Cinco años después de Jurassic World: Dominion, una expedición se aventura en remotas regiones ecuatoriales para extraer ADN de tres enormes criaturas prehistóricas, con el objetivo de logra... Leer todoCinco años después de Jurassic World: Dominion, una expedición se aventura en remotas regiones ecuatoriales para extraer ADN de tres enormes criaturas prehistóricas, con el objetivo de lograr un avance médico revolucionario.Cinco años después de Jurassic World: Dominion, una expedición se aventura en remotas regiones ecuatoriales para extraer ADN de tres enormes criaturas prehistóricas, con el objetivo de lograr un avance médico revolucionario.
- Director/a
- Guionistas
- Estrellas
- Premios
- 2 premios y 2 nominaciones en total
- Brooklyn Pedestrian
- (sin acreditar)
- Director/a
- Guionistas
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Reseñas destacadas
I'm genuinely furious
There's hardly any plot to speak of. Instead of a coherent story, we get a pathetic excuse for intrigue - something about "collecting blood samples." The rest is just empty space, disconnected scenes, and aimless noise. It feels like the writers just gave up, hoping that big names and dinosaurs would carry the film.
But even the dinosaurs are missing. What we get instead are grotesque mutant creatures that inspire neither fear nor awe - only disgust. Where's the grandeur of the ancient world? Where's the spirit of adventure? Everything is drowned in a CGI mess.
And let's not forget the behavior of the main characters. It's not just stupid - it's insulting. It feels like they're competing to see who can make the dumbest decision every minute. Watching it is physically painful.
And then there's the architecture and technology. Are you kidding me? You're on an island full of predators, and everything makes noise - doors bang, systems whir, everything clatters. It's as if the designers intentionally made it easier for dinosaurs to find and eat everyone. Total nonsense.
In conclusion: this film is hollow, annoying, and completely disrespectful to the audience. No plot, no sensible characters, no proper dinosaurs. Just noise, stupidity, and monstrosities. A "rebirth"... into something much, much worse.
Rebirth, Reuse, Recycle
Dinosaurs have proven ill adjusted to the climate of most modern countries, with those that have survived clustering around the equator. Martin Krebs (Rupert Friend) representative of ParkerGenix believes that genetic material from three live dinosaurs will help with the research into heart disease that his company are planning. He hires Zora Bennett (Scarlett Johannson) and Henry Loomis (Jonathan Bailey) as lead and scientific expert of his expedition, and they head to the island of Ile Saint-Hubert. But the island was InGen's genetics experiment hub, abandoned following an incident years earlier.
To stress, I didn't think that "Rebirth" was a bad film. I thought the central performances were good and I liked the chemistry between Johansson and Bailey and the endless charisma of Mahershala Ali. I thought the film looked really good Gareth Edwards is a great visual film maker and has plenty of experience with large scale creatures.
The problem is that it's essentially 'another' Jurassic movie and feels like its plot is cribbed almost entirely from existing elements of the series. The stranded family from "Jurassic World 3", the experts from "Lost World", the really dangerous 'final boss' creature from "World" - with a nod towards the jails underneath Jabba's palace.
Without any sort of new angle the word I kept coming back to when thinking about the film was 'inessential' and, once again whilst this was fine, I do feel like the whole franchise could benefit from a lengthy break.
Just more of the same
Cartoony Style, No Substance
Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.
Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.
Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.
That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.
Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.
6/10.
Jurassic Meh: Dinosaurs Deserve Better
When Scarlett Johansson was announced as part of the cast, I had high hopes for a standout performance, especially given her strong track record and the charisma Chris Pratt brought to the previous Jurassic World films. Unfortunately, the film doesn't give her much to work with, and her potential feels underutilized.
What really lets this movie down is its tone. The signature humor that helped balance the tension in earlier films is noticeably absent. Even worse, the horror and suspense hallmarks of any good dinosaur movie are dialed way down, leaving the action feeling flat.
The story itself is a mess. It stumbles at the start, never quite finds its rhythm, and ends without impact. The plot feels disjointed, and the characters are poorly developed, you never feel emotionally invested in what's happening.
And then there's the CGI. For a franchise known for groundbreaking visual effects, this entry is shockingly subpar. The effects are shabby and unconvincing, which really takes you out of the experience.
Bottom line: it's a missed opportunity in almost every way. Still, if you're a fan of the series or just want to see dinosaurs on screen, it's worth a one-time watch, just lower your expectations.
What It's Like to Be Part of the Jurassic Park Franchise
What It's Like to Be Part of the Jurassic Park Franchise
Banda sonora
¿Sabías que...?
- CuriosidadesJonathan Bailey not only stars as Dr. Henry Loomis, but also contributes to the film score. He plays clarinet in several orchestral tracks and performs the solo heard during the scene when his character touches a dinosaur for the first time.
- PifiasIn the service station on the island, the family escape down a drain after seeing the water flow down the grid, but the tunnels themselves are completely dry and free of water. For a sewer, it is awfully big for rainwater and awfully clean for a sewer- especially in a tropical climate.
- Citas
Dr. Henry Loomis: We don't rule the Earth. We just think we do.
Dr. Henry Loomis: And sure, we're changing the environment, but that makes us the ones to worry about, not the planet. When the Earth gets tired of us, believe me, it will shake us off like a summer cold.
- Créditos adicionalesAt the very end of the credits, nature sounds from the island are heard.
- Banda sonoraMovin' On Up
Written by Bobby Gillespie, Andrew Innes, Robert Young
Performed by Primal Scream
Courtesy of Reprise Records/Creation Records
Licensed by Warner Music Group Film & TV Licensing/Sony Music Entertainment UK Limited
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Jurassic World: El Renacer
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 180.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 339.640.400 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 92.016.065 US$
- 6 jul 2025
- Recaudación en todo el mundo
- 868.901.354 US$
- Duración
- 2h 13min(133 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1






