Inheritance

This director also made Limitless, one of my all time guilty pleasure. The movie is better than what they say, I was on the edge of my couch for the first hour, it's more than can be said than most blockbusters these days, and cost not much to make by the look of it. Then, just like Limitless, the whole thing becomes improbable towards the end, any suspension of disbelief will be tested. Special mention to the chick, what a talent! Watch this on a rainy day and if nothing else, you'll be grateful you're not runing from Interpol in the slum Delhi. If you pay attention in the end credits you'll get the info that reveals how much is the inheritance.

After her mother's funeral. Maya (Phoebe Dynevor) gets a chance to connect with her estranged father Sam (Rhys Ifans.)

He offers to take her to Egypt where he claims to work in real estate. Even asking Maya to get a job to entice people to launder money in property.

However Sam disappears and is later contacted by people who claim to have abducted him.

They want Maya to retrieve a hard disk from a safe deposit box in India.

It leads her to question just who her father is. He had a false passport, previously worked in espionage and Interpol are also after him.

Directed by Neil Burger on an Iphone. This is a guerilla thriller shot in Egypt, India and South Korea without permits. Some task in India as the cops like to have their backhanders even if you have all the proper paperwork.

Once the post production grading is done, the film looks quite good. Although it could be better lit.

The story is hackneyed. You sense Maya is being used by her father. The international locales add to the movie.

Inheritance feels like it was made on a modest budget, but that actually works in its favor. The handheld, action-cam style gives it a gritty, immersive feel without being distracting. The story is fine; nothing groundbreaking, but it holds your attention, and the ending ties it all together nicely. The cast delivers solid performances, and the locations are visually interesting. But the real standout is the soundtrack. Seriously impressive work by Paul Leonard-Morgan. It's layered, tense, and adds so much atmosphere. Overall, it's a decent watch with just enough mood and momentum to make it worthwhile.

The movie is pretty good for an indy film. The story is meh, you pretty much got it figured out. The action sequence is also meh. But what really made this film incredible is the filming style. I don't believe I've ever seen a film this way.

The camera is like a person going along with the character. It is not a found footage, which I hate, or like a 1st person view. It is just different and it worked. I find the camera work smooth and immersive. It literally feels like you are there with the character. It is even better because the film takes place in multiple locations in the world.

In sense it feels like you are taking a vacation to Egypt, India, and South Korea, literally the camera is on the street level and you get to see everything around you like you are actually there.

Overall I enjoyed it. 5/10.

Inheritance is the new thriller by the talented Mr. Burger with an international setting which was shot with an iPhone.

The film was fun in parts, with an interesting premise and a tense chasing scene being the highlights.

Unfortunately i found the writing lazy with stereotypical characters, predictable twists and a "gotcha" finale that you can see coming from miles away.

What i didn't "get" also was the "shot with an iPhone" choice. It didn't add anything new in the handheld camera style cinematography. On the contrary, the image quality on the big screen, especially during the dark scenes and scenes with high contrast was problematic and distracting, looking cheap instead of realistic.

I would recommend this film, if you don't have anything more interesting to see.