Holiday Hotline

While I liked a lot of things about this movie, the plotting was lazy and in some cases .... dumb.

First we have a depressed woman who just dumped her lying, cheating boyfriend and quit her job. She's depressed. So her parents' best idea is to send her a quarter of the way around the world, alone, to a place she has no connection with, to stay in the empty apartment of a friend ... where she knows no one?

It doesn't get more contrived and dumb than that.

Then Niall Matter, who we really like, has a melt down when a door knob falls off? Strike two.

Then she's absolutely forced to take a job at a turkey hot line? Strike three.

Then Matter calls the hot line and just happens to get her? Do you get four strikes?

Don't get me wrong, there are some nice things about the movie, but PLEASE, writers, use your brains next time.

This started out interesting. I didn't mind Emily's accent at all, I thought it was fine, and my mother was English. There are lots of Americans who are apparently experts on British accents, even accusing Brits of fake accents.

I didn't care for the physical side by side choreographed phone conversations. They were distracting to me as I watched them move back and forth in perfect synchronization.

I told my husband that it was going to be the same old same old "You lied to me, I cannot trust you" trope. He said no, it wouldn't be like that.

I was correct. It's the most annoying trope in Hallmark's arsenal.

A nice story with a blow up anger, walk away scene.

As I recall, that didn't happen in the classic movies from which these scripts copy. It's just Hallmark's standard endings. Ugh!

It's absolutely ridiculous that a guy would be offended because the 2 women he was falling in love with were the same person. He would be glad.

And to blame someone when there was no attempt to deceive. If it's coincidence, it's not deception..

Just to add an opposite view to the other hurrahs here. I would have possibly given this a 7 if it stayed pleasant and romantic. All the drama is just not necessary. The acting and characters were fine.

A London sous chef in a relationship with the restaurant's owner discovers not only does he not give her credit for her work, but he's cheating on her. She escapes to Chicago where she stays in her aunt's apartment which is vacant for several weeks. She allows herself to get talked into working the holiday hotline, a how to cook a turkey 800 number.

Movie mistake shows Chicago international Airport, rather than calling it by its name, O'Hare. Daisy dairy products must have paid for half the movie because their products are put in front of the viewers numerous times.

The Director uses a very unique and different technique in the movie. When two people are on the phone in different locations they are placed next to each other on the screen but not a split screen. I found it very engaging.

Abbie is from London but for the holiday hot line she uses an American accent, and uses the name Peggy. Jack doesn't want to be known as Jack on the turkey hotline so he uses a derivative of Jack, John. Needless to say, John and Peggy really connect over the telephone, but, Jack and Abbie connect in person.

How will the script writer write their way out of this situation and end it with a happy hallmark ending? You'll need to watch the movie. No spoilers here.

This one is worth your time!!

This movie is clever in a number of ways. Some of the banter is delivered in a clever way and the visually transposing Peggy next to Jack while on the phone is a clever way to erase the distance.

The premise is a cleverly disguised You've Got Mail. Abby/Peggy and Jack spend time together live and communicate via the impersonal telephone hotline which masks Abby's true identity. On the phone, they share their personal lives while they get to know each other on a more impersonal level during their time together physically. Eventually Jack and Peggy face revealing their true identities and later meeting in person. Like other movies with this premise that doesn't go as planned.

Other "disguise" elements to make the story different from the original include Peggy changing her accent from British to American while on the phone which further hides her hotline identity from Jack. I already mentioned the visual side by side presentation while on the hotline. And there is Jack's daughter. Meanwhile Jack disguises his identity on the hotline by using his given name, John. (I happen to be a John who goes by Jack.)

There is a great scene in the second half of the movie that revolves around the idea of Peggy and John being visually together though still on the hotline call. And later the line "You're asking if the guy who asked you to his house is ... ghosting you?"

All of this is decoration. One of the big draws for me in this movie is Emily Tennant. I have enjoyed her several times in Hallmark movies. I love her personality (really). She and Nial Matter have good chemistry despite her British accent which was one turnoff to me of the whole movie.

If you had read me the script before I watched this movie, I'd have made a hefty bet it would be a disaster. There's probably quite a few who think it was. But I thought they made it work.

You can't tell the players without a scorecard as people are using interchangeable names and accents and somehow two people become two couples.

Emily Tennant is a tiny, little ball of gorgeousness who plays a British chef treated shamefully by her boyfriend/boss, so she comes to Chicago for Christmas. She somehow winds up working at a turkey cooking helpline.

Niall Matter is an architect in Chicago who wants to make a Christmas turkey for his daughter. It all gets very convoluted from there.

Erik Athavale was really funny in Santa Summit, and is very good here too.

Myla Volk as the daughter is a child actor new to me. She's going to be gorgeous in ten years, and does a nice job as well.

I can only say this is the kind of movie some love and some hate.

I gave it an 8.