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Fabricante de lágrimas

Título original: Fabbricante di lacrime
  • 2024
  • TV-MA
  • 1h 43min
PUNTUACIÓN EN IMDb
5,2/10
13 mil
TU PUNTUACIÓN
Fabricante de lágrimas (2024)
Sometimes our greatest fear is accepting that someone can honestly love us for who we are. Nica and Rigel are ready to find it out together.
Reproducir trailer1:33
2 vídeos
16 imágenes
DramaDrama adolescenteFantasíaRomanceRomance adolescente

A veces nuestro mayor miedo es aceptar que alguien pueda amarnos sinceramente por lo que somos. Nica y Rigel están dispuestos a descubrirlo juntos.A veces nuestro mayor miedo es aceptar que alguien pueda amarnos sinceramente por lo que somos. Nica y Rigel están dispuestos a descubrirlo juntos.A veces nuestro mayor miedo es aceptar que alguien pueda amarnos sinceramente por lo que somos. Nica y Rigel están dispuestos a descubrirlo juntos.

  • Dirección
    • Alessandro Genovesi
  • Guión
    • Eleonora Fiorini
    • Alessandro Genovesi
    • Erin Doom
  • Reparto principal
    • Simone Baldasseroni
    • Caterina Ferioli
    • Sabrina Paravicini
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,2/10
    13 mil
    TU PUNTUACIÓN
    • Dirección
      • Alessandro Genovesi
    • Guión
      • Eleonora Fiorini
      • Alessandro Genovesi
      • Erin Doom
    • Reparto principal
      • Simone Baldasseroni
      • Caterina Ferioli
      • Sabrina Paravicini
    • 125Reseñas de usuarios
    • 23Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos2

    Official Trailer
    Trailer 1:33
    Official Trailer
    Official Teaser
    Trailer 0:31
    Official Teaser
    Official Teaser
    Trailer 0:31
    Official Teaser

    Imágenes16

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    + 8
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    Reparto principal23

    Editar
    Simone Baldasseroni
    • Rigel Wilde
    Caterina Ferioli
    • Nica Dove
    Sabrina Paravicini
    • Margaret
    Alessandro Bedetti
    • Lionel
    Roberta Rovelli
    • Anna Milligan
    Orlando Cinque
    • Norman Milligan
    Eco Andriolo
    • Adeline
    Nicky Passarella
    Nicky Passarella
    • Billie
    Sveva Romana Candelletta
    • Miki
    Laura Baldi
    Matteo Capraro
    Anita Ceccaroni
    Anna Cianca
    Juju Di Domenico
    • Asia
    Antonio Ghisleri
    Filippo Giacomelli
    Eugenio Krauss
    Eugenio Krauss
    Giulia Martinelli
    • Dirección
      • Alessandro Genovesi
    • Guión
      • Eleonora Fiorini
      • Alessandro Genovesi
      • Erin Doom
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios125

    5,213.1K
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    Reseñas destacadas

    5eleanorordish

    Get into the style and you won't find it that bad...

    So. You cannot compare something like this to your Green Mile, Shawshank Redemption or Schindler's List, but if you go in thinking "hey, you know what, I fancy some sort of simple angsty drama romance with a tad more depth", you will find it meets just that.

    I'm reading other reviews and they mention it's based off of a book and, when I fancy a bit of light reading that doesn't require a huge amount of brainpower, I'll be there. It feels like one of those coin-buying app novels where every chapter is a cliffhanger designed to keep you reading and written by someone who does it to pass the time but knows what's required to earn the big bucks.

    Everyone is very characterised; you've got your inside, sunglasses-wearing villain with a cane, you've got the chisel-jawed, talented heartthrob brother (who isn't really your brother) as the male protagonist, you've got your strong-ish but also damsel-in-distress-ish female protagonist and you then decide to throw in your 2-Dimensional best friends who are either "just ugly" or going through "unrequited love" and boom: we got ourselves a story. I'm not going into how it insults each party, otherwise we'd be here all day, but I do simply want to say that the 2D friends just really angered me in the way they were "used". They added literally nothing to the story, just thrown in there for the sake of it and maybe to seem "more edgy". Hence, insulting.

    I'm glad I read the reviews first because then I knew what I was walking into. I'll be honest, I saw more chemistry between these two main characters than the actors who were the leads in "One Day". Shoot me, if you will, but that's my honest opinion. The music was actually top-notch. Again, very angsty, very teenage-drama, and it hit the nail on the head for what it was aiming to be. Whack in some moody lighting and some - actually, honestly - pretty well-filmed cinematography and you've got yourself a reasonable watch.

    Others have compared it to Twilight and I can't help but agree. In fact, I'd go as far to say that the acting of the main protagonists was actually better (in this, there was more lip-biting from the guy than the gal in comparison).

    Dissecting what the writer likely would label as the "deep and meaningful" part of their story regarding what they went through as children...it's a gentle subject for an awful lot of people, so this is where it's important to acknowledge the mark. Do I think it was highlighted as an important, deep and meaningful part of the storyline? No. The focus here was the romance and chemistry of our two protagonists. Then the rest of the issues were written around it to boost their relationship. If it meant to come across as the main point being victims finally standing up and calling out their abusers as the main subject, it fails. Because from what I saw, it's just about how two people came to love and support each other despite their awful upbringings.

    Once you bring it down to that, I have to say, it was actually "alright". I won't be watching it again anytime soon, unless I'm wanting something on in the background as I paint my house's living room walls. I'm pleased, however, for those who found it particularly enjoyable because at the end of the day, each to their own and if you want to read further into the message (which is literally explained over and over again in a post-recorded narration because it presumes we're all stupid) then fair enough. Your passion is your passion.

    I will say that it doesn't deserve below a 4 star review - even if you hated it, and I can empathise - because the casting, lighting, cinematography and (some of the) acting was actually not that bad.

    Give it a shot if you're feeling poorly and taking a day off school or work.
    5noudlesoup

    lacked the depth that the book had

    I feel like this should've been a series or at least a longer movie, as there are too many crucial details in the book that they failed to mention in this movie. Especially a lot about Nica and Rigel's relationship wasn't really portrayed very well on screen and lacked the depth and detail present in the book, which is probably why most people rated this fairly low. I would, too, if I hadn't read the book before. Up until the middle of the movie it was pretty decent and followed the book accurately, but the rest felt incredibly rushed. I really urge people to read the book though, as it's way better than this adaption.
    4johannacaraballo-91419

    Cliche and predictable

    I read the book and I was expecting some details not to be in the movie. However, they had so much potential and they lost it. Everything was very predictable and different from the book itself. The sex scene sucked, the timeline, and the scene itself took place in another setting. It was just so bad. Very disappointed. I wanted to feel sparks just like the book and I felt nothing but cringe. Not everything is bad though, the actors ans actress are very attractive and they got some important scenes and dialogue the same. But I have to rate this a 4 because didnt fulfill my expectations. Very sad.
    3Iamtiredofrubbish

    Forbidden romance failed to make me understand why they felt it was forbidden

    The cinematography in the trailer piqued my interest because it looked absolutely beautiful and as i already watched Twilight, thought maybe this could be a better version of that because by now the maker should have known what lacked in Twilight so that this one could be better. As usual, i was wrong.

    The movie didn't deliver much in terms of depth or character growth. We don't know why Margaret was so attached to Rigel and awful to Nica. No elaboration over why the couple felt compelled to adopt two teenagers, that too just by seeing Rigel playing piano. Also why they thought their romance was forbidden when they are not even related.

    The sexual tension was there between the leads but still felt a bit flat. And acting in places were also flat. The supporting actors from the school were really bad and that side story of the two girls wasn't needed in the sense that it didn't add any value to the story or had any impact on Nica's friendship with them. The lackluster third act as usual made no sense, it could have been something powerful but instead the court scene was almost cheesy because i don't think anyone talks like that in court.

    One thing i must gush about is the background music, especially the piano piece playing through the movie is so soulful and soothing, it was the best thing in there, sorry to the composers that their masterpieces were wasted on such a mediocre cinema.
    5hazard111

    Potential for depth but hindered by bad execution

    I didn't read the book so I don't know if it's a good adaptation but as a movie it's.. mediocre. A shallow drama.

    First though, let me just praise the leads. They really sell the chemistry for their characters. The longing and all that. Bonus that both are handsome people.

    Now for the bad. The plot... while I was interested in the premise as I thought it had potential for depth it only gave me something shallow. They didn't give time for the trauma of their past to take root so it hits different. Would've been so much better if they really dug into the abuse, mental health issues, ptsd etc but everything got glossed over even during the scenes it's highlighted.

    While I liked the base chemistry of the actors the actual romance between the them is non existent. They never built it up so it's just there. Very weak foundation is just not good. Because why should I care about these character's love for each other?

    The most atrocious is the pacing... there's very bizarre cuts of time that forces you to fill it in yourself because they jumped over it so you're noticably missing chunks of scenes.

    Shout out too for that bad insert of Olivia's song that was so out of place and the cringe acting for some of the actors.

    Anyway overall this reminds me a lot of Royalteen... which to both would have been better as a limited series of sort to really delve into the characters' struggles, why they act they way they do, so you can actually empathize with them while the romance is a B-plot to create that slow burn. But alas this wasn't it.

    Warning: Some brief nudity, attempted rape.

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    Argumento

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    ¿Sabías que...?

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    • Curiosidades
      Based on the novel of the same name written by Erin Doom.
    • Banda sonora
      Vampire
      written by D. Nigro, O. Rodrigo

      performed by Olivia Rodrigo

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    Detalles

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    • Fecha de lanzamiento
      • 4 de abril de 2024 (España)
    • País de origen
      • Italia
    • Sitio oficial
      • Official Netflix
    • Idioma
      • Italiano
    • Títulos en diferentes países
      • The Tearsmith
    • Localizaciones del rodaje
      • Ravenna, Emilia-Romagna, Italia
    • Empresas productoras
      • Colorado Film Production
      • Rainbow S.p.A.
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

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    • Duración
      1 hora 43 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital

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