En 2052, una era de paz sin precedentes prevalece en todo el mundo, donde la humanidad se libera de la enfermedad. El Dr. Skinner ha desarrollado una cura milagrosa para todos los medicament... Leer todoEn 2052, una era de paz sin precedentes prevalece en todo el mundo, donde la humanidad se libera de la enfermedad. El Dr. Skinner ha desarrollado una cura milagrosa para todos los medicamentos sin inconvenientes llamada Hapuna.En 2052, una era de paz sin precedentes prevalece en todo el mundo, donde la humanidad se libera de la enfermedad. El Dr. Skinner ha desarrollado una cura milagrosa para todos los medicamentos sin inconvenientes llamada Hapuna.
- Nominado para 1 premio Primetime Emmy
- 1 nominación en total
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It was a good show that explored similar themes of loneliness, much like Cowboy Bebop. The animation was solid-Mappa, as always, delivered incredible work. However, I felt the story lacked depth. While the characters' backstories were touched on, there were still many unanswered questions, and I didn't really connect with any of the characters, not even Axel. Given that Cowboy Bebop had twice the number of episodes, that's understandable. I wouldn't call this a bad anime, but I wouldn't say it's a great one either. If you're after action, good animation, a strong soundtrack, and themes similar to Cowboy Bebop, you might enjoy it. I hope that if there's a season 2, we'll see stronger character development.
"LAZARUS" is set in the future, where the NSA "hired" a group of talented and skilled people, in order to track down Skinner, the creator of a drug that once taken does not let you fall sick. However, this pill contains a toxin that will cause the death of anyone that ingested it. The only person that has the vaccine is the doctor that disappeared. Hence, an international manhunt starts against time, in order to obtain the cure before humanity is completely wiped out. The premises are simple and straight-forward. All the different missions involving the task force are set in different parts of the world. There are episodes set in more exotic locations such as Turkey or Pakistan, but also in cold and inhospitable environments like Antarctica, adding a lot of variation.
The series shines especially on the action sequences, which are dynamic and overall well directed. We can see shootouts and bare hand fights accompanied by energetic electronic or jazz music. Watanabe did a good job with Axel that has the most compelling combats, thanks to his acrobatic abilities and the capacity of always finding a way to escape the most deadly situations. Overall all the characters have their own peculiarities and personalities, and even if they all fall into well defined tropes, they all have something unique that make this group engaging. Every single member of Lazarus served a specific purpose and actively contributed to progress the investigation, complementing each other. My favourite characters were Christine and Doug. The first is the perfect balance of a sensual and skilled agent that manages multiple times to trick others into giving out crucial intel, while the latter is practically the critical brain of the group that handles all the logistics.
On the other hand, I have to say that the plot overall feels lazy and uninspired. Certain dynamics are very predictable. The screenwriter played it safe, but this also means that there is very little on this TV show that stands out. It seems to watch the umpteenth spy story involving yet another global crisis. We have plenty of those and there are productions that made it way better than "LAZARUS". What saved the show were the characters that, as I mentioned before, have some unique peculiarities. Moreover the ending felt rushed and quite disappointing, with everything explained in the very last minutes of the 13th episode. All the efforts to create an international web of conspiracies and subterfuges was ruined by the fact that the story needed to be wrapped as quickly as possible. Clearly the series required a few more episodes to go full circle, maybe even a full second season, especially considering that the episodes do not even last 30 minutes. My final rate is 6.5.
The series shines especially on the action sequences, which are dynamic and overall well directed. We can see shootouts and bare hand fights accompanied by energetic electronic or jazz music. Watanabe did a good job with Axel that has the most compelling combats, thanks to his acrobatic abilities and the capacity of always finding a way to escape the most deadly situations. Overall all the characters have their own peculiarities and personalities, and even if they all fall into well defined tropes, they all have something unique that make this group engaging. Every single member of Lazarus served a specific purpose and actively contributed to progress the investigation, complementing each other. My favourite characters were Christine and Doug. The first is the perfect balance of a sensual and skilled agent that manages multiple times to trick others into giving out crucial intel, while the latter is practically the critical brain of the group that handles all the logistics.
On the other hand, I have to say that the plot overall feels lazy and uninspired. Certain dynamics are very predictable. The screenwriter played it safe, but this also means that there is very little on this TV show that stands out. It seems to watch the umpteenth spy story involving yet another global crisis. We have plenty of those and there are productions that made it way better than "LAZARUS". What saved the show were the characters that, as I mentioned before, have some unique peculiarities. Moreover the ending felt rushed and quite disappointing, with everything explained in the very last minutes of the 13th episode. All the efforts to create an international web of conspiracies and subterfuges was ruined by the fact that the story needed to be wrapped as quickly as possible. Clearly the series required a few more episodes to go full circle, maybe even a full second season, especially considering that the episodes do not even last 30 minutes. My final rate is 6.5.
I watched anime when I was in middle school and I put this on every Saturday night, and.... it's terrible. It feels like a poor man's attempt at writing a Call of Duty campaign (replace Makarov with Skinner) but it's so weeb-ish.
Every episode is essentially -mission briefing -villain of the week that's somehow connected to the big bad (just like Call of Duty) -2d flat character making 2d flat jokes -the choppiest fight scenes ever -villain of the week losing for being a misogynist and giving info that leads to the next mission.
It's like when you go to anime move in theater and all the nerds laugh at unfunny jokes, this is what watching this feels like.
I was more of an Outlaw Star than Cowboy Bebop fan anyway.
I would give it a 5, but I like Eleina.
Edit I'm watching the cult episode. Holy Jesus.... It's like the writers watched "Top 10 scary cults" vid on YouTube and wrote characters based on it.
It's like someone gave the writers the cult episode from the simpsons family guy South Park and king of the hill and told them to give their own modern take on it.
Except there's no modern take and they somehow made the the take more flat and outdated then something from the 90s and a cartoon.
Every episode is essentially -mission briefing -villain of the week that's somehow connected to the big bad (just like Call of Duty) -2d flat character making 2d flat jokes -the choppiest fight scenes ever -villain of the week losing for being a misogynist and giving info that leads to the next mission.
It's like when you go to anime move in theater and all the nerds laugh at unfunny jokes, this is what watching this feels like.
I was more of an Outlaw Star than Cowboy Bebop fan anyway.
I would give it a 5, but I like Eleina.
Edit I'm watching the cult episode. Holy Jesus.... It's like the writers watched "Top 10 scary cults" vid on YouTube and wrote characters based on it.
It's like someone gave the writers the cult episode from the simpsons family guy South Park and king of the hill and told them to give their own modern take on it.
Except there's no modern take and they somehow made the the take more flat and outdated then something from the 90s and a cartoon.
I'm loving this show man the concept ,the story ,the lore they are giving little by little ,the animation, the sound design and the action is great too it's grounded but it's good you know and also they have given some thoughts on world building it's looking good man and the vibe of the show is really cool the character's are likeable you know the main character has some mystery to it and the side character are interesting too i wanna see them how they all come together as a team looking forward to it.
So yeah if you wanna watch something good ,something new it's for you.
And i don't know why people are not liking the show, i mean i get the not liking part you know everyone has different taste but just fully hating the show not justify.
So yeah if you wanna watch something good ,something new it's for you.
And i don't know why people are not liking the show, i mean i get the not liking part you know everyone has different taste but just fully hating the show not justify.
An interesting series from which I expect a lot in terms of animation and entertainment.
Firstly, because the technical team is of high quality and it's a MAPPA production.
Although the first 2 episodes are easy to watch, the series doesn't escape the flaws of current productions:
To be continued...
Firstly, because the technical team is of high quality and it's a MAPPA production.
Although the first 2 episodes are easy to watch, the series doesn't escape the flaws of current productions:
- A basic scenario if you're a fan of Japanese animation that's afraid of going too far.
- a main character who's impossible to stop (prison, technology, policeman...) but a girl comes along! We know where this illogic comes from...
- a bunch of kids more intelligent than the population as a whole...
To be continued...
¿Sabías que...?
- CuriosidadesPer series creator Shin'ichirô Watanabe, takes places within the same universe as Carole y Tuesday (2019) and Cowboy Bebop (1998).
- Créditos adicionalesEach episode title refers to a music album, single or extended play from the late 20th century.
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- How many seasons does Lazarus have?Con tecnología de Alexa
Detalles
- Duración
- 24min
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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