PUNTUACIÓN EN IMDb
4,7/10
2,6 mil
TU PUNTUACIÓN
La poderosa abogada Marley se enfrenta a su caso más personal hasta la fecha cuando se le asigna la tarea de descubrir la verdad detrás del tiroteo del esposo de su mejor amiga Fela.La poderosa abogada Marley se enfrenta a su caso más personal hasta la fecha cuando se le asigna la tarea de descubrir la verdad detrás del tiroteo del esposo de su mejor amiga Fela.La poderosa abogada Marley se enfrenta a su caso más personal hasta la fecha cuando se le asigna la tarea de descubrir la verdad detrás del tiroteo del esposo de su mejor amiga Fela.
Reseñas destacadas
Super slow moving unbelievable, literally impossible, plot, so NOT great crime, couldn't happen in a million years, like a high schooler's 1st attempt at a crime novel, with a ton of gaping holes, great actors and actresses but the script drags on and it looks like the actors themselves are having trouble figuring out which part of the plot they are in, the reactions don't always match the storyline. The last 2 minutes did have one great scene where the summary of how we should as a society face police shootings was a great line. So, wait for the movie to be free and watch the last 2 minutes; you will get the point I'm sure Tyler Perry had in mind. Following the storyline also makes the viewer have to struggle to put it together, because it's a puzzle of plots that don't quite fit, like struggling to put together a puzzle and realizing it's a collage of mismatched images with several plots, not interconnected, a puzzle with several images within one. LIke a story written by several different people who didn't know for sure what the other writers were going to write.
Okay, the film isn't Oscar worthy, but it's also not 3 hrs long. Yes, the acting wasn't the best, and some parts were very well over acted, but the plot twists more than made up for its deficiencies. It's "free" on Prime and worth the watch, so enjoy the movie. It's just over 90 minutes long.
I think it also did well addressing current social issues with a positive message, like we can all do better. Thank you Tyler Perry for addressing issues that most filmmakers don't.
While I appreciate the comments to help me gauge a movie, some 5's are on the cusp of becoming a good to a very good movie.
I think it also did well addressing current social issues with a positive message, like we can all do better. Thank you Tyler Perry for addressing issues that most filmmakers don't.
While I appreciate the comments to help me gauge a movie, some 5's are on the cusp of becoming a good to a very good movie.
So Marley and her private investigator husband live in this really nice house. One day she gets mad at her husband and when he gets home, she's downstairs with a blanket and she informs him that he has to sleep on the couch. The only problem is that just by looking at the house, you know there absolutely has to be at least one additional bedroom in that house. Prior to this scene, he had made Marley some breakfast and told her "it's not much, but I made it with love". See, people don't actually talk like this in real life but I'm not sure if Tyler knows this. It's pretty cringe when Tyler tries to write using expletives and there's a little bit of that here. And TP knows absolutely nothing about nuance. He'll write dialogue like: "don't think I forgot that you faked that slip and fall 5 years ago and got that $32,000 settlement". Like bro...you've made a ton of money and I'm sure there's far more talented writers who just need an opportunity. How about you give them that opportunity?
I honestly don't know what it is about Tyler Perry's movies, but he has a habit of hiring ridiculously attractive people who just can't act. Duplicity is no exception. The dialogue is painfully awkward, filled with lines that don't sound like anything real people would say, and the way the actors deliver them makes it even worse. Everything is over-acted. The entire movie feels forced, unnatural, and honestly, a little embarrassing to watch. Everything is off. Everything is melo-dramatic, overblown and just overall Youtube influencer type of acting.
The only reason I even gave this movie a chance was because of Kat Graham. She was great in The Vampire Diaries, so I know she's capable of delivering a strong performance. But here? It was actually painful to watch her act alongside people who seemed like they had never stepped in front of a camera before. Every interaction was stiff, robotic, and lacking any real chemistry. It's like they just grabbed random people off the street and put them in a major film with zero preparation.
On top of that, the plot is just messy. It's predictable, overly dramatic in the worst way, and full of cringeworthy moments that made me want to turn it off multiple times. I kept waiting for it to get better, for something to make it all worth sitting through, but it never did.
If you're looking for a well-acted, engaging movie, this is not it. It's frustratingly bad, and the only thing worse than the acting is the writing. Don't waste your time.
The only reason I even gave this movie a chance was because of Kat Graham. She was great in The Vampire Diaries, so I know she's capable of delivering a strong performance. But here? It was actually painful to watch her act alongside people who seemed like they had never stepped in front of a camera before. Every interaction was stiff, robotic, and lacking any real chemistry. It's like they just grabbed random people off the street and put them in a major film with zero preparation.
On top of that, the plot is just messy. It's predictable, overly dramatic in the worst way, and full of cringeworthy moments that made me want to turn it off multiple times. I kept waiting for it to get better, for something to make it all worth sitting through, but it never did.
If you're looking for a well-acted, engaging movie, this is not it. It's frustratingly bad, and the only thing worse than the acting is the writing. Don't waste your time.
STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful
Marley Wells (Kat Graham) is a high flying attorney, with a loving husband, Tony (Tyler Perry, also starring?!!) and her best friend, Fela (Meagan Tandy.) However, when Fela's partner, Kevin (RonReaco Lee) is slain in a police stop, by new recruit Officer Caleb (Jimi Stanton), under the supervision of family friend Shannon (Shannon LaNier), Wells's life is thrown into a whirlwind of disarray, with a devastating truth where everything may not be as it seems.
For the fourth time in the space of a year (including his two and a half hour unseen farrago Divorce in the Black), writer/director Tyler Perry has another passion project on the go that he can't wait for us all to see. Featuring a no name cast, including, it seems, the man himself, here he has a stab at a suspense thriller with a social justice slant thrown in ('cos that's still an in thing), but if at first he didn't succeed, trying, trying and trying again really hasn't worked for him.
The theme of black men being shot dead in police stops still holds a great deal of passion for many, and so it's still a fairly inspired premise on which to base a new film, but here it's delivered in such a ham fisted, heavy handed manner that it has no effect. There is the slightest hint of genuine suspense and mystery to the story, but it's quickly drowned out by descending into a preposterous, drawn out ending that pollutes the rest of the project.
Missieur Perry would do well to consider the likes of Uwe Boll, and even the 'legendary' Ed Wood, and consider his present trajectory in their direction before he gets carried away again. **
Marley Wells (Kat Graham) is a high flying attorney, with a loving husband, Tony (Tyler Perry, also starring?!!) and her best friend, Fela (Meagan Tandy.) However, when Fela's partner, Kevin (RonReaco Lee) is slain in a police stop, by new recruit Officer Caleb (Jimi Stanton), under the supervision of family friend Shannon (Shannon LaNier), Wells's life is thrown into a whirlwind of disarray, with a devastating truth where everything may not be as it seems.
For the fourth time in the space of a year (including his two and a half hour unseen farrago Divorce in the Black), writer/director Tyler Perry has another passion project on the go that he can't wait for us all to see. Featuring a no name cast, including, it seems, the man himself, here he has a stab at a suspense thriller with a social justice slant thrown in ('cos that's still an in thing), but if at first he didn't succeed, trying, trying and trying again really hasn't worked for him.
The theme of black men being shot dead in police stops still holds a great deal of passion for many, and so it's still a fairly inspired premise on which to base a new film, but here it's delivered in such a ham fisted, heavy handed manner that it has no effect. There is the slightest hint of genuine suspense and mystery to the story, but it's quickly drowned out by descending into a preposterous, drawn out ending that pollutes the rest of the project.
Missieur Perry would do well to consider the likes of Uwe Boll, and even the 'legendary' Ed Wood, and consider his present trajectory in their direction before he gets carried away again. **
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- Banda sonoraBack at It Again
Performed by LÒNIS feat. Julisa
Written by Jennifer Hanson, Nick Brophy, Lisa Wilson
Published by JUJUFRUIT/Peermusic III, Ltd. o/b/o itself, Miss Marvelle Music, and Songs of Sanchez
Courtesy of Peer-Southern Productions, Inc.
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- How long is Tyler Perry's Duplicity?Con tecnología de Alexa
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- Duración
- 1h 49min(109 min)
- Color
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