National Theatre Live: Vanya
- 2024
- 2h 2min
PUNTUACIÓN EN IMDb
8,5/10
1,1 mil
TU PUNTUACIÓN
Andrew Scott da vida a múltiples personajes en la obra de Chéjov Tío Vania, rodada en directo en West End, Londres. Las esperanzas, los sueños y los remordimientos se ponen de relieve explor... Leer todoAndrew Scott da vida a múltiples personajes en la obra de Chéjov Tío Vania, rodada en directo en West End, Londres. Las esperanzas, los sueños y los remordimientos se ponen de relieve explorando la complejidad de las emociones humanas.Andrew Scott da vida a múltiples personajes en la obra de Chéjov Tío Vania, rodada en directo en West End, Londres. Las esperanzas, los sueños y los remordimientos se ponen de relieve explorando la complejidad de las emociones humanas.
- Dirección
- Guión
- Reparto principal
Reseñas destacadas
Andrew Scott is earth-shattering in this extraordinary performance of Vanya, seamlessly morphing from one character to the next, until the only character in the play becomes an amalgam of all of the human tragedy and pain and anger and despair, in a myriad of embodiments. This is a performance like none I have ever seen. Every character becomes just a facet of a single creature, a hybrid of Vanya, and Sonya, and Alexander and all the rest. Andrew Scott is merciless in high-jacking your attention, and your emotions, your entire being, and submerging you inside this extraordinary Chekov tragedy. Andre Scott's acting is a gift for anyone taking the trouble to see.
It's always rewarding when talented actors and skilled direction come together to bring a concept to life.
Andrew Scott's ability to embody various emotions and inject humour into his performance while keeping the audience engaged is truly commendable.
The captivating emotions Andrew Scott brings to each character make it easy to see his portrayal as the norm. His ability to breathe life into multiple roles is truly impressive, creating a seamless and engaging experience that draws viewers into the rich tapestry of emotions woven throughout the performance.
Translating the theatrical experience to the screen successfully adds another layer of appreciation. It's a testament to both the actor's skill and the team's efforts in capturing the essence of live theatre.
Thank you to all involved who brought this production to the screen.
Andrew Scott's ability to embody various emotions and inject humour into his performance while keeping the audience engaged is truly commendable.
The captivating emotions Andrew Scott brings to each character make it easy to see his portrayal as the norm. His ability to breathe life into multiple roles is truly impressive, creating a seamless and engaging experience that draws viewers into the rich tapestry of emotions woven throughout the performance.
Translating the theatrical experience to the screen successfully adds another layer of appreciation. It's a testament to both the actor's skill and the team's efforts in capturing the essence of live theatre.
Thank you to all involved who brought this production to the screen.
I am torn about this version. Yes, Andrew Scott once again proves himself to be an excellent actor. However, the manner in which he portrays the characters-through endless mannerisms and antics-seems out of place to me. It cheapens the story and the heartbreak of the characters' lives, without adding any depth or additional layers to the adaptation. Some of the jokes and the aforementioned physical comedy make the characters so cartoonish by the end that the final scene-which, in the book or in a classical adaptation, should tear your soul apart-fails to have the emotional impact it deserves.
I think it's a nice adaptation to watch (just not for the first time) if only to witness Andrew Scott's acting prowess. Besides, it's interesting to see the story through this director's eyes. Personally, I don't regret watching it, but I have no desire to see it again.
I think it's a nice adaptation to watch (just not for the first time) if only to witness Andrew Scott's acting prowess. Besides, it's interesting to see the story through this director's eyes. Personally, I don't regret watching it, but I have no desire to see it again.
10andrewfy
Wow. An amazing night in Liverpool. After seeing Vanya on stage I was not sure it would transfer to the big screen. How wrong I was. Andrew Scott's performance is as beautiful and heartfelt on screen as it was in the theatre. Watching it again transported me back to the theatre performance and the camera work brought the excellence of Scott's acting into sharp focus,
I cannot remember what I paid for the theatre tickets but with train fares and other expenses it was in the hundreds. Full marks for the National Theatre for making this master class in acting and direction available to all, everywhere and at an affordable price. A must see. I am going again!
I was told that Vanya performed by Andrew Scott is a great theatre piece, but when I watched it myself, I found it hard to describe in words how phenomenal it was. Scott, the actor I admire for his talent and his choice of films to be in, is playing the role of every single character and he does it impeccably. The script is even more interesting and funny than the original text by Chekhov, which made it all a really jaw-dropping experience. I definitely recommend watching Vanya if you still haven't.
¿Sabías que...?
- CuriosidadesVanya, as a name, is a Russian form of the Slavic name Ivan, derived from the Hebrew names John, Johnny, or Jane, which means "'gracious gift of God", "God is gracious". In Russia, Bosnia and Herzegovina, it is primarily used for boys, while in Serbia and Croatia, it is considered a unisex name. Additionally, Vanya is commonly given to baby girls in Bulgaria and Scandinavian countries. Being a variant of John, Jane, or Ivan, the name Vanya can be associated with John, a cherished disciple of Jesus and known for his unwavering faith and loyalty, as mentioned in the New Testament. Among the Twelve Apostles, he played a significant role and is often associated with the authorship of various New Testament writings, such as the Gospel of John, according to Christian tradition.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Ваня
- Localizaciones del rodaje
- Duke of York's Theatre, 104 St Martin's Lane, London, WC2N 4BG, Inglaterra, Reino Unido(theatre, live performance recording)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 2.610.523 US$
- Duración
- 2h 2min(122 min)
- Color
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