Vedaa

I like to watch John's action movies. He his best at doing actions if we don't talk about Tiger and Vidyut, the Martial artists. But Nikhil Advani also disappointed. John Abraham seems having less expressions in many scenes. Actually John has limited acting range. Only Yash Chopra could make John act like a pro in his movies like Dhoom, Newyork, Pathaan etc. But in nearly all movies his acting and dialogue delivery suck! But in some scenes his acting seems very subtle. But definitely his acting range is limited. (Though better than some over actors like Varun Dhawan).

Now Nikhil Advani again is culprit. Story was very over the top! If action was meant to be over the top it was fine but story was also very hard to digest. In a scene.. the goons attack John and John gets unconscious. They catch John and Sharvari that is OK. But they leave her father and uncle? 😅. What was that? In many scenes dialogues and monologues seem very outdated and boring. Nikhil Advani is the one who made D- Day and Batla House.. both the amazing movies. But this time he disappointed Ashish Vidyarthi was wasted in the movie. He did nothing in the movie. Any other actor could have given that casual performance.

Now coming to the positive points.. John as an action hero was very good. He seems strong and actions really suits him. Abhishek Banerjee was at his best. He did more than what I expected. Abhishek's acting uplifted the whole movie. Now the strongest point was Sharvari's acting. In every scene... she meant business! She was fabulous. After so many years I watched a truly commendable acting. In every situation she acted like a very talented actor. Want to watch more of her works in future.

Movie is somewhat lengthy but you don't feel the length because it is definitely engaging. I have highlighted some flaws in it. But this is definitely a one time watch!

All the best to John for his upcoming projects. But this was definitely not among his best works.

Living in an Independent India, not being able to understand how certain castes live, this movie is an eye opener and, a true form of art executed by John Abraham and the team. I thank the entire team on working on such a brilliant Indian movie after ages.

Vedha is a cinematic triumph that captivates with its intense storytelling, stunning visuals, and powerful performances. Set against a rich cultural backdrop, the film explores deep themes of love, loss, and redemption. The screenplay is tight, keeping the audience engaged from start to finish, and the pacing ensures that there's never a dull moment.

The lead actor delivers a stellar performance, bringing emotional depth to the character of Vedha. The supporting cast also shines, adding layers of complexity to the narrative. The film's direction is masterful, with each scene meticulously crafted to evoke the right emotions. The cinematography is breathtaking, capturing the beauty of the film's setting and enhancing the overall experience.

The music score complements the film perfectly, resonating with the tone and elevating key moments. The film also excels in its technical aspects, with impressive production design, costume design, and visual effects that immerse the viewer in the world of Vedha.

Vedha is a must-watch for anyone who appreciates quality cinema. It's a film that will stay with you long after the credits roll, leaving you with plenty to ponder and appreciate. Highly recommended!

Few scenes seemed borrowed from Sairat. The script obviously doesn't seem which took 6 years to write (Nikkhil Advani & Aseem Arora).

The Idea of the plot was to show the state of places were Illegal Heads and untouchability was still followed.

The Direction lacked at some points, the action and fight direction were not forced but could have been better.

The fight scene after the unnecessary item song gave audience a boost to the seemingly dormant protagonist, although negligent of the evidence.

Abhishek Banerjee's performance for the negative role was commendable enough.

Sharvari also did good job.

John maintained his monotonous appearance throughout the film.

Vedaa offers a mixed experience, led by Sharavari's compelling performance. She delivers a range of emotions and excels in her role with strong expressions and good dialogue delivery, truly carrying the film's emotional weight. John Abraham, though mostly expressionless, surprisingly fits his character, where a lack of emotion is justified.

The first half of the movie works well, keeping the audience engaged with a balanced narrative. However, the film takes a nosedive when the typical, outdated one-man-army action scenes take over, dragging down the overall impact. This formulaic action, where one character single-handedly takes on entire forces, feels repetitive and unrealistic, making it hard to stay invested.

While the screenplay shows promise, the execution, especially with the action sequences, hurts the film's flow. Additionally, the background score fails to elevate the tense moments, adding to the overall drop in quality during the second half.

In summary, Vedaa starts strong but falters, particularly in its action scenes and sound design. It's a film with both high points and significant shortcomings, and I'd agree with a rating of around 6/10.

Seems highly influenced by Riders of Justice! At least have the heart to acknowledge even if it's a weak copy! Must commend the attempt and making it contextual to the region in its storyline. The fight sequences could have been more believable if they had consulted an armed forces Commando.

The irony in the story of the enemy within is palpable. We need a pragmatic, workable and commercially viable solution to root out castism and racial inequality from human society.

The idea of a powerful and relatively uncorrupt judiciary is the holy grail of uplifting contemporary society from the depths of filth to relative utopia.