Los pecadores

I love it when movies mix different genres and create a fresh spin on old themes. In this case however the different elements didn't mix well in my opinion: I would describe sinners as a mix between period gangster drama, musical and trashy B-movie horror. This sounds super exciting on paper, but in reality it threw me off completely. I feel like the movie tries to do everything at the same time but doesn't deliver on many of those aspects: It wants to hit the viewer on an emotional level but left me personally completely cold - I didn't care who died or who lived; The movie kinda wants to be scary but the "enemies" in the film feel like a complete joke from the first scene they are shown and it takes away all the tension; It wants to be action-packed and explosive, but the fight scenes are kinda boring and left me wanting to move on to more serious scenes again, even though those serious scenes are kind of a slow burn; The film wants to be funny and even though it made me chuckle a bit it never really took it far enough to justify sacrificing the big threat in the film for laughs.

In conclusion: This movie is too boring and slow to be an entertaining action-comedy and doesn't take the humor and fight scenes far enough to really have an impact. At the same time this movie is far too ridiculous to be a serious scary and emotional movie that reaches you on any kind of emotional level.

I would have liked it, if they would have sacrificed the humor for building a serious threat that feels genuinely scary and terrifying. The cinematography, costumes and music are fantastic but this is just not enough for me to make it a good film, when the story is not hitting. There are single parts of the movie that I absolutely loved and I would have really appreciated those scenes as standalone music videos, but it just doesn't mix well with the rest in my personal opinion.

In addition to my previous criticisms I spotted some typical clichés in the dialogue writing that made me roll my eyes and there were some moments where I found it extremely hard to believe that certain characters survived. I could go in to detail here but I want to keep my review vague to avoid spoilers.

To me watching this movie felt a bit like eating chocolate on a burger - Both elements are nice by themselves but together they don't make for a nice meal.

First of all: this is not a horrible movie, but it sure as hell isn't what the ratings make it out to be. It's sort of like From Dusk Till Dawn, but then with a predictable and not so good second half. And, as is the problem with a lot of movies these days: it's about an hour too long.

I really liked the first half. Up until the scene wherein Sammy makes music at the Juke Joint, which seems wildly out of place to me. It wasn't funny, smart and totally unnecessary in my opinion. Everything after that was cliche, full of the standard horror tropes and just not that good in my opinion. The acting is pretty good, the imagery is beautiful, but all in all it really falls short as a horror movie and overstays its welcome by a long shot.

First half of the movie was very good. Great character set up. Second half of the movie the plot progressed very quickly with nothing particularly interesting happening. Not much of a story line involved and movie ended abruptly. The acting was great, Michael B Jordan did a wonderful job playing smock and stack and some of the supporting characters were great as well. The movie was filmed perfectly. Music was obviously great as well. Plot and storyline did not move the needle for me. Post credit scene was cool!

It feels like The Sinners was directed by two different Cooglers-one responsible for the first half, and another for the second. If I had to rate them separately: the first half is a solid 8, the second a disappointing 4.

The film starts off brilliantly. Set in the Deep South during the 1930s, it plunges us into a world of chain gangs, overt racism, and raw human struggle-all wrapped in the soul of music. The characters are distinctive and memorable, the performances are top-notch, and the world-building is rich and atmospheric. It's a western, a drama, and a musical all at once, and somehow it works. For a while.

Then comes the second half.

This is where things fall apart. The pivot to horror-specifically vampires-feels abrupt and half-hearted. There's barely a story holding it together, and the horror/action sequences barely last 10-15 minutes. They lack any real suspense or memorable set pieces. The execution feels rushed and undercooked, especially after such a powerful setup.

The final 5-7 minutes attempt a bold anti-Klan message, and it's likely this moment of violence and symbolism that won over many critics. But for me, it was too little, too late.

What's most frustrating is the wasted potential. This could've been a truly unique vampire film-rooted in history, rich in theme, driven by character and song. Instead, it leaves you wondering what could've been if the second half had lived up to the promise of the first.

This is a film with a grand ambition of creating a unique mix of mindless entertainment with a deeper meaning. But ultimately suffers from a too long and frankly unnecessary exposition, characters that are campy and uninteresting (except Miles Caton, who for his voice alone stands feet apart from everyone else), and two Michael B Jordans-seemingly created with a sole purpose of an ideological face off toward the end-that you cannot tell apart even when they are in the same frame. In its bid to be more than your average vampire horror flick, and a not-in-your-face history cultural moment, the film doesn't deliver on either promise. All in all, it fails at being serious or fun.

The 5 stars are the for the beautiful sets and the music, which is pretty dope.