PUNTUACIÓN EN IMDb
6,3/10
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TU PUNTUACIÓN
Añade un argumento en tu idiomaHarrington is the author of a book series but commercial success has left him a bitter recluse. As he returns to his hometown for an annual Christmas festival, he's joined by April, a public... Leer todoHarrington is the author of a book series but commercial success has left him a bitter recluse. As he returns to his hometown for an annual Christmas festival, he's joined by April, a publicist for the publishing house he works with.Harrington is the author of a book series but commercial success has left him a bitter recluse. As he returns to his hometown for an annual Christmas festival, he's joined by April, a publicist for the publishing house he works with.
Debbie Podowski
- Mallory
- (as Deb Podowski)
Reseñas destacadas
After Campbell's hilarious Three Wise Men an a Baby I had high expectations on a fun quick-witted flick. The movie was unfortunately low on the comedy, higher on tropes.
The premise was slightly different than normally in Hallmark Christmas films, with the prickly novelist and the competent (and not bungling) PR person. This should've translated in more sparkly banter than there was.
Lyndie Greenwood's female lead was radiant, but Paul Campbell's character felt a bit bland in comparison: sympathetic, but not with the same energy levels. I couldn't really picture those two as a couple.
It was a pity that the novel they talked about sounded much more exciting than this movie.
The premise was slightly different than normally in Hallmark Christmas films, with the prickly novelist and the competent (and not bungling) PR person. This should've translated in more sparkly banter than there was.
Lyndie Greenwood's female lead was radiant, but Paul Campbell's character felt a bit bland in comparison: sympathetic, but not with the same energy levels. I couldn't really picture those two as a couple.
It was a pity that the novel they talked about sounded much more exciting than this movie.
The story is about Harrington, (Paul Campbell) a writer of bestselling Christmas fantasy novels that are based on his hometown of Mistletoe. After the death of his parents he has become a cynical recluse, he no longer believes in the magic of Christmas and views it as just a way for people to make money. He posts his feelings on social media which creates a lot of negative backlash. The timing couldn't be worse because it coincides with the release of his latest Christmas fantasy book. The publishing house sends a publicist, April (Lyndie Greenwood) to do damage control and save book sales and Harrington's career. Her plan is for Harrington to return to his hometown in order to restore his love of Christmas by showing him how much his books mean to his fans and also the town of Mistletoe. Harrington is anything but cooperative, and she threatens him with a lawsuit to make him cooperate. As April takes Harrington on a schedule of events coinciding with Mistletoe's Christmas Festival, she sees a softer side of him, and sees how the town really loves him. Harrington starts to warm up to what Christmas really means and also warms up to April too. However, several conflicts arise due to emotional memories from his past. The question is will Harrington overcome these obstacles and will his love of Christmas and trust in people be restored?
Lyndie Greenwood is a delight as the charismatic and always way too prepared April ( I'd like to see her in more Hallmark movies). Paul Campbell is perfect in the role of the the moody and cynical and wise cracking Harrington. Greenwood and Campbell have great chemistry together and the dialog is witty. The movie is a little slow paced at times, yes it's predictable, and the ending is a bit rushed. But overall, its an enjoyable and entertaining movie.
Lyndie Greenwood is a delight as the charismatic and always way too prepared April ( I'd like to see her in more Hallmark movies). Paul Campbell is perfect in the role of the the moody and cynical and wise cracking Harrington. Greenwood and Campbell have great chemistry together and the dialog is witty. The movie is a little slow paced at times, yes it's predictable, and the ending is a bit rushed. But overall, its an enjoyable and entertaining movie.
8.0 stars.
'Magic in Mistletoe' is of a rare breed of films that really caught my attention, even though there isn't anything particularly outstanding. The whole production is above average, not a single aspect is tawdry or leaves us expecting for more than what is delivered at each precise and timely moment. The romance is spot on, not too fast, not too slow, not too much, or too little. We don't have to wade through the formulaic monotony of most Hallmark stories, but instead we are humored by a cast of characters and a production crew with something fresh. But is anything really original in 'Magic in Mistletoe'? No, not really. But what is novel is the way it's presented. Something about the method in which the leads interact somehow feels different like genuine attraction, more than a performance.
He portrays an author of bestselling Christmas fantasy novels that are based upon the town he grew up in: Mistletoe. As of late, he has been morose and somewhat of a scrooge, recently caught posting a statement about how he no longer believes in Christmas. His sullen attitude is very believable. She is his publicist, and must be a taskmaster as she attempts to resurrect his career from total devastation. What a wonderful and charismatic actress she is to bring to life a "groupie" persona, of a woman who secretly adores everything about him: his writing, his character, his faults, and his failures. But she must also control her emotions and guide him back to the focused and successful writer that he once was.
This story builds up to a wonderful ending. It's a rare gem that can gain momentum like 'Magic in Mistletoe' and leave us wanting more. I hope to see a sequel, but I don't feel it lends itself to one.
'Magic in Mistletoe' is of a rare breed of films that really caught my attention, even though there isn't anything particularly outstanding. The whole production is above average, not a single aspect is tawdry or leaves us expecting for more than what is delivered at each precise and timely moment. The romance is spot on, not too fast, not too slow, not too much, or too little. We don't have to wade through the formulaic monotony of most Hallmark stories, but instead we are humored by a cast of characters and a production crew with something fresh. But is anything really original in 'Magic in Mistletoe'? No, not really. But what is novel is the way it's presented. Something about the method in which the leads interact somehow feels different like genuine attraction, more than a performance.
He portrays an author of bestselling Christmas fantasy novels that are based upon the town he grew up in: Mistletoe. As of late, he has been morose and somewhat of a scrooge, recently caught posting a statement about how he no longer believes in Christmas. His sullen attitude is very believable. She is his publicist, and must be a taskmaster as she attempts to resurrect his career from total devastation. What a wonderful and charismatic actress she is to bring to life a "groupie" persona, of a woman who secretly adores everything about him: his writing, his character, his faults, and his failures. But she must also control her emotions and guide him back to the focused and successful writer that he once was.
This story builds up to a wonderful ending. It's a rare gem that can gain momentum like 'Magic in Mistletoe' and leave us wanting more. I hope to see a sequel, but I don't feel it lends itself to one.
Magic In Mistletoe (2023) -
I liked the strength of Lyndie Greenwood as April, and she was witty and cool too, but I am starting to get tired of Paul Campbell as a leading man. His character of disgraced writer Harrington was a knob and took far too long to mellow or redeem himself. Perhaps Paul needs to take a different role within these films now? I've noticed his name as a screenwriter, maybe that could be his place going forward?
As the film started off I certainly thought that April would have been better off with "Harry's" best friend Chris (Oliver Rice) or even Lindsay (Amy Trefry), but I supposed that the point was for Harry to be a bit temperamental. I just felt that April deserved someone easier to deal with in the first place.
The concept of trying to rebuild someone's career after a badly thought out social media comment was very relevant in a world where cancel culture is rife and nobody ever seems to consider that maybe there was something else behind it, so I thought this look from the other side was on topic to balance the scales.
I did feel that they should have just asked Harry why he made the comment in the first place and maybe given him more of a chance to explain his sudden change of heart towards the season, perhaps pushed him to open up sooner.
And I do get annoyed when people hate on Christmas because they've lost someone. You should never do that and those that you lose would never want that. It seems like the stupidest reason to me.
Despite the fact that at the start I had been concerned by Mr. Campbell's involvement it did turn out to be quite a charming story and production in the end.
It was a mostly well put together piece and I liked the fact that they actually paid out for a decent amount of extras this time.
There was a bit too much of an obsession with Cinnamon though and I was hoping that April's final outfit/costume would have been a little bit nicer. His was definitely lame.
I wouldn't necessarily rush back to watch it again, because there are some absolute Christmas Crackers out there the deserve my time more, like have you seen 'Catch Me If You Claus' (2023) or 'To All A Good Night' (2023), but I wouldn't be annoyed if I did record it again in a few years time forgetting that I'd already seen it.
6.47/10.
I liked the strength of Lyndie Greenwood as April, and she was witty and cool too, but I am starting to get tired of Paul Campbell as a leading man. His character of disgraced writer Harrington was a knob and took far too long to mellow or redeem himself. Perhaps Paul needs to take a different role within these films now? I've noticed his name as a screenwriter, maybe that could be his place going forward?
As the film started off I certainly thought that April would have been better off with "Harry's" best friend Chris (Oliver Rice) or even Lindsay (Amy Trefry), but I supposed that the point was for Harry to be a bit temperamental. I just felt that April deserved someone easier to deal with in the first place.
The concept of trying to rebuild someone's career after a badly thought out social media comment was very relevant in a world where cancel culture is rife and nobody ever seems to consider that maybe there was something else behind it, so I thought this look from the other side was on topic to balance the scales.
I did feel that they should have just asked Harry why he made the comment in the first place and maybe given him more of a chance to explain his sudden change of heart towards the season, perhaps pushed him to open up sooner.
And I do get annoyed when people hate on Christmas because they've lost someone. You should never do that and those that you lose would never want that. It seems like the stupidest reason to me.
Despite the fact that at the start I had been concerned by Mr. Campbell's involvement it did turn out to be quite a charming story and production in the end.
It was a mostly well put together piece and I liked the fact that they actually paid out for a decent amount of extras this time.
There was a bit too much of an obsession with Cinnamon though and I was hoping that April's final outfit/costume would have been a little bit nicer. His was definitely lame.
I wouldn't necessarily rush back to watch it again, because there are some absolute Christmas Crackers out there the deserve my time more, like have you seen 'Catch Me If You Claus' (2023) or 'To All A Good Night' (2023), but I wouldn't be annoyed if I did record it again in a few years time forgetting that I'd already seen it.
6.47/10.
The movie was rather slow moving. But it was your typical Hallmark Christmas romance film so that's to be expected.
Most of the acting was average-Except the woman who played April. She was very good. It never felt like she was "acting."
Once again, there is a Hallmark movie in a small town with some Christmas festival going on. I don't know why they came up. Can't come up with better plot lines.
And it sure was slow moving. I wished I could fast forward.
It had your typical sappy ending. All is well with the world in a Hallmark movie. The drama from the conflict is insignificant in these movies. But it doesn't matter. This is like drinking a cup of hot cocoa in a small town in December. Soothing, comfortable, and basically unimportant.
Most of the acting was average-Except the woman who played April. She was very good. It never felt like she was "acting."
Once again, there is a Hallmark movie in a small town with some Christmas festival going on. I don't know why they came up. Can't come up with better plot lines.
And it sure was slow moving. I wished I could fast forward.
It had your typical sappy ending. All is well with the world in a Hallmark movie. The drama from the conflict is insignificant in these movies. But it doesn't matter. This is like drinking a cup of hot cocoa in a small town in December. Soothing, comfortable, and basically unimportant.
¿Sabías que...?
- CuriosidadesIn the one scene role of Debbie the barista is Kimberley Sustad, a frequent Hallmark movie lead, often opposite this movie's male lead, Paul Campbell. In addition to starring in Hallmark movies together, the two have collaborated in writing a few including Christmas by Starlight (2020) and Three Wise Men and a Baby (2022).
- PifiasWhile the photographer takes a photo of the group, he suddenly disappears from the scene.
- ConexionesReferences Good Morning America (1975)
- Banda sonoraStardust Holiday
(uncredited)
Written by Belén Vivero and Joel Willson
Performed by Belén Vivero and Joel Willson
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