3 Bed, 2 Bath, 1 Ghost

While watching this new Hallmark production, I just could not help wandering back to the 1974 project where bits and stretches of Fred Astaire and other dancers' old films were glued together under the title: "That's entertainment!" This is entertainment!

It is refreshing that somebody at Hallmark has dared to forgo patent or hidden messages and overused cliches, to produce something innovative, light and "spirited", with the only intention to offer a couple of hours of levity and fun. Actually, under its gaiety, the movie conveys deeper sentiments, rich emotions and its own moral. It takes a ghost to chase Anna's ghosts and lead her to find herself.

All is done with a pinch of pleasant silliness, as expected in a total fantasy, softness and delicate humor. The story is gentle, with endearing characters, including the the most captivating specter since Casper, with elements to please many tastes. Among the background of a fascinating historic house and lively flashbacks to the roaring 1920ies, we get to explore the bonding developing between Anna and the ghost, Ruby, separated by a hundred years and, yet, sharing much in common, in a friendship that enriches one another. Julie Gonzalo is at her best in the role of Anna, Chris McNally is rock-solid and Madaleine Arthur simply fantastic as the spirited ghost. Even the final revelation, perhaps a bit forced and anachronistic, fits well in a work of pure fantasy that warms the heart. Which proves that, when one puts heart and mind into it, one can, still, produce valuable and enjoyable cinematography without sensationalism, perversions, and expensive special effects. Conscious that gems come rare to find, I hope Hallmark will continue trying for selective quality, rather than easy quantity.

Ruby has just turned 25. Charlie loves her, but she shuns his love, saying they are just too different, and her Father does not approve of him.

We jump ahead 100 years, and the house Ruby lived in is up for sale. Anna is a real estate agent working for her Dad. Having just received her license, her Dad hands her a house that's been listed several times - apparently being jinxed.

As a matter of fact, the house is not jinxed, but it has a live-in ghost. Oh no, this is not a haunted house story, this is a delightful romantic comedy with a ghost not able to leave the house. The ghost in question is Ruby, who tragically died in a car accident on her 25th birthday. She is wonderfully portrayed by Madeleine Arthur. I absolutely loved this bubbly and energetic character!

Anna has just broken off her engagement with Elliot, but they are still good friends. Anna is determined to sell the house, but Ruby refuses. Noticing the similarities between her and Charlie's relationship and Anna and Elliot's, she is determined to bring them together - and the house is her chance to make it happen.

'3 Bed, 2 Bath, 1 Ghost' is every bit as predictable as most romantic comedies are, but this was nevertheless fun. I enjoyed the chemistry between Anna and Elliot - maybe because Julie Gonzalo and Chris McNully are indeed a real-life couple. The film also has underlying messages, telling us not to have regrets. I enjoyed the contrast between the time periods. We actually have so much to learn from yesteryear....

This is a ghost story that won't give you nightmares, and is a delightful movie the entire family can enjoy!

I thoroughly enjoyed this movie for many reasons. The story was really unique and combined romance, comedy and a bit of a mystery. The setting was gorgeous and it starred two of my favourite actors Julie Gonzalo and Chris McNally. The actor who played Ruby was excellent too. It certainly broke out of the usual Hallmark formula and was a refreshing change. The musical number at the beginning was so catchy and the ending was heartwarming. Hopefully Hallmark will continue to make more movies that aren't cookie cutter storylines. More movies with these stars would be welcome too. Thank you for an entertaining evening.

It was nice to watch a Hallmark movie that doesn't have all of same overworked bits. The actress that plays Ruby was wonderful and Julie Gonzalo was good. Chris McNally, to me, was the weakest part - he could be completely removed and the plot still works.

The story is sweet and not overly convoluted. Still, this being a Hallmark movie you still have to watch a romance develop and be blown up in the last half hour, so it can be fixed in the last five minutes and end with a kiss.

The dialogue from Ruby is great. Words I remember from my grandmother that are no longer used; jeepers, toots ... It made me remember how much I enjoyed spending time with my grandmother; a time that went away way too quickly.

I recommend this movie and there aren't that many Hallmark movies these days that I like.

I was anxious to see this because it stars Julie Gonzalo (who was in "Falling For Vermont", one of my favorite Hallmark movies) and her real life love buddy Chris McNally. They have obvious chemistry and elevate the quality of whatever Hallmark movie they're in.

But the best and most engaging performance of the movie was by Madeline Arthur who played Ruby the ghost. She has beautiful blue expressive eyes and really brought to life a well written character. She's bubbly and animated but also convincingly sad and upset when that's called for. And she really delivers the old 20s lingo like "Jeepers" and "Toots." She looked and sounded a little like Betty Boop. I loved her.

The movie opens with Ruby and several party-goers dancing to the Charleston. It was a great intro and captured the feel of the 20s. And I liked the cut from Ruby's lost love Charlie dropping the flowers he bought for her to the flower tree that grew in that spot (100 years later).

One of Arthur's scene stealing moments is the scene in which Anna gives Ruby some sage to "rid the space of lingering spirits." Ruby's fake and exaggerated depiction of it working reminded me of the famous Meg Ryan scene in "When Harry Met Sally" after which another diner said "I'll have what she's having,"

There's also a fun scene where Anna shows Ruby her modern cell phone and demonstrates how to send text messages. Ruby is amazed and asks "What do you do with all the time you save?" The half groan response by Gonzalo was subtle but effective.

There's also a fun and pointed discussion about what women can do today that ends with a real zinger.

I also liked how the writers avoided following any strict "Ghost Rules" with a wink to the audience:

Anna: "How can you move objects but not people?" Ruby: "I don't know sweetheart. Cruel irony."

The civil way that Anna and Elliot act towards each other, however, after dissolving their business and breaking off their engagement a few months earlier struck me as very ... Hallmarky. Couples who break up are usually not that pleasant to each other, nor do they bump into each other that often. As Anna tells Elliot (in a cute scene):

"We should start avoiding each other like good exes"

But the civility works for this movie because it makes the prospects for a reconciliation more likely.

Anna's father is the no nonsense head of a real estate brokerage and has brought Anna on board following the end of her business with Elliot. Although the villainous realtor Terrence is a bit of a caricature, the father was perfect and the last scene with him and Anna was lovely.

Normally the fun banter is between the couple, but here it's between Anna and Ruby:

Ruby: "You don't want to fight me. I'm as unsinkable as the stock market" Anna; "You're not making the case you think you are."

Anna and Elliot apparently had a restoration business together which Anna abandoned. It's a theme in the movie that is best captured by this line:

"We don't quit. We restore. So let's just restore us"

This was Hallmark at its best.