PUNTUACIÓN EN IMDb
5,4/10
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TU PUNTUACIÓN
Clara morirá hoy a menos que mate a su marido en su lugar. El Asesino del Calendario le ha dado esa imposible elección. Jules trabaja en una línea de ayuda para mujeres solitarias que regres... Leer todoClara morirá hoy a menos que mate a su marido en su lugar. El Asesino del Calendario le ha dado esa imposible elección. Jules trabaja en una línea de ayuda para mujeres solitarias que regresan a casa y recibe la llamada de Clara.Clara morirá hoy a menos que mate a su marido en su lugar. El Asesino del Calendario le ha dado esa imposible elección. Jules trabaja en una línea de ayuda para mujeres solitarias que regresan a casa y recibe la llamada de Clara.
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- 1 nominación en total
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It's a pretty boring drama thriller in which an ostensible good samaritan is drawn into a domestic tragedy, but all is not what it seems. And all is not what it seems because of an accretion of confluences, contrivances and just plain dumb coincidences that strand the lackluster plot somewhere between incompetent and incoherent. I'm sure the people behind this dross thought they had something important to say about domestic violence. They didn't. Their feeble attempt to squeeze some profundity out of this trainwreck only makes it more insulting. And even putting the hammy sanctimony aside, this dumb diversion still fails as a thriller, mystery or drama.
I watched The Calendar Killer because it seemed like a short thriller with the potential to entertain me. I wasn't expecting a masterpiece, and maybe that's why I found it competent in keeping the audience engaged.
The plot follows a killer who forces his female victims to choose between dying or killing their own husbands. The story mainly focuses on a woman facing this ultimatum, who finds support from a man working at a domestic abuse helpline. Together, they navigate the tense events of that night in an attempt to survive.
The concept is interesting, and I love "race against time" thrillers. The film managed to hold my attention, especially by addressing sensitive and important topics like domestic violence. However, I felt it lacked balance between suspense, mystery, and drama. There were moments when I was fully immersed in the tense game between the victim and the killer, but they were abruptly interrupted by dramatic scenes that broke the intensity. On the other hand, when I got invested in the protagonist's emotional struggles and complex relationship, I was suddenly thrown back into the fast-paced suspense. The editing didn't help much in this regard, making the narrative feel a bit disjointed.
The plot twists were another weak point for me. While some were interesting, they felt forced and even unrealistic at times. Moreover, a small detail early in the film made me suspicious of the final reveal, which took away some of its impact. But I admit this might be my fault, as I'm quite familiar with the tricks thrillers use to mislead the audience.
Overall, The Calendar Killer isn't a bad film, but it's far from fantastic. It does its job of entertaining and, in the process, touches on an important and heavy topic. However, its approach remains somewhat superficial, never fully exploring the depth of the issue. It's an easy watch, but not a memorable one.
The plot follows a killer who forces his female victims to choose between dying or killing their own husbands. The story mainly focuses on a woman facing this ultimatum, who finds support from a man working at a domestic abuse helpline. Together, they navigate the tense events of that night in an attempt to survive.
The concept is interesting, and I love "race against time" thrillers. The film managed to hold my attention, especially by addressing sensitive and important topics like domestic violence. However, I felt it lacked balance between suspense, mystery, and drama. There were moments when I was fully immersed in the tense game between the victim and the killer, but they were abruptly interrupted by dramatic scenes that broke the intensity. On the other hand, when I got invested in the protagonist's emotional struggles and complex relationship, I was suddenly thrown back into the fast-paced suspense. The editing didn't help much in this regard, making the narrative feel a bit disjointed.
The plot twists were another weak point for me. While some were interesting, they felt forced and even unrealistic at times. Moreover, a small detail early in the film made me suspicious of the final reveal, which took away some of its impact. But I admit this might be my fault, as I'm quite familiar with the tricks thrillers use to mislead the audience.
Overall, The Calendar Killer isn't a bad film, but it's far from fantastic. It does its job of entertaining and, in the process, touches on an important and heavy topic. However, its approach remains somewhat superficial, never fully exploring the depth of the issue. It's an easy watch, but not a memorable one.
It's not every day that you get to see a real psychological shocker from the German-speaking world. Only a global streaming service like AMAZON PRIME VIDEO can finance that. And Sebastian FITZEK is also a sure guarantee of success. The Berliner, born in 1971, has been writing successful novels in the thriller genre for years. THE WAY HOME was published in 2020 and has now been made into a film by the Caracas-born director Adolfo KOLMERER (who shot several episodes of the very exciting ARD series ODERBRUCH) as THE CALENDAR KILLER.
There is a serial killer on the loose in Berlin who threatens to murder couples on set days. Klara (Luise HEYER) has also received such a warning: she or her husband Martin (Friedrich MÜCKE) are to die. In her distress, Klara has often turned to the escort hotline, which promises to accompany women on their way home by telephone in dangerous situations. The sensitive Jules (Sabin TAMBREA) works there and accompanies the frightened Klara through an eventful night, at least on the phone.
Not a bad idea for a modern thriller! However, flashbacks and improbabilities mean that the tension is less than it could be. The actors are very convincing, and Rainer BOCK plays a very dubious supporting role. The film's production is excellent, but it is not a masterpiece of the genre. However, the film shows what would be possible in the German-speaking entertainment industry if more people in charge dared to try out unusual narrative styles. At least a start has been made. It's worth a look!
There is a serial killer on the loose in Berlin who threatens to murder couples on set days. Klara (Luise HEYER) has also received such a warning: she or her husband Martin (Friedrich MÜCKE) are to die. In her distress, Klara has often turned to the escort hotline, which promises to accompany women on their way home by telephone in dangerous situations. The sensitive Jules (Sabin TAMBREA) works there and accompanies the frightened Klara through an eventful night, at least on the phone.
Not a bad idea for a modern thriller! However, flashbacks and improbabilities mean that the tension is less than it could be. The actors are very convincing, and Rainer BOCK plays a very dubious supporting role. The film's production is excellent, but it is not a masterpiece of the genre. However, the film shows what would be possible in the German-speaking entertainment industry if more people in charge dared to try out unusual narrative styles. At least a start has been made. It's worth a look!
Klara has an abusive marriage to Martin, but Martin holds something over her. She had mental problems, and was sent to a less than ideal place, so he holds it over her. If she disobeys, he will send her back. And he justifies his abuse in that she accepts it. She has a daughter Amelie that she is very protective of. Jules is working a help line. He used to be in the fire service handling calls, but had a terrible experience, so now is on a help line. His help is to stay with the person who calls for help until the danger has passed, such as when they are walking home at night. One night he gets a call from Klara, who has gotten a message from the Calendar Killer. Either she or her husband will be killed by midnight. For a good part of the movie, one sees how Jules is trying to help her. She knows her husband is very abusive, but she cannot leave him. And many critics simply do not understand what that is all about. Where the movie fails is towards the end, with the twist it takes. And that is unfortunate, as until then, a fairly compelling story, with lots of tension, is presented.
This is a German movie which I started watching in the dubbed English like many dubbed movies the accents and choice of words diminishes the whole character of the movie. The weird posh accents just seemed to robotic, so I watched in German with translation. It was much better
"The Calendar Killer" delivers a tense and chilling thriller that effectively explores the psychological impact of domestic abuse. The film masterfully builds suspense, leaving the audience constantly on edge as Klara's paranoia escalates. The performances are strong, particularly Luise Heyer as Klara, who portrays her character's fear and desperation with raw intensity.
However, the film's reliance on familiar thriller tropes and predictable twists can diminish its impact. The pacing occasionally falters, and some plot points feel contrived. While the exploration of domestic abuse adds a layer of depth, it sometimes overshadows the suspense elements.
Overall, "The Calendar Killer" is a gripping watch with a compelling premise, but it struggles to fully break free from genre conventions. It's a solid thriller that will keep viewers engaged, but may leave some wanting more originality and depth.
"The Calendar Killer" delivers a tense and chilling thriller that effectively explores the psychological impact of domestic abuse. The film masterfully builds suspense, leaving the audience constantly on edge as Klara's paranoia escalates. The performances are strong, particularly Luise Heyer as Klara, who portrays her character's fear and desperation with raw intensity.
However, the film's reliance on familiar thriller tropes and predictable twists can diminish its impact. The pacing occasionally falters, and some plot points feel contrived. While the exploration of domestic abuse adds a layer of depth, it sometimes overshadows the suspense elements.
Overall, "The Calendar Killer" is a gripping watch with a compelling premise, but it struggles to fully break free from genre conventions. It's a solid thriller that will keep viewers engaged, but may leave some wanting more originality and depth.
¿Sabías que...?
- PifiasWhen Klara is in the elevator, her husband asked for her phone, when she escapes, she uses a phone to call Jules.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- El asesino del calendario
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración
- 1h 37min(97 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 16:9 HD
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