Añade un argumento en tu idiomaAn amazing and never-before-seen on-screen cast. And, the people's favorite husband-wife duo, Hira and Mani will be appearing together for the first time.An amazing and never-before-seen on-screen cast. And, the people's favorite husband-wife duo, Hira and Mani will be appearing together for the first time.An amazing and never-before-seen on-screen cast. And, the people's favorite husband-wife duo, Hira and Mani will be appearing together for the first time.
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I just want to say that all actors did splendid jobs in their respective roles and all different three had a good storyline along with good messaging. To be very honest, I went to see Wahaj Ali and Ramsha Khan first debut performance and as always the man did justice to his role as "Asad" and his charming looks. My only wish would be that Wahaj role could have more dialogues and for Ramsha character "Rumaisa" dance performance was fab and her performance was very impressive but the storyline "Parsooi" would be more engaging and it was lacking it. Otherwise, love the movie and would recommend others to watch the movie with their family as well. It's a good entertaining movie.
Apart from a few truly stellar cinematic films (Maula Jutt, Moor, Manto, Waar, Namaloom Afraad, Laal Kabootar), Pakistani Cinema is confused. Most films are like directors trying to copy-paste a TV drama onto the big screen.
The same is the case with this anthology. They are a good collection of short films, but definitely not for the big screen. The second film was essentially an extended ad for Cadbury Dairy Milk, it was so bad. This should have been a digital release. Save for some excellent cinematic scenes at the end of the third short film, nothing was truly cinema eye-candy.
Pakistani directors should realize that making movies for the cinema is different than making them for the TV/Computer screen. There is a thing called cinematic experience.
Also, Khalilur Rehman should stick to writing cringey, misogynistic dramas.
Definitely not one to be watched in cinemas, see it digitally or on TV.
The same is the case with this anthology. They are a good collection of short films, but definitely not for the big screen. The second film was essentially an extended ad for Cadbury Dairy Milk, it was so bad. This should have been a digital release. Save for some excellent cinematic scenes at the end of the third short film, nothing was truly cinema eye-candy.
Pakistani directors should realize that making movies for the cinema is different than making them for the TV/Computer screen. There is a thing called cinematic experience.
Also, Khalilur Rehman should stick to writing cringey, misogynistic dramas.
Definitely not one to be watched in cinemas, see it digitally or on TV.
Just enjoyed 3rd part of the movie, but the producers has given more dialogues and importance to Mehwish as compared to wahaj , that is quite unfair , it was his first debut film but I loved it his eyes expression his phenomenal expression loved it! Hira and Mani movie was not a horror for me! Some dialogues by khail ur Rehman didn't liked by me , but it is a good try by Pakistani cinema to promote our industry, from all Pakistani films being onaired now a days in cinema it is better from all that u can go and watch it but I saw people are more interested in watching new Indianan movie today in cinema, houses are full there.
The film begins with a funny and snappy horrorcomedy called "Jinmahal." Hira, Mani, and Gul-e- Rana all provide excellent performances in the direction of Nabeel Qureshi. It's entertaining to watch.
"Pasoori" is the second film. Unfortunately, actors of caliber such as Sheheryar Munnawar, Ramsha Khan, and Babar Ali are all wasted in this mediocre rom-com.
"Aik So Teeswaan" is the third, and the one I'm here to talk about. A story of two strangers who meet on a train ride. Sadaf's narrative is about a girl who is still looking on the bright side of her not-so-perfect married life, and Asad's story is about a painter and poet who has concerns about his marriage and is smitten by her. As they both discuss their experiences and ideas on their positions, as well as how other passengers are chasing their chemistry, the tale continues. It becomes more lyrical and intriguing as it nears its conclusion, as they each influence one other's beliefs and behaviors.
Wahaj Ali brings Asad the much-needed charm and tenderness in addition to Meahwish's stunning and strong Sadaf. You are captivated by the plot after seeing both performances. A beautifully written story by Khalil-ur-Rehman Qamar, and a flawlessly executed script by Nadeem Baig.
"Pasoori" is the second film. Unfortunately, actors of caliber such as Sheheryar Munnawar, Ramsha Khan, and Babar Ali are all wasted in this mediocre rom-com.
"Aik So Teeswaan" is the third, and the one I'm here to talk about. A story of two strangers who meet on a train ride. Sadaf's narrative is about a girl who is still looking on the bright side of her not-so-perfect married life, and Asad's story is about a painter and poet who has concerns about his marriage and is smitten by her. As they both discuss their experiences and ideas on their positions, as well as how other passengers are chasing their chemistry, the tale continues. It becomes more lyrical and intriguing as it nears its conclusion, as they each influence one other's beliefs and behaviors.
Wahaj Ali brings Asad the much-needed charm and tenderness in addition to Meahwish's stunning and strong Sadaf. You are captivated by the plot after seeing both performances. A beautifully written story by Khalil-ur-Rehman Qamar, and a flawlessly executed script by Nadeem Baig.
Zin Mahal had the most interesting premise and plot with some comic moments. It takes on social issues like homelessness, superstition with a touch of humor. All the primary actors delivered good performances. Pasoori was a fun ride, provided much needed light hearted buffer between two intense films and made the viewing experience better. Performance wise again, all the actors delivered specially Ramsha. Ek Sau Taeeswan was intense drama about underbelly of marital relatioinships exploring (in)fidelity with many wordplays in place. Mehwish Hayat's character Sadaf was the driving force, got most of the punchline dialogues and she carried the film well on her shoulders. Wahaj Ali's character Asad was more of a foil and on a listening/realization trip. He had slightly less room for performance and did well with what he had.
The format of three short films was like a buffet in a restaurant and provided interspersing combination of different tastes that I thought worked well for the viewing experience.
The format of three short films was like a buffet in a restaurant and provided interspersing combination of different tastes that I thought worked well for the viewing experience.
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- Recaudación en todo el mundo
- 53.957 US$
- Duración2 horas 14 minutos
- Color
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