Mob Cops

I remember that The Wolf of Wall Street gained a reputation as the movie with the greatest number of F-Bombs per square inch in history. Until now. The only time I ever heard more F & C Bombs than in this hour and a half was a day back in 1982 when my dad was putting an IKEA Wardrobe together. This movie doesn't have a strong story, and every single character was deeply unpleasant. It wasn't entertaining, just 90 minutes exposure to an experience of lives that have no redeeming features. I'm not sure what the director was wanting to tell us. Anyone with an Italian name isn't very nice? Now, I'm losing the will to live, trying to write enough words to tell you to give the film a swerve. 2 stars for the fact that it ends.

If you start it, finish it. Trust me. How else will you know it's the worst mob movie of all time if you didn't? The first sign that it's a satire is the lack of Sicilian actors in the film. Nothing in the movie has a lock of substance. There's no scene longer than a minute because I assume that no casted actor could hold character long enough to keep a shot. Every conflict is quickly ended with a lame bozo line that only a bozo could think of. Imagine a henchman in the mob wanting to write a movie, but couldn't spell, so he got his Greek and Jewish friends who have hard-ons for poorly written DC TV series to write a mob movie for him "based on real events." A travesty to everything put out before this movie - not just mob movies - but EVERY movie period. At least The Room was endearing. The Wishmaster? MASTERCLASS compared to this sad attempt to cast two D-list actors and a former WCW world champion in a movie they expected anyone to take seriously. Worst acting, writing, and lighting. Just so bad. Rust will put this to shame no matter how bad it is.

From the fake NYC locations to the bad acting, performances flat and lifeless, predictable plot, heavy-handed dialogue and directing, it is so riddled with heavy-handed stereotyping and terrible dialogue that it often comes across like a parody of the genre.... But the over-the-top treatment doesn't appear to be intentionally funny; it's just absurdly serious. This is an ultra-low-budget mob movie that missed the mark at every turn. As a fan of mob movies, I really wanted to like this film. I have seen freshman student films better than this. It's based on a true story about the mafia Cops but they never captured the essence of the characters. I got a refund from my on-demand cable provider.

The acting in this film is excellent. Joseph Russo, Jeremy Luke, Lorenzo Antonucci, Lynn Adrianna, David Arquette, Danny A... all do a fantastic job. Believable, authentic, dynamic and witty too (i think I can discern textual improvisation there). Seeing such an authentic mob film these days is highly unusual. It isn't a 10. But it's comfortably an 8.

The writing at time falls short, but most of the time it hits the spot. The directing is excellent and the cinematography is superb. No wonder, the DP is Barry Markovitz!

Given the budget, this is an art work that deserves recognition by the heavy hitters of this genre.

Well done, Danny A!

To get the most out of this movie, you have to know what the entire premise is and who the actual mobsters were that were involved and which families they were from. It's harder to follow since they changed the names but this is exactly what happened. Gaspipe Casso, Joey Gallo, and they changed the name of both of the NYPD cops and the detective who led the investigation against them. Great mostly factual depiction of a classic mob story that has been discussed for years. In movies like these In less concerned about which actors are in it or what the budget was. I want a factual representation of what happened.