PUNTUACIÓN EN IMDb
6,6/10
1,4 mil
TU PUNTUACIÓN
Joan pierde el amor por Victor, y su decisión de dejarlo desata una serie de eventos que sacuden a las tres amigas inseparables: Alice, Eric y Rebecca, revelando secretos y poniendo a prueba... Leer todoJoan pierde el amor por Victor, y su decisión de dejarlo desata una serie de eventos que sacuden a las tres amigas inseparables: Alice, Eric y Rebecca, revelando secretos y poniendo a prueba su vínculo.Joan pierde el amor por Victor, y su decisión de dejarlo desata una serie de eventos que sacuden a las tres amigas inseparables: Alice, Eric y Rebecca, revelando secretos y poniendo a prueba su vínculo.
- Director/a
- Guionistas
- Estrellas
- Premios
- 4 nominaciones en total
Audrey Gomis
- Prof lycée 1
- (as Audrey Gomis Compagnon)
- Director/a
- Guionistas
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
6,61.4K
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Reseñas destacadas
This is a film you shouldn't miss.
WOW I have just seen a wonderful film. I love French films when they are at their best. This film is one of those that both touches and embraces you with its plot and acting. You become happy watching a film like that and it stays with you for a long time. I can only recommend this film. A feast for the eyes, see it.
Love, Friendship, and the Art of Imperfection
An elegant and sophisticated comedy that delves into the intricate dynamics between the friendship of three women and their respective love lives. The illusions of romantic love act as a centrifugal force, pulling them apart, yet the inevitable disappointments, mistakes, and reflections ultimately bring them back together. Life proves to be a precarious balance (as beautifully illustrated in a memorable scene from an old Buster Keaton film), best approached with compassion-for one's own mistakes as well as those of others. With its detached irony, sharp dialogue, singular setting (Lyon), and refined soundtrack, this film will undoubtedly appeal to fans of Woody Allen.
Relatable and unpredictable enough to be entertaining all throughout, but messy at times
As a girl in her early 20's navigating relationships and dating, this one hits a lot of marks for me. It manages to be both unpredictable and entertaining, without cliches, while also being relatable.
Camille Cottin was a huge selling point for me as I watched her in Call my Agent and loved her performance. She manages to play both alluring and interesting while also being "the girl next door" and relatable.
With that said, I do at times find it messy and unintentional. I kept asking myself throughout the movie 'why is Victor the narrator? What does he contribute with that no other character could contribute with?'. I also found there too be maybe too many intrigues going on at the same time- I kept rooting for each girl's happy ending, but it seemed constantly just out of reach. Maybe that was the point.
I take away that you need to relish what you have, and not take it for granted.
Camille Cottin was a huge selling point for me as I watched her in Call my Agent and loved her performance. She manages to play both alluring and interesting while also being "the girl next door" and relatable.
With that said, I do at times find it messy and unintentional. I kept asking myself throughout the movie 'why is Victor the narrator? What does he contribute with that no other character could contribute with?'. I also found there too be maybe too many intrigues going on at the same time- I kept rooting for each girl's happy ending, but it seemed constantly just out of reach. Maybe that was the point.
I take away that you need to relish what you have, and not take it for granted.
A compelling exploration of love, betrayal, and self-discovery
Three Friends (2024), directed by Emmanuel Mouret, is a nuanced drama that delves into the complexities of relationships, love, and personal growth. The story revolves around Joan, who finds her love for Victor fading, while Alice offers support as she navigates her own unfulfilling relationship with Eric. However, Alice is unaware that Eric is involved with Rebecca, which sets the stage for a series of emotional upheavals. Joan's decision to leave Victor leads to his mysterious disappearance, further unraveling the lives of the women involved.
The film is emotionally engaging, driven by strong performances from Sara Forestier, Camille Cottin, and India Hair. Forestier portrays Joan with a depth of vulnerability, capturing her internal conflict as she grapples with the complexities of her feelings for Victor and her desire for change. Cottin brings a quiet strength to Alice, whose own journey of self-reflection and the discovery of betrayal adds layers of tension and emotional resonance. Hair's performance as Rebecca is a pivotal element, adding intrigue and complexity to the intertwined relationships.
Mouret's direction offers a delicate balance between drama and intimacy, allowing the characters to breathe and evolve within their relationships. The pacing is steady, with moments of tension and reflection that offer a genuine exploration of the emotional turmoil each character faces. The screenplay, co-written by Carmen Leroi and Mouret, is filled with sharp, insightful dialogue that enhances the emotional depth of the film, although at times the narrative may feel somewhat predictable in its handling of romantic entanglements.
Visually, the film is understated but effective, with a soft color palette that complements the introspective nature of the story. The cinematography helps to capture the internal worlds of the characters, emphasizing their emotional states through subtle framing and lighting choices. While the film may not break new ground in terms of its themes, it succeeds in offering a relatable and heartfelt exploration of love, betrayal, and personal transformation.
Three Friends is a captivating look at the complexities of human connection, with standout performances and a storyline that resonates on an emotional level. It's a film that speaks to anyone who has faced the challenges of navigating relationships and the pursuit of personal happiness.
Rating: 7/10. A compelling exploration of love and betrayal, with strong performances and an emotionally resonant narrative, though it follows familiar romantic drama tropes.
The film is emotionally engaging, driven by strong performances from Sara Forestier, Camille Cottin, and India Hair. Forestier portrays Joan with a depth of vulnerability, capturing her internal conflict as she grapples with the complexities of her feelings for Victor and her desire for change. Cottin brings a quiet strength to Alice, whose own journey of self-reflection and the discovery of betrayal adds layers of tension and emotional resonance. Hair's performance as Rebecca is a pivotal element, adding intrigue and complexity to the intertwined relationships.
Mouret's direction offers a delicate balance between drama and intimacy, allowing the characters to breathe and evolve within their relationships. The pacing is steady, with moments of tension and reflection that offer a genuine exploration of the emotional turmoil each character faces. The screenplay, co-written by Carmen Leroi and Mouret, is filled with sharp, insightful dialogue that enhances the emotional depth of the film, although at times the narrative may feel somewhat predictable in its handling of romantic entanglements.
Visually, the film is understated but effective, with a soft color palette that complements the introspective nature of the story. The cinematography helps to capture the internal worlds of the characters, emphasizing their emotional states through subtle framing and lighting choices. While the film may not break new ground in terms of its themes, it succeeds in offering a relatable and heartfelt exploration of love, betrayal, and personal transformation.
Three Friends is a captivating look at the complexities of human connection, with standout performances and a storyline that resonates on an emotional level. It's a film that speaks to anyone who has faced the challenges of navigating relationships and the pursuit of personal happiness.
Rating: 7/10. A compelling exploration of love and betrayal, with strong performances and an emotionally resonant narrative, though it follows familiar romantic drama tropes.
Boomer alert
Awfull movie full of stereotypes about women. Boring story with zéro surprises and a very bad morality. Women always apologies for nothing, and men always pressure them for having a relationship.
To much dialogues not enough mise en scène, and moreover the acting is very badly directed even if the actress are really good.
To much dialogues not enough mise en scène, and moreover the acting is very badly directed even if the actress are really good.
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- ConexionesFeatures El héroe del río (1928)
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- Recaudación en todo el mundo
- 2.863.039 US$
- Duración
- 1h 57min(117 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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