Kyle y sus amigos sobreviven a un accidente aéreo en los pantanos de Luisiana. Lo que parecía ser sólo una tragedia se convierte en una pesadilla cuando descubren que no están solos en esas ... Leer todoKyle y sus amigos sobreviven a un accidente aéreo en los pantanos de Luisiana. Lo que parecía ser sólo una tragedia se convierte en una pesadilla cuando descubren que no están solos en esas turbias aguas.Kyle y sus amigos sobreviven a un accidente aéreo en los pantanos de Luisiana. Lo que parecía ser sólo una tragedia se convierte en una pesadilla cuando descubren que no están solos en esas turbias aguas.
- Dirección
- Guión
- Reparto principal
Sheila Francisco
- College Lecturer
- (as Shiela Francisco)
Reseñas destacadas
Terrible acting, horrible casting, and a storyline that feels like it was recycled from countless other films-but with an extra layer of awfulness. The dialogue is forced, the characters are unconvincing, and the pacing is sluggish. Any attempt at suspense or emotion falls completely flat. Even the cinematography and editing seem rushed and uninspired. It's almost impressive how every element of this movie manages to miss the mark. I think 1 star is overrating it-this is a complete waste of time.
You will be surprised by the time you will waste watching this cheap movie. Can't believe I wasted my time.
You will be surprised by the time you will waste watching this cheap movie. Can't believe I wasted my time.
When nature collides with the consequences of human actions, a new creature is born - violent, uncontrollable, and above all: unpredictable. The Bayou illustrates this perfectly.
The story opens with a plane crash that leaves a group of survivors cut off from the world, surrounded by murky waters, creeping shadows, and a constant sense of danger. At the center stands Kyle, the film's protagonist, who leads the group in a fight for survival. The film blends survival thriller with biological horror, where the main threat is mutated alligators. However, the plot doesn't really evolve or shift in a meaningful way. It maintains a steady level of tension - which works in its favor at times, but also holds it back.
From beginning to end, the interactions between characters feel forced. Conversations lack flow, and the dialogue sounds like it's being read directly from the script. On the other hand, the cinematography deserves praise - each shot feels intentional and well-placed. The directing and writing, however, come across as the bare minimum. The film opens on a warm, almost family-like tone - something I always consider a great setup for a horror film. But just as emotional moments begin to build between the characters, the film quickly cuts them short to rush into the plane crash and the threat waiting in the bayou - even before the characters have boarded the plane. It feels like there was no real interest in developing the characters, just a rush to get to the action. It's as if none of the writers really wanted to tell a deep story - they just wanted to deliver a solid jump scare experience. And in that regard, they did pretty well.
The film opens with a highly intense score that initially feels out of place. But putting that moment aside, Segun Akinola delivers an excellent soundtrack. He manages to heighten the tension and even make the most predictable jump scares feel genuinely terrifying. The overall sound design is also impressive.
While the official budget has not been released, it's hard to ignore the CGI quality. Watching an alligator run like a flying bison from Avatar: The Last Airbender made it clear we were in trouble. Every interaction between the survivors and the creature felt detached from reality - awkward and far from realistic. That said, the creators seemed aware of this flaw and tried to compensate with clever camera work that kept things visually ambiguous. They also used real alligator footage, which blended surprisingly well and helped maintain a relatively realistic tone.
The ending, however, felt like a different film altogether - in the best way. Suddenly, the acting was more compelling, the camera work more precise, and a powerful flashback paired with an emotional score created a standout finale. The music in the final scene reached another level entirely, delivering a true sense of euphoria - one I'll likely remember for years.
The Bayou aims to immerse us in a story of survival, fear, and hysteria deep within the wild - but for the most part, it simply keeps us guessing when the next jump scare will arrive. There are moments of brilliance - both emotional and suspenseful - but they are few and far between.
If you're new to the horror genre, this could be a decent starting point. But if you're a seasoned fan looking for depth or innovation - you can probably skip it. You're not missing much.
The story opens with a plane crash that leaves a group of survivors cut off from the world, surrounded by murky waters, creeping shadows, and a constant sense of danger. At the center stands Kyle, the film's protagonist, who leads the group in a fight for survival. The film blends survival thriller with biological horror, where the main threat is mutated alligators. However, the plot doesn't really evolve or shift in a meaningful way. It maintains a steady level of tension - which works in its favor at times, but also holds it back.
From beginning to end, the interactions between characters feel forced. Conversations lack flow, and the dialogue sounds like it's being read directly from the script. On the other hand, the cinematography deserves praise - each shot feels intentional and well-placed. The directing and writing, however, come across as the bare minimum. The film opens on a warm, almost family-like tone - something I always consider a great setup for a horror film. But just as emotional moments begin to build between the characters, the film quickly cuts them short to rush into the plane crash and the threat waiting in the bayou - even before the characters have boarded the plane. It feels like there was no real interest in developing the characters, just a rush to get to the action. It's as if none of the writers really wanted to tell a deep story - they just wanted to deliver a solid jump scare experience. And in that regard, they did pretty well.
The film opens with a highly intense score that initially feels out of place. But putting that moment aside, Segun Akinola delivers an excellent soundtrack. He manages to heighten the tension and even make the most predictable jump scares feel genuinely terrifying. The overall sound design is also impressive.
While the official budget has not been released, it's hard to ignore the CGI quality. Watching an alligator run like a flying bison from Avatar: The Last Airbender made it clear we were in trouble. Every interaction between the survivors and the creature felt detached from reality - awkward and far from realistic. That said, the creators seemed aware of this flaw and tried to compensate with clever camera work that kept things visually ambiguous. They also used real alligator footage, which blended surprisingly well and helped maintain a relatively realistic tone.
The ending, however, felt like a different film altogether - in the best way. Suddenly, the acting was more compelling, the camera work more precise, and a powerful flashback paired with an emotional score created a standout finale. The music in the final scene reached another level entirely, delivering a true sense of euphoria - one I'll likely remember for years.
The Bayou aims to immerse us in a story of survival, fear, and hysteria deep within the wild - but for the most part, it simply keeps us guessing when the next jump scare will arrive. There are moments of brilliance - both emotional and suspenseful - but they are few and far between.
If you're new to the horror genre, this could be a decent starting point. But if you're a seasoned fan looking for depth or innovation - you can probably skip it. You're not missing much.
The release year of Colmillos del Bayou (2025) states that it was 2025. Ok, but why on earth is such a movie like this produced in this day-and-age? With an estimated budget of $5 million (unconfirmed) I doubt that they saw a return out of this move.
Madalena Aragão (Alice) reminded me of Kaya Scodelario in her looks, I had to do some searching on that, as it happens, Kaya was in the movie Infierno bajo el agua (2019) which was about gators. Crawl was a better movie.
Anyway, overall The Bayou was just ok, but below average for a 2025 movie. Athena Strates (Kyle) didn't quiet convince me that she was a gator expert. Elisha Applebaum (Malika) worked her magic and totally convinced me to dislike her character, so well done there, Elisha.
Other actors trying to do their bit were Mohammed Mansaray (Sam) seemed to be confused whether he had to be the comedic relief or a wanna be hero. The crazed pilot, Frank (Andonis Anthony), was not convincing at being a leader. Tayla Kovacevic-Ebong (Dom) was probably the hero, or close to one.
Overall, the effects were not too bad, the story and acting are what you would expect from the B movie. Would I recommend this? A few beers or wine and it is a yes.
Madalena Aragão (Alice) reminded me of Kaya Scodelario in her looks, I had to do some searching on that, as it happens, Kaya was in the movie Infierno bajo el agua (2019) which was about gators. Crawl was a better movie.
Anyway, overall The Bayou was just ok, but below average for a 2025 movie. Athena Strates (Kyle) didn't quiet convince me that she was a gator expert. Elisha Applebaum (Malika) worked her magic and totally convinced me to dislike her character, so well done there, Elisha.
Other actors trying to do their bit were Mohammed Mansaray (Sam) seemed to be confused whether he had to be the comedic relief or a wanna be hero. The crazed pilot, Frank (Andonis Anthony), was not convincing at being a leader. Tayla Kovacevic-Ebong (Dom) was probably the hero, or close to one.
Overall, the effects were not too bad, the story and acting are what you would expect from the B movie. Would I recommend this? A few beers or wine and it is a yes.
Kyle, a biology student, travels with her friends to the Florida Keys to scatter the ashes of her brother Jamie, who died in a robbery accident. But the group decides to save time by traveling in a rather unsavory-looking small plane. Then the plane suffers a massive malfunction, all the passengers end up crashing on the swampy territory where the fearsome and monstrous alligators live. After that, they're repeatedly attacked by monstrous alligators . The alligators are hunting them, they must now face terrible enemies and find a way to get their safety and stay alive. They Were Here First Danger! Alligators are common in this area!. They can be dangerous!. They have been known to stalk prey!. Nature bites back !. They will hunt you If the storm doesn't get you... they will!. Swim Like Hell!. Watch Your Back Fear has found a new home !. Nothing seems to satisfy croc's ever-widening appetite !.
In ¨The Bayou¨ there are several vicious carnivorous animals causing bloody events and wreaking havoc with lots of gory scenes. It turns out to be the ordinary and already seen film about sea monsters attacking here and there. You already know that this movie is about alligators from Bayou swamps and terrorizing innocent victims. Athena Strates, a supporting actress who has appeared in films such as the new installment of the Hunger Games saga, Ballad of Snakes and Songbirds, stars in this film alongside the most aggressive reptiles of the dangerous wetlands.
The result is an unpretentious, slightly entertainment and at times effective treat. It packs a main and support cast plenty of unknown actors.
The film turns out to be mediocre and uneven, it adds nothing to what we have seen many times before and much better. The motion picture was averagely directed by Taneli Mustonen, Brad Watson.
The genre of giant crocodiles devouring innocent victims already has a long and curious filmography, among which I would highlight the following: "Alligator" (1980) by Lewis Teague with Robert Foster, Michael Gazzo, Dean Jagger, Sydney Lassick; "Alligator II: The Mutation" (1991) by John Hess with Joseph Bologna, Dee Wallace, Richard Lynch; "Primeval" (2007) by Michael Katlman with Dominic Purcell, Brooke Langton, Orlando Jones; "Rogue" (2007) by Greg McLean with Radha Mitchell, Michael Vartan, Sam Worthington; "Bait" (2012) by Kimble Rendall with Xavier Samuel, Sharni Vinson, Julian MacMahon, Adrian Pang . And "Crawl" (2019) by Alexandre Aja with Kaya Scodelario, Barry Pepper, Morfydd Clark.
In ¨The Bayou¨ there are several vicious carnivorous animals causing bloody events and wreaking havoc with lots of gory scenes. It turns out to be the ordinary and already seen film about sea monsters attacking here and there. You already know that this movie is about alligators from Bayou swamps and terrorizing innocent victims. Athena Strates, a supporting actress who has appeared in films such as the new installment of the Hunger Games saga, Ballad of Snakes and Songbirds, stars in this film alongside the most aggressive reptiles of the dangerous wetlands.
The result is an unpretentious, slightly entertainment and at times effective treat. It packs a main and support cast plenty of unknown actors.
The film turns out to be mediocre and uneven, it adds nothing to what we have seen many times before and much better. The motion picture was averagely directed by Taneli Mustonen, Brad Watson.
The genre of giant crocodiles devouring innocent victims already has a long and curious filmography, among which I would highlight the following: "Alligator" (1980) by Lewis Teague with Robert Foster, Michael Gazzo, Dean Jagger, Sydney Lassick; "Alligator II: The Mutation" (1991) by John Hess with Joseph Bologna, Dee Wallace, Richard Lynch; "Primeval" (2007) by Michael Katlman with Dominic Purcell, Brooke Langton, Orlando Jones; "Rogue" (2007) by Greg McLean with Radha Mitchell, Michael Vartan, Sam Worthington; "Bait" (2012) by Kimble Rendall with Xavier Samuel, Sharni Vinson, Julian MacMahon, Adrian Pang . And "Crawl" (2019) by Alexandre Aja with Kaya Scodelario, Barry Pepper, Morfydd Clark.
Truth be told, I am a sucker for killer animal movies, and thus I needed no persuasion to sit down and check out the 2025 movie "The Bayou".
Writers Ashley Holberry and Gavin Cosmo Mehrtens put together a script that, while it was generic, was actually entertaining enough. It was a simplistic and straightforward script, and the writers didn't exactly bring anything new to the genre. Regardless, "The Bayou" proved to be an entertaining alligator movie.
I was not familiar with a single actor or actress on the cast list, but I found the acting performances to be good. I actually do enjoy watching unfamiliar talents on the screen whenever I sit down to watch a movie, so that spoke well in favor of "The Bayou".
The effects in the movie were good, which is a must for a movie with killer animals. There is nothing worse than sitting down and watching a movie where the animals look like they were discarded from a 1990s computer game because they looked to fake. Luckily that was not the case in "The Bayou".
If you enjoy killer animal movies, then directors Taneli Mustonen and Brad Watson does deliver an enjoyable movie with the 2025 movie "The Bayou".
My rating of "The Bayou" lands on a five out of ten stars.
Writers Ashley Holberry and Gavin Cosmo Mehrtens put together a script that, while it was generic, was actually entertaining enough. It was a simplistic and straightforward script, and the writers didn't exactly bring anything new to the genre. Regardless, "The Bayou" proved to be an entertaining alligator movie.
I was not familiar with a single actor or actress on the cast list, but I found the acting performances to be good. I actually do enjoy watching unfamiliar talents on the screen whenever I sit down to watch a movie, so that spoke well in favor of "The Bayou".
The effects in the movie were good, which is a must for a movie with killer animals. There is nothing worse than sitting down and watching a movie where the animals look like they were discarded from a 1990s computer game because they looked to fake. Luckily that was not the case in "The Bayou".
If you enjoy killer animal movies, then directors Taneli Mustonen and Brad Watson does deliver an enjoyable movie with the 2025 movie "The Bayou".
My rating of "The Bayou" lands on a five out of ten stars.
¿Sabías que...?
- CuriosidadesThere is a line at the start of the movie that says "Gator eggs are worth a fortune". They actually sell for about 30 to 40 US Dollars.
- PifiasAn alligator grabs a victim by the feet and she is dragged feet first into the brush-apparently captured by the first gator in history who can run straight backwards as fast as it runs forward.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- The Bayou
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 700.897 US$
- Duración1 hora 27 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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What is the German language plot outline for Colmillos del Bayou (2025)?
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