminentes directores indios exploran el sexo, el deseo y el amor a través de cortometrajes en esta secuela de 'Lust Stories', nominada al Emmy de 2018.Cuatro eminentes directores indios exploran el sexo, el deseo y el amor a través de cortometrajes en esta secuela de 'Lust Stories', nominada al Emmy de 2018.
- Premios
- 10 premios y 21 nominaciones en total
Vijay Varma
- Vijay Chawhan (Sujoy Ghosh's Segment)
- (as Vijay Verma)
Vibha Chhibber
- Kaki
- (sin acreditar)
Jugal Hansraj
- David Chaudhary
- (sin acreditar)
Mukti Mohan
- Anita
- (sin acreditar)
Payal Pandey
- Bitari
- (sin acreditar)
Jeniffer Piccinato
- Nisha
- (sin acreditar)
Anjuman Saxena
- Reena
- (sin acreditar)
Resumen
Reviewers say 'Lust Stories 2' delves into lust, desire, and relationships but is criticized for disjointed storytelling, weak scripts, and lack of depth. Many note subpar performances and underdeveloped characters, even with talented actors. The anthology format, successful in the original, feels disjointed here. Some praise specific segments, especially those directed by Konkona Sen Sharma and featuring strong performances by Tamannah Bhatia and Vijay Varma. However, the overall consensus is that 'Lust Stories 2' fails to match its predecessor's impact, disappointing fans.
Reseñas destacadas
The problem with these kind of movies lies with the lust they want to sell. Even without those scenes the story can work and believe me this time the stories are fine.
The first story must not be Rated A if it was not in this movie. The story contains nothing in the name of lust.
The second Story portray some kind of illegal behavior but still you don't sympathize with any of the characters.
The third story in which Tamannah and Vijay is there wants to surprise you but fails miserably. What you can predict was there in the end and you are left unsatisfied there.
The fourth story which is predictable also leaves you puzzled about the name of this movie.
Atleast try to justify the title of movie.
The first story must not be Rated A if it was not in this movie. The story contains nothing in the name of lust.
The second Story portray some kind of illegal behavior but still you don't sympathize with any of the characters.
The third story in which Tamannah and Vijay is there wants to surprise you but fails miserably. What you can predict was there in the end and you are left unsatisfied there.
The fourth story which is predictable also leaves you puzzled about the name of this movie.
Atleast try to justify the title of movie.
Out of the 4 stories, I liked "The Mirror" by Konkona Sen Sharma & "Tilchatta" by Amit Ravindernath Sharma.
"The Mirror" was successful in portraying the hidden sexual fantasies among some people.
"Tilchatta" had a brilliant twist in the climax showing how an evil plan backfires due to a sexual urge that can't be kept hidden forever!
The other 2 stories weren't that promising.
"Made for each other" by R Balki where the portrayal of the idea that sex is the only thing that makes a happy and long lasting marriage, felt unconvincing to me.
"Sex with the Ex" by Sujoy Ghosh was an amateurish direction with a weak plotline. Although I couldn't take my eyes of the voluptuous Tamanna Bhatia.
"The Mirror" was successful in portraying the hidden sexual fantasies among some people.
"Tilchatta" had a brilliant twist in the climax showing how an evil plan backfires due to a sexual urge that can't be kept hidden forever!
The other 2 stories weren't that promising.
"Made for each other" by R Balki where the portrayal of the idea that sex is the only thing that makes a happy and long lasting marriage, felt unconvincing to me.
"Sex with the Ex" by Sujoy Ghosh was an amateurish direction with a weak plotline. Although I couldn't take my eyes of the voluptuous Tamanna Bhatia.
People who are saying this movie is worse than the last may not remember the first one probably. In first edition, there was 2 good segments, 1 mediocre segment and 1 terrible segment. This movie exactly has the same.
First story is too much spoon-feeding for audience. Similar to what R Balki generally keep on doing. Storyline is boring and gets irritating by the time it ends. They believed they could deliver like 'Badhai ho' but failed miserably.
Story 2 was mediocre but actingwise very much satisfied. Amrutha Subhash and Tillotama are masters. Direction from Koko di is perfect. No wonder.. it is in her genes.
Story 3 was straight out of Aeshop fables. And indeed there was a fairy. Tamannah is just drop 'dead' gorgeous (pun intended). But Vijay is getting stereotyped by doing same 'innocent face but evil intention' roles. Sad for him.
Story 4 was good but predictable. Kumud Mishra was best. Kajol just continued her role from 'Salaam Venky'. Nothing fancy to deliver considering her calibre.
First story is too much spoon-feeding for audience. Similar to what R Balki generally keep on doing. Storyline is boring and gets irritating by the time it ends. They believed they could deliver like 'Badhai ho' but failed miserably.
Story 2 was mediocre but actingwise very much satisfied. Amrutha Subhash and Tillotama are masters. Direction from Koko di is perfect. No wonder.. it is in her genes.
Story 3 was straight out of Aeshop fables. And indeed there was a fairy. Tamannah is just drop 'dead' gorgeous (pun intended). But Vijay is getting stereotyped by doing same 'innocent face but evil intention' roles. Sad for him.
Story 4 was good but predictable. Kumud Mishra was best. Kajol just continued her role from 'Salaam Venky'. Nothing fancy to deliver considering her calibre.
Okay, let's start with my review of the four episodes:
Made for Each Other - R. Balki I felt this chapter was the most ordinary of the four, and I do understand that culturally, in India, there's some shock value to the fact that a grandmother would be so racy and vocally conscious of the importance of sex and intimacy. That said, the episode just entirely relies on this gimmick and even though it's not bad, it does seem to have no point. It could easily have gone down as a random clip on social media which aims to provide some educative content, but a very superficial one, frankly speaking. Obviously, Neena Gupta is fun and does a good job, but this episode as a whole just doesn't leave a mark.
The Mirror - Konkona Sen Sharma Well, it's easily the strongest part of them all - in terms of story, script, direction, acting and execution, as well as the issues it addresses, from sex, loneliness to social class. Konkona does a fantastic job with an episode that so intelligently explores the desires of women from different strata of society. And their social class is not even a factor when it comes to their personal desires as they are equal. Tillotama Shome seems to have carved her own niche in the film industry with some wise choices, and she is fantastic here. After Sir, where she played the maid to perfection, it's interesting to see her assume the part of the employer. Doubtlessly though, it is Amruta Subhash who absolutely nails it in the part of the maid and gradually proves herself as one of the most impressive character actresses in India today. Her performance is a portrait of rage, honesty and compassion, which is exactly what this interesting episode ends up being.
Sex with Ex - Sujoy Ghosh Now this is a very basic sort of thriller, and it's quite intriguing, but it's also quite banal and formulaic. Vijay Varma can always be counted on to deliver the goods, and he's quite good here, but the episode as a whole is quite a thankless task. Tamanna Bhatia is equally effective in the part but the episode concludes on such a predictable note it's amazing a director as good as Ghosh would ever have thought this could pass as something even remotely original or impactive. It's watchable, but it's forgettable.
Tilchatta - Amit Sharma Well, anything for Kajol. Try to watch it and imagine another actress in the part, it will just not work. Kajol's presence indeed makes up for many of the flaws, for the dark and gloomy atmosphere, for the pacing, and for the story which relays hardly any positive or redeeming messages. Very well acted though. Kumud Mishra is plain excellent as the abusive drunk, really very good and very easy to hate. It is obviously Kajol though who carries the entire segment on her able shoulders. Her eyes reveal the complexity of her situation, and she so easily slips into the shoes of an ordinary, troubled woman. The final twist is quite upsetting, and it has various interesting messages, one of which relates to the two faces of plotted revenge. Sometimes the immediate solution is the good one.
Made for Each Other - R. Balki I felt this chapter was the most ordinary of the four, and I do understand that culturally, in India, there's some shock value to the fact that a grandmother would be so racy and vocally conscious of the importance of sex and intimacy. That said, the episode just entirely relies on this gimmick and even though it's not bad, it does seem to have no point. It could easily have gone down as a random clip on social media which aims to provide some educative content, but a very superficial one, frankly speaking. Obviously, Neena Gupta is fun and does a good job, but this episode as a whole just doesn't leave a mark.
The Mirror - Konkona Sen Sharma Well, it's easily the strongest part of them all - in terms of story, script, direction, acting and execution, as well as the issues it addresses, from sex, loneliness to social class. Konkona does a fantastic job with an episode that so intelligently explores the desires of women from different strata of society. And their social class is not even a factor when it comes to their personal desires as they are equal. Tillotama Shome seems to have carved her own niche in the film industry with some wise choices, and she is fantastic here. After Sir, where she played the maid to perfection, it's interesting to see her assume the part of the employer. Doubtlessly though, it is Amruta Subhash who absolutely nails it in the part of the maid and gradually proves herself as one of the most impressive character actresses in India today. Her performance is a portrait of rage, honesty and compassion, which is exactly what this interesting episode ends up being.
Sex with Ex - Sujoy Ghosh Now this is a very basic sort of thriller, and it's quite intriguing, but it's also quite banal and formulaic. Vijay Varma can always be counted on to deliver the goods, and he's quite good here, but the episode as a whole is quite a thankless task. Tamanna Bhatia is equally effective in the part but the episode concludes on such a predictable note it's amazing a director as good as Ghosh would ever have thought this could pass as something even remotely original or impactive. It's watchable, but it's forgettable.
Tilchatta - Amit Sharma Well, anything for Kajol. Try to watch it and imagine another actress in the part, it will just not work. Kajol's presence indeed makes up for many of the flaws, for the dark and gloomy atmosphere, for the pacing, and for the story which relays hardly any positive or redeeming messages. Very well acted though. Kumud Mishra is plain excellent as the abusive drunk, really very good and very easy to hate. It is obviously Kajol though who carries the entire segment on her able shoulders. Her eyes reveal the complexity of her situation, and she so easily slips into the shoes of an ordinary, troubled woman. The final twist is quite upsetting, and it has various interesting messages, one of which relates to the two faces of plotted revenge. Sometimes the immediate solution is the good one.
Thoughts summed up: Lust Stories 2 is a subpar anthology that'll only be remembered for Konkona Sen Sharma's standout segment. The rest are largely forgettable, leaving little in the way of impact.
Made for Each Other (R Balki): An ad-level concept stretched and squeezed all the way but nothing really stands out here. Neena Gupta's granny role sounded interesting at first, but quickly gets preachy and intolerable after a point (rockstar, my foot!). The ending is.. well, just an ending.
The Mirror (Konkona Sen Sharma): Stunner! Not only is the voyeur concept refreshingly presented, this segment also has the best payoff. Both Tillotama Shome and Amrutha Subhash are excellent in their respective roles. The scenes where the ladies lose their cool and their eventual reconciliation were remarkably directed.
Sex with Ex (Sujoy Ghosh): Apart from Tamannaah's unfiltered beauty, there isn't much to relish here. The story is a mess, the CGI countryside is an even bigger mess, and the climactic twist was seen coming 72 miles away.
Tilchatta (Amit Ravindernath Sharma): The plot is as old as it gets. Did this segment really need someone the calibre of Kajol? The twist at the end was fascinating (yet sad), and I think this should have swapped positions with Konkona's segment.
Made for Each Other (R Balki): An ad-level concept stretched and squeezed all the way but nothing really stands out here. Neena Gupta's granny role sounded interesting at first, but quickly gets preachy and intolerable after a point (rockstar, my foot!). The ending is.. well, just an ending.
The Mirror (Konkona Sen Sharma): Stunner! Not only is the voyeur concept refreshingly presented, this segment also has the best payoff. Both Tillotama Shome and Amrutha Subhash are excellent in their respective roles. The scenes where the ladies lose their cool and their eventual reconciliation were remarkably directed.
Sex with Ex (Sujoy Ghosh): Apart from Tamannaah's unfiltered beauty, there isn't much to relish here. The story is a mess, the CGI countryside is an even bigger mess, and the climactic twist was seen coming 72 miles away.
Tilchatta (Amit Ravindernath Sharma): The plot is as old as it gets. Did this segment really need someone the calibre of Kajol? The twist at the end was fascinating (yet sad), and I think this should have swapped positions with Konkona's segment.
¿Sabías que...?
- CuriosidadesShrikant Yadav who plays husband of Amruta Subash in the series are close friends in real life.Shrikant Yadav was not ready to do the intimate scenes with her but Amruta Subash's husband whose also his friend convinced him to do the scenes.
- ConexionesFollows Bombay Talkies (2013)
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Detalles
- Duración2 horas 12 minutos
- Color
- Mezcla de sonido
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