Las tres hijas

His Three Daughters is a terrific showcase for all three of its stars with a contained story that's emotionally taxing yet still has so much warmth. It's the ideal run time that allows it to take its time without feeling too slow. There's a generally theatrical feel that comes from its focus on performances and minimal locations which is counterbalanced by how good the technical craft is in ways that are designed to go unnoticed.

Natasha Lyonne, Elizabeth Olsen, and Carrie Coon are all brilliant in their own way. Natasha Lyonne is initially the most laid back of the group with greater pain and anger revealing itself soon after. Carrie Coon is the most highly strung and Elizabeth Olsen has the most expressive eyes which show all of her anguish. When they argue it's gripping to watch and they're even better when they do come together.

As director, writer and editor Azazel Jacobs displays many talents at once without drawing attention to them. His editing does a great job of making the characters feel further apart than they are when they're at odds and his dialogue feels strained yet tender. Rodrigo Amarante's cinematography is gorgeous with a grain that only adds to the beauty and framing which uses the confined spaces to create memorable moments.

We saw this movie at an industry preview. Katie, Christina, and Rachel come together in their father's NYC apartment when he's at the end of life and in hospice care. They are very different souls, all well scripted and well-acted.

The eldest is intense and overbearing, the youngest is dissolute and (seemingly) aimless, the middle child moved to California and became the proto-Cali mom.

Conflict is rampant as the sisters try to negotiate their differences. The movie wanders through the dialogue among the three, the boyfriend of one (a great scene), and the recurring presence of the oddly unempathic hospice coordinator. It's talky and set almost entirely in the dad's apartment, but maintained my interest.

The movie ambles to a conclusion that's both surprising and subject to widely different interpretations that may not be to everyone's taste. I bought in, especially as it becomes clear which child was the father's favorite.

My main criticism is that the three sisters' characters borders on the stereotypical. Borders, but doesn't quite slide over the edge.

Sitting in on a loved one's death watch can be a trying time in more ways than one can count, circumstances that many of us can probably relate to all too well. It can be an especially stressful, even hostile, experience when incompatible family members are brought together for such an ordeal, one whose duration and developments are impossible to predict. That's the scenario here faced by three very different (and often-contentious) sisters (Carrie Coon, Elizabeth Olsen, Natasha Lyonne) who begrudgingly join together for the waning days of the life of their father (Jay O. Sanders), who has been placed in home hospice care. During this reluctant, duty-bound "reunion," tempers routinely flare in confrontations stemming from the rehashing of old, unresolved issues, disagreements about current responsibilities, and the seemingly endless waiting for the inevitable to arrive. These matters all wear on the distraught siblings as they struggle to sort out what's transpiring and try to arrive at better, more civil understandings of one another. In his latest feature outing, writer-director Azazel Jacobs has created an authentic story about what often occurs under such difficult conditions, astutely blending intense drama, scathing personal interactions, dark humor and hopes for reconciliation against a backdrop of edgy anguish, searing emotional pain and pervasive uncertainty. The picture's crisp writing and stellar performances (especially Lyonne's stand-out portrayal) drive the unfolding of this gripping domestic saga, often leaving viewers uncomfortably squirming in their seats as raw, long-repressed feelings surface. To be sure, some of the transition sequences in the narrative could use better refinement to get the overall story on track for what follows, but, then, their handling in this manner could arguably be chalked up to the ubiquitous doubt lingering over this situation, a determination that audience members will have to make for themselves. Still, "His Three Daughters" is indeed one of the better releases of 2024 thus far, one that deserves serious consideration as awards season approaches, particularly in the writing and acting categories. It's also a powerful cautionary tale for any of us who may be faced with having to undergo a scenario like this at some point, providing us with valuable insight into how we might want to conduct ourselves when these trying times arise.

I really wish those making movies would consult medical personnel before making a movie. This movie is solid when it comes to family relations and how the stress of losing a loved one brings out the silent and unsaid. However, from a medical aspect, hospice patients sign a document stating what their wishes are when doing the paperwork with hospice. The hospice medical director signs off on it, so that made some scenes unnecessary. Also, there are no cardiac monitors, no IVs with hospice, and nurses do not come and sit at the bedside because time is money in healthcare. (We wish we could spend that time). Besides that, this movie reflects real life, it is entertaining, and does not include the standard forced Hollywood social indoctrination. So, thank you, for just entertaining the audience.

A lovely and beautiful movie about bonds and sisterhood, it makes you think twice about your sister and you can always do better.

This movie shows real sisters that you need to treat your sister better because you don't know the struggles she is facing, you literally dont know your sister darling.

So dont take for granted you relationship with your family ok, this movie has amazing performances by the three leads specially Natasha (she is my choices in the oscars)

And of course the ending scenes are emotional and ignore the review saying that that was unnecessary, he is obviously no director 8/10

Another great movie this 2024.