Eleanor the Great

Eleanor the Great is a beautifully balanced film that captures the delicate interplay between grief and humor. I found myself deeply moved by how honestly it portrays loss, something that resonated with me on a very personal level, having experienced the pain of losing loved ones myself.

The performances were truly exceptional. The acting felt raw and genuine, allowing me to connect with the story in a very real way. Scarlett Johansson deserves great credit for her work as director. She's crafted a film that is both emotionally powerful and profoundly human.

What stood out most for me was how the character of Eleanor reminded me of my own grandmother, someone I deeply love and admire. That connection made the film's themes of memory, family, and resilience hit even harder.

Eleanor the Great is not just a story about grief, it's a celebration of life, love, and the quiet strength we find in the people we hold dear. A heartfelt, beautifully made film that lingers long after the credits roll.

Different kind of a Holocaust movie. It's sweet and sad, centering around a 94 year old woman who has just lost her best friend and moves from her Florida retirement community to Manhattan to live with her daughter and grandson. Soon after she meets a group of holocaust survivors and feels compelled to tell a story. The story/lie kind of takes on a life of its own and eventually gets out of hand with potentially tragic effect.

It's a small movie, a little bittersweet in its execution and end, but in the end somewhat slow and drab. The acting is generally very good. June Squibb is charming as she always is. A little more depth of character might have garnered her some Oscar consideration, but this performance would be a stretch.

If you have nothing else to do, it's not a waste of time.

What a gorgeous film. Not to be missed. Delightful, brilliantly acted and directed. Just fantastic. Judy Squibb's character doesn't like surprises ~ But I bet even she would make an exception for the deliciously surprising film. We all need to find kind common ground. And boundless hope comes from watching the uniting of people 70+ years apart in age & 0 apart in spirit.

Watched at the 2025 Toronto International Film Festival.

June Squibb provides a wonderful, sweet and touching performance about a elderly woman embracing new connections and friendship, in a otherwise, cliched and predictable story and structure.

Throughout, being Scarlett Johansson's debut directing, Johansson's direction feels average as her direction on the atmosphere, writing and style feels unspecial, but maintain it's normality without any issues. With the good production and solid camera work, Johansson does understand how to pull the strings on emotions as there are some solid emotional conversations, chemistry and charm between the characters and performances. Which does offer some sweet moments from June.

As mentioned, June's performance was wonderful as she offers her character to bring out into the light and shine. While the other performances are good, the characters don't feel very fleshed out at times, which made them not particularly engaging or as interesting as Johansson would have liked. Alongside with the cliched narrative, many of the style and choices were pretty cheesy and predictable. If you have seen movies like this before, then you know what will come next without a doubt.

Despite the cliche and predictable style, the general experience was still decent because of June's charmful performance and dialogue energy was able to convey the emotions successfully. She was the absolute best part of this movie. Overall, it isn't something I would see again quickly but it's decently heartwarming.

June Squibb commands the screen and Scarlett Johansson didn't wiff on her first at bat but the script's flaws are hard to get over. Eleanor is framed as witty and fun but she is outright mean and distant. There's no real reason for who she connects with. She mourns her friend without mention of her husband. She keeps linking up with a NYU student but is cold to her daughter. The deception itself is something Eleanor could have easily gotten out of after that first meeting. There were no stakes in admitting it. But she continues lying to an NYU student -- who doesn't know how to Google for a fact check.