Un hombre corriente que acabó siendo un asesino en serie. Un policía infatigable dedicado en cuerpo y alma a atraparlo.Un hombre corriente que acabó siendo un asesino en serie. Un policía infatigable dedicado en cuerpo y alma a atraparlo.Un hombre corriente que acabó siendo un asesino en serie. Un policía infatigable dedicado en cuerpo y alma a atraparlo.
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Love the new and innovative ways of this series. A testament to the evolving Korean creativity in entertainment, I really loved the dark humour yet exploration of morals as well as the art house style of this series. Choi Woo Sik plays his character in an excellent way, all of a sudden thrown into the depths of murder and life unfolding in the most unexpected ways his acting in his confusion of it all is great ! The only disappointment I felt with this series was Son Suk ku, I felt his acting was kind of lazy, I did not feel him to be the go getter detective that they say he is. The nerdy mastermind behind the murders was also a really great character in this series. I feel it is well worth a watch.
Choi Woo-shik plays Lee Tang an ordinary student from a poor family with a part time job at a convenience store. One day he gets into an altercation with a customer and ends up murdering him and from that point things quickly escalate and many more deaths occur. He is pursued by an upright detective JangNan-Gam played by Son Suk-ku who is determined to bring him to justice. The story is an interesting idea and starts well but then it just seems to drag and would have been much better as a movie or with a lot less episodes. Too much filming in the dark, no redeemable characters and the detective constantly chewing gum make it at times an annoying watch. Clever story which you may find yourself sadly fast forwarding.
"A Killer Paradox" is Netflix's latest Korean crime drama series. It features a protagonist with a unique crime-fighting ability. Some are approaching this with high expectations due to the caliber of past roles by the two leads, Choi Woo Shik and Son Suk Ku, but it might be best to temper your expectations. It's mostly entertaining, exploring ethical dilemmas related to justice, guilt, and innocence, but seems to be missing the extra something (maybe emotional impact) that the top shows in this genre possess.
The show is generally fast-paced and combines suspenseful storytelling, psychological thriller elements, and grimy action. The narrative is at times non-linear and gradually unveils layers, keeping the audience engaged and guessing. It is more plot and mystery driven and doesn't invest as much into character development as many Korean dramas do. As a result, it's not as easy to sympathize with the characters.
The production quality stands out, with meticulous attention to detail in set design and cinematography. The cast delivers compelling performances. This is a thought-provoking addition to the crime drama genre.
The show is generally fast-paced and combines suspenseful storytelling, psychological thriller elements, and grimy action. The narrative is at times non-linear and gradually unveils layers, keeping the audience engaged and guessing. It is more plot and mystery driven and doesn't invest as much into character development as many Korean dramas do. As a result, it's not as easy to sympathize with the characters.
The production quality stands out, with meticulous attention to detail in set design and cinematography. The cast delivers compelling performances. This is a thought-provoking addition to the crime drama genre.
A Killer Paradox starts off with a bang, but ends with a whimper. The first two episodes are really engaging, and keep you guessing to see what will happen next. The cinematography and storytelling is also top notch. The acting throughout is also very good.
Unfortunately, after that the quality quickly falls off and we are left with a run-of-the-mill vigilante origin story.
Episode five deserves commendation. Here, we are shown how an ordinary person suddenly commits a fatal crime of passion, and thus becomes target fodder for our vigilante. It would have been nice to see more episodes like this one.
Unfortunately, after that the quality quickly falls off and we are left with a run-of-the-mill vigilante origin story.
Episode five deserves commendation. Here, we are shown how an ordinary person suddenly commits a fatal crime of passion, and thus becomes target fodder for our vigilante. It would have been nice to see more episodes like this one.
The series is unique to me because the main lead isn't even the center of the story. Most of the time, we were in the point of view of Jang Nan Gam (Son Suk Ku). At the beginning of the episode, we were in the perspective of Lee Tang (Choi Woo Shik). After being chased by the police, we were mostly in the police's point of view. After that, it became more mysterious with the introduction of Song Chon (Lee Hee Joon), who drove the series until the end. For me, that was a unique way of writing the story, and I love it.
The plot is very fresh and interesting. I can't recall when a series or movie had such a refreshing plot, especially in Korean drama or movies where characters can sometimes feel repetitive. The switching of the point of view is truly lovely and unnoticeable. Lee Chang Hee (Director) also directed "Strangers From Hell," and it's no wonder this series turned out to be good. He really did a good job. Additionally, the first few minutes of this series have to be the best-directed sequence of all time.
The transition, THE TRANSITION. It is insanely addictive to watch how they transition from 1 scene in the past to the current scene, or from hallucination scene to reality. And how they project the future character into the past. And they did it multiple time flawlessly.
Furthermore, one aspect that many didn't talk about is the use of background music, which was really good. On top of that, the gorgeous cinematography adds to the overall experience. Let's not forget about the acting; every actor performed a marvelous job, especially Song Chon, who, in my opinion, shone the brightest in this series.
Some say that the pace became stale in the middle of the series because of the addition of two new questionable characters in Busan who were having a crisis, which I understand why it became boring. However, it picked up its pace again after that. Nonetheless, I definitely recommend it.
The plot is very fresh and interesting. I can't recall when a series or movie had such a refreshing plot, especially in Korean drama or movies where characters can sometimes feel repetitive. The switching of the point of view is truly lovely and unnoticeable. Lee Chang Hee (Director) also directed "Strangers From Hell," and it's no wonder this series turned out to be good. He really did a good job. Additionally, the first few minutes of this series have to be the best-directed sequence of all time.
The transition, THE TRANSITION. It is insanely addictive to watch how they transition from 1 scene in the past to the current scene, or from hallucination scene to reality. And how they project the future character into the past. And they did it multiple time flawlessly.
Furthermore, one aspect that many didn't talk about is the use of background music, which was really good. On top of that, the gorgeous cinematography adds to the overall experience. Let's not forget about the acting; every actor performed a marvelous job, especially Song Chon, who, in my opinion, shone the brightest in this series.
Some say that the pace became stale in the middle of the series because of the addition of two new questionable characters in Busan who were having a crisis, which I understand why it became boring. However, it picked up its pace again after that. Nonetheless, I definitely recommend it.
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- CuriosidadesBased on webcomic "Salinja Nangam" written by Ggomabi & illustrated by Nomabi (published from July 8, 2010 to June 3, 2011 via Naver).
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- A Killer Paradox
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