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Louis C.K.: perdón (o no)

Título original: Sorry/Not Sorry
  • 2023
  • 1h 30min
PUNTUACIÓN EN IMDb
5,2/10
735
TU PUNTUACIÓN
Louis C.K. in Louis C.K.: perdón (o no) (2023)
An examination of Louis C.K., who was accused of sexual harassment in 2017. They explore his comeback and the unseen effects of this on the women who spoke publicly about his behavior.
Reproducir trailer2:20
2 vídeos
13 imágenes
Documental

Un examen de Louis C.K., acusado de acoso sexual en 2017. Exploran su regreso y los efectos invisibles que tuvo en las mujeres que hablaron públicamente de su comportamiento.Un examen de Louis C.K., acusado de acoso sexual en 2017. Exploran su regreso y los efectos invisibles que tuvo en las mujeres que hablaron públicamente de su comportamiento.Un examen de Louis C.K., acusado de acoso sexual en 2017. Exploran su regreso y los efectos invisibles que tuvo en las mujeres que hablaron públicamente de su comportamiento.

  • Dirección
    • Cara Mones
    • Caroline Suh
  • Reparto principal
    • Louis C.K.
    • Noam Dworman
    • Michael Schur
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,2/10
    735
    TU PUNTUACIÓN
    • Dirección
      • Cara Mones
      • Caroline Suh
    • Reparto principal
      • Louis C.K.
      • Noam Dworman
      • Michael Schur
    • 11Reseñas de usuarios
    • 25Reseñas de críticos
    • 61Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Vídeos2

    Official Trailer
    Trailer 2:20
    Official Trailer
    Sorry/Not Sorry: A Pattern Of Behavior
    Clip 1:54
    Sorry/Not Sorry: A Pattern Of Behavior
    Sorry/Not Sorry: A Pattern Of Behavior
    Clip 1:54
    Sorry/Not Sorry: A Pattern Of Behavior

    Imágenes12

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    Reparto principal58

    Editar
    Louis C.K.
    Louis C.K.
    • Self - Comedian and Writer
    • (metraje de archivo)
    Noam Dworman
    Noam Dworman
    • Self - Owner, Comedy Cellar
    Michael Schur
    Michael Schur
    • Self - Co-Creator, Parks and Recreation
    Wesley Morris
    Wesley Morris
    • Self - Critic, The New York Times
    Sean L. McCarthy
    Sean L. McCarthy
    • Self - Comedy Journalist
    Michael Ian Black
    Michael Ian Black
    • Self - Comedian and Writer
    Alison Herman
    Alison Herman
    • Self - TV Critic, Variety
    Melena Ryzik
    Melena Ryzik
    • Self - Reporter, The New York Times
    Jen Kirkman
    Jen Kirkman
    • Self - TV Writer and Producer
    Megan Koester
    Megan Koester
    • Self - Comedian and Writer
    Jesse David Fox
    Jesse David Fox
    • Self - Senior Editor, Vulture
    Andy Kindler
    Andy Kindler
    • Self - Comedian
    Cara Buckley
    Cara Buckley
    • Self - Reporter, The New York Times
    Jodi Kantor
    Jodi Kantor
    • Self - Reporter, The New York Times
    Abby Schachner
    Abby Schachner
    • Self - Artist and Comedian
    Aida Rodriguez
    Aida Rodriguez
    • Self - Comedian and Director
    Anthony Oberbeck
    Anthony Oberbeck
    • Self - Megan's Husband
    Dan Ackerman
    Dan Ackerman
    • Self - Student, University of Chicago
    • (metraje de archivo)
    • Dirección
      • Cara Mones
      • Caroline Suh
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios11

    5,2735
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Reseñas destacadas

    4imdb-392-492467

    Rejected Remorse

    This documentary is pushing an agenda that Louis CK's behavior was an open industry secret. This is entirely one sided and at ignores any evidence that this may not be the case.

    Instead it spends the first hour talking about what Louis CK did and attempts to cast it as an open secret in the industry. I was actually more convinced before watching this than after.

    There are multiple times where scenes are shown where others are asked about Louis CK's behavior and are confused by the question, denying any knowledge.

    The documentary presents this as all part of the cover up. This is the first hour of the documentary.

    The last half hour is then how he's clearly not sorry enough. How they don't approve of his act and how he doesn't bring sexual misconduct into their act.

    It feels like they are demanding he make their trauma part of his comedy routine and it's hard to imagine they wouldn't be complaining if he had.

    The only interviews that the documentary crew produced are unabashedly aligned with the agenda of documentary. They didn't attempt to present any counter opinion by anyone in the industry, just various footage clips that were narrated around.
    1MCMCMLXX

    A lot of "me" too.

    Somehow this film was meant to be damning. Someone as so "prominent" in the comedy field, arts and film seemed to rub off people the wrong way?

    Like that pun? If not you would like this film. Perhaps.

    I don't get his damnation. I get it a perverted. I get that he's got a weird sex fetish.

    Don't like that but I like his comedy.

    I think this film is trying too hard to get us thinking he is not worthy of his art. The people answer their own questions. But they don't answer their statement. NY Times is a rag.

    I do see why people are upset. Why they wouldn't like him BECAUSE of this. There are other people who don't like his looks. Don't like his comedy. Just don't like him and this is why they don't.

    It's fine. But it's not mandatory to dislike him BECAUSE of his perversion. That's up to you and the women who "were paralysed" when he started (how the hell does he start unless you don't say anything?).

    Comedy ain't everything and neither is this film. It's ok for voicing the women's objection to his perversion - why not? He deserves that. But that's it as far as I'm concerned.
    5ferguson-6

    a sorry guy is not sorry

    Greetings again from the darkness. In the twisted nature of many humans, there is a need for heroes and a corresponding sense of satisfaction as those heroes are knocked from their pedestal of idolization. Louis C. K. may not have been a hero, but as a comedy genius, he had reached the pinnacle of his profession while building a massive fan base. It may seem that five brave women knocked him from the proverbial pedestal, but the truth is ... his own arrogance and behavior did so.

    The purpose of this documentary from co-directors Cara Mones and Caroline Shu is not to re-hash the sordid details of Louis's actions, but rather to ask ... what now? Fellow comedian Michael Ian Black eloquently presents his considered thoughts on this, as do others who were more directly involved. The film draws heavily from the November 2017 New York Times article written by Melena Ryzik, Cara Buckley, and Jodi Kantor, each of whom share their view here. There are also interviews with others, including Jen Kirkman and Megan Koester. I believe Abby Schachner is the only one of the original four who were named to appear in the film, however it seems quite clear that Louis C. K.'s tendencies were as well-known throughout the industry as those of Harvey Weinstein and Bill Cosby. And yes, his defenders make the argument that his actions were nowhere near the level of those two figures of the #MeToo movement.

    As has been pointed out many times in these cases, the sexual predator aspect is not the only issue. The abuse of power is every bit as crucial. The film is divided into seven "parts": Louis, Jen, Open Secret, These Stories are True, Abby, Comeback, and Cancelled. In contrast to Weinstein and Cosby and so many others, when publicly confronted with the accusations, Louis C. K. stated, "These stories are true." Much of the fallout was from his fans who went after the accusers on social media. Louis C. K. disappeared from public life for about 9 months before beginning his comeback ... using his history as fodder for joke-telling.

    Louis C. K. being 'cancelled' ended when he won a Grammy for his comedy album. He hasn't yet been welcomed back to mainstream Television or Film, but his stand-up tours remain popular. The film serves to ignite dialogue and debate on a tough topic, and we find ourselves admiring those who stepped up to shine the light. Although it cost her a career, respect goes to Megan Koester who states, "I don't want to work with those who blindly ignore morality." It's a statement on which too few of us seem to stand with her. We must each answer for ourselves ... What now?

    In theaters beginning July 12, 2024.
    10ak-ny

    Excellent; Ignore the spam 1-star reviews from b***-hurt bros

    This documentary reveals that Louies' "apology" was a sham, given that his story now is that the women he accosted were, well, just confused. But with the additional details this film surfaces, it's clear CK knew from the very beginning his conduct was abusive. What he calls just his "kink" or his "thing" ("All of you have a thing too!" -- aw shucks!) is a physiological disorder he should have known to get therapeutic treatment for as a grown-*ss man. But because he was shielded by the industry at large, this abuse went on for the better part of two decades. Now he thrives with his new audience of dopey bros, while the women he demeaned are being re-victimized. The film leaves the audience to contemplate what this all means for our society, especially 7 years after Weinstein.
    7Arbiter729

    A bit flawed, but surprisingly thought provoking.

    I have been a huge Louis CK fan for several years. He's the only comic that never fails to make me laugh. When I first heard that Louie was "cancelled" back in 2017, I was of the opinion that #MeToo went way too far. I continued to watch his specials & movies, and I hoped that this "awkward mishap" would be forgotten.

    I'm still inclined to agree with that sentiment. Yet now that I hear the testimonies of the women, his special "Sorry" seems so messed up. I agree that he 100% should have used that special to say something truthful & meaningful. Yet instead, Louie just briefly joked about it, grossly mischaracterized what actually happened (assuming the women never consented), and then he moved on to make millions.

    I only give 7/10 because, while the documentary was incredibly thought provoking, it doesn't seem to put Louie on the hook to give an actual apology. I would have given this documentary 10 stars if it pleaded Louie to do precisely that. What Louie did can & should be forgiven, in my opinion. I think many of the victims could forgive him too if he properly apologized. But Louie may never actually apologize if people continue to relentlessly attack him.

    Don't get me wrong; I feel sorry for all the women that were also attacked for trying to talk about Louie's behavior. The women got it SO much worse, and I'm glad that the documentary gives recognition to that. This documentary seemed like it was just about to bridge the gap; to allow a proper discussion on this polarizing issue. But sadly, it seemed to end on a persecution campaign instead... And yet, I suppose that's Louie's fault because he refused to participate in this documentary... and yet I understand why he may be hesitant to do so because if he says the wrong thing, it could forever end the career that he has left.

    The most frustrating thing of all of this is that I KNOW Louie is genius enough to find a way to talk about these difficult issues AND make us cry laughing while doing it. I hope that Louie watched this documentary and doesn't take it the wrong way. I believe that if he knew how the women feel, that he can find a way to properly make amends while making us cry laughing about it. If nothing else, this documentary showed me what a lousy job Louie did on making amends. Louie could be a legend if he would use his craft to navigate this cultural divide instead of hiding behind his jokes & trying to forget it happened. I was glad that he was back, but he can do better than his lousy special. Now, I don't know what to think of Louie if he won't use his comedic genius to make properly make amends.

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    Detalles

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    • Fecha de lanzamiento
      • 16 de marzo de 2024 (España)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official Site
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Sorry/Not Sorry
    • Empresas productoras
      • Left/Right
      • The New York Times
    • Ver más compañías en los créditos en IMDbPro

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      • 1h 30min(90 min)
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