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Contada desde ambos lados de la ley, esta serie documental de los creadores de "Fear City" sigue la batalla del FBI para acabar con el infame jefe de la mafia John Gotti.Contada desde ambos lados de la ley, esta serie documental de los creadores de "Fear City" sigue la batalla del FBI para acabar con el infame jefe de la mafia John Gotti.Contada desde ambos lados de la ley, esta serie documental de los creadores de "Fear City" sigue la batalla del FBI para acabar con el infame jefe de la mafia John Gotti.
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Most of this portrayed Gotti as a fashion model instead of what he really was: an uneducated half-wit and murderous thug. He had a man tortured and murdered because Gotti's idiot son was killed riding a moped in the streets. The mafia are nothing more than bullies who gang up on individuals. They are jackals who produce nothing and live off of the sweat of others.
Most of the people in this series had nothing but good to say about the creep, even some of the law enforcement types. Why would an FBI agent congratulate Gotti after one of his acquittals? The news people covering the cases were equally as obsequious and heavy with praise for this low-life.
Overall, this was poorly done and adds nothing new to the story.
Most of the people in this series had nothing but good to say about the creep, even some of the law enforcement types. Why would an FBI agent congratulate Gotti after one of his acquittals? The news people covering the cases were equally as obsequious and heavy with praise for this low-life.
Overall, this was poorly done and adds nothing new to the story.
Gotti's crew want to be in his favor. Law enforcement want the prestige of being the ones who catch him. Prosecutors want the prestige of being the ones who convict him. Reporters want the prestige of being the ones invited to his parties - more concerned with being seen with him than covering him.
Everyone in the documentary seems to gleefully tell everyone how they were connected to him, whether they were for or against him. The filmmakers could've done more to explain how bad Gotti was. How mob members, neighborhood residents, law enforcement and the legal system were all in a cult-like infatuation with him. Instead it seems they're in the cult, too. It's almost a glorification of the guy.
The end result is you fell like you're watching people talk about that time they once met the cousin of Elvis Presley's barber's dog sitter.
Everyone in the documentary seems to gleefully tell everyone how they were connected to him, whether they were for or against him. The filmmakers could've done more to explain how bad Gotti was. How mob members, neighborhood residents, law enforcement and the legal system were all in a cult-like infatuation with him. Instead it seems they're in the cult, too. It's almost a glorification of the guy.
The end result is you fell like you're watching people talk about that time they once met the cousin of Elvis Presley's barber's dog sitter.
The whole Gotti story is completely overdone so I'm surprised this series even got commissioned, although it was a good watch in that it gave you the perspectives of people who'd also been there at the height of his power not just some grey FBI agents. Yes, that Mouw guy is still there, dining off his contribution, but a fair amount of the interviewees are from a range of backgrounds - his associates all still revel in the age of course, like it was the pinnacle of their lives - that Giovino woman especially almost can't get over her dalliance with fame and power.
The programme's main takeaway is that law enforcement seem idiotic as most of them were in direct competition to arrest the man himself instead of cooperating with each other. They overlook some of his more heinous crimes too, focusing mostly on the Castellano hit (not what he did to his poor neighbour John Favara). Also the prosecutor Giacalone comes out of this looking awful: she sent jurors home in limos (so they could be tailed and paid off) and later exposed an FBI informant who was then killed....totally incompetent and it's no wonder Gotti stayed free for so long.
It's mostly a nostalgic look back for a lot of these ex-wiseguys and agents, to a time when they were important, on both sides of the law. You almost can't believe this sort of criminal organisation was allowed to exist so brazenly back then now you look back at it. But overall RIP to all his victims, this guy was no hero.
The programme's main takeaway is that law enforcement seem idiotic as most of them were in direct competition to arrest the man himself instead of cooperating with each other. They overlook some of his more heinous crimes too, focusing mostly on the Castellano hit (not what he did to his poor neighbour John Favara). Also the prosecutor Giacalone comes out of this looking awful: she sent jurors home in limos (so they could be tailed and paid off) and later exposed an FBI informant who was then killed....totally incompetent and it's no wonder Gotti stayed free for so long.
It's mostly a nostalgic look back for a lot of these ex-wiseguys and agents, to a time when they were important, on both sides of the law. You almost can't believe this sort of criminal organisation was allowed to exist so brazenly back then now you look back at it. But overall RIP to all his victims, this guy was no hero.
Netflix's Get Gotti (2023) is a slickly produced docuseries that dives into the rise and fall of John Gotti, the Teflon Don with a flair for the dramatic. Equal parts history lesson and crime thriller, it walks the fine line between admiration and indictment, showing how Gotti's larger-than-life personality made him both a media darling and a federal headache.
The pacing is sharp, the interviews are juicy, and the archival footage reminds us why Gotti was the gangster who wouldn't quit-until he did. It's got all the mob lore, courtroom drama, and wiretap paranoia you'd expect, wrapped in a binge-worthy package.
Is it groundbreaking? Not exactly. But it's a polished, engaging watch that understands its subject's mythos. If you like your true crime with a dash of old-school swagger and a pinch of federal persistence, Get Gotti is a hit worth taking.
The pacing is sharp, the interviews are juicy, and the archival footage reminds us why Gotti was the gangster who wouldn't quit-until he did. It's got all the mob lore, courtroom drama, and wiretap paranoia you'd expect, wrapped in a binge-worthy package.
Is it groundbreaking? Not exactly. But it's a polished, engaging watch that understands its subject's mythos. If you like your true crime with a dash of old-school swagger and a pinch of federal persistence, Get Gotti is a hit worth taking.
The rise and fall of crime boss John Gotti is an interesting story. There's even a secondary story, that of different U. S. enforcement agencies that were competing to convict him, rather than cooperating. Unfortunately, this Netflix documentary spins the story out to a far greater length than it requires, with too many talking heads saying things like "this time, I really thought we'd got him" ad naseum, and endless details provided that add little insight to the overall narrative. I feel that with Netflix there's often a presumption that "more is more", and what could have been gripping if briefer becomes repetitivie and dull. The series also allows former gangsters to laugh about their crimes under interview without challenge as if it was all good fun, which leaves a sour taste.
¿Sabías que...?
- CuriosidadesOn March 18, 1980, John Gotti's middle son, 12-year-old Frank Gotti, while riding a minibike, darted out into the street and was hit by a car driven by John Favara, Gotti's backyard neighbor. Due to Frank's failure to yield before entering the street at a blind spot, his death was ruled an accident and criminal charges were never filed against Favara. However, Favara subsequently received death threats and was attacked with a baseball bat by Victoria Gotti when Favara visited the Gottis to apologize. On July 28, 1980, Favara was abducted and disappeared and was was declared legally dead in 1983. When the Gotti children grew up and had children of their own, each of them named one of their sons Frank in honor of their brother.
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