Tras la muerte de su esposa, un príncipe del siglo XV renuncia a Dios y se convierte en vampiro. Siglos más tarde, en el Londres del siglo XIX, ve a una mujer parecida a su difunta esposa y ... Leer todoTras la muerte de su esposa, un príncipe del siglo XV renuncia a Dios y se convierte en vampiro. Siglos más tarde, en el Londres del siglo XIX, ve a una mujer parecida a su difunta esposa y la persigue, sellando así su propio destino.Tras la muerte de su esposa, un príncipe del siglo XV renuncia a Dios y se convierte en vampiro. Siglos más tarde, en el Londres del siglo XIX, ve a una mujer parecida a su difunta esposa y la persigue, sellando así su propio destino.
- Dirección
- Guión
- Reparto principal
Reseñas destacadas
I'm super happy, after Leon, The big blue and the Fifth Element, Besson is back!
This movie is beautiful, has an excellent soundtrack and the actors are playing right.
You can feel the love alchemy between them!
Just go watch it, you will most probably love it!!!
For the one that score 1/10, they are probably just hatters or never fel in love.
This movie is beautiful, has an excellent soundtrack and the actors are playing right.
You can feel the love alchemy between them!
Just go watch it, you will most probably love it!!!
For the one that score 1/10, they are probably just hatters or never fel in love.
This film is one of the worst adaptations of Bram Stoker's novel to ever see the light of day (pun intended). The dialogues are a terrible combination of failed attempts at being profound about subjects like religion and love, and lots of stupid jokes and situations. The characters are just poorly written, they feel superficial and it's hard to empathize with any of them. The film is outright disrespectful of Stoker's work and of vampire folklore in general. It feels more like a caricature or a mockery of Coppola's version than an honest take on Stoker's book. There's even a dancing montage and CGI gargoyles reminiscent of Disney's The Hunchback of Notre Dame. The ambiance is just confusing, trying to be serious at times, but then cutting the tension with a stupid joke or goofy action. This confusion is clearly noticeable in Christoph Waltz's performance, who doesn't seem to be sure what to do and falls back at reenacting Dr. King Shultz. The protagonist has some decent moments, but spends half the time crying and mumbling like a mental patient, and half acting like a Parisian pimp. Nothing even remotely close to give presence and substance needed for such a heavy character. Don't waste your money on the theatre, wait until it comes out on a streaming platform, probably very soon, considering the quality.
Luc Besson's Dracula is not a traditional horror film. Instead, it's a dark romantic epic that reimagines the Dracula legend through a poetic and psychological lens. Set in a brooding, visually stunning atmosphere, the film explores eternal longing, forbidden love, and the isolation of immortality.
Rather than focusing on gore or action, Besson's take is intimate and character-driven. Dracula is portrayed as a tragic, timeless figure, torn between his monstrous nature and a deep, lingering humanity. The story unfolds with elegance, blending gothic elements, haunting visuals, and emotional depth - all wrapped in Besson's signature cinematic flair.
Rather than focusing on gore or action, Besson's take is intimate and character-driven. Dracula is portrayed as a tragic, timeless figure, torn between his monstrous nature and a deep, lingering humanity. The story unfolds with elegance, blending gothic elements, haunting visuals, and emotional depth - all wrapped in Besson's signature cinematic flair.
Dracula: A Love Tale is a new fantasy romance film directed, partially written, and produced by Luc Besson, known for The Fifth Element and Léon.
After the death of his wife, Prince Vlad (Caleb Landry Jones) turns against the church and humanity. He transforms into the vampire Dracula, retreating to his castle.
When Jonathan Harker (Ewens Abid) visits, Dracula learns about his wife Mina (Zoë Bleu), who bears a striking resemblance to the woman he once lost. He becomes obsessed with her and tries to win her over. This leads to an inner conflict: can the monstrous side of him make way for the more human Vlad so that he can experience love again?
Luc Besson based this adaptation on Bram Stoker's Dracula, which has been filmed several times before. One of the most famous versions is Bram Stoker's Dracula (1992) by Francis Ford Coppola. Last year, a new version of Nosferatu, directed by Robert Eggers, was also released. All these films essentially tell the same story of Dracula but emphasize different elements.
While Bram Stoker's Dracula is mainly a gothic-romantic story with horror elements, Nosferatu focuses more on the horror aspect. Besson also opts for the romantic angle, but takes a lot of time with it. As a result, you follow a lost, aimless Dracula who only regains direction when he meets Mina. Until then, the film feels empty and slow, much like the character himself. This emptiness is filled with familiar scenes and elements from Stoker's book, but due to their repetition, they can seem meaningless and shallow.
Though Besson places the romantic aspect at the center, he adds little new. At times, it even seems like he has removed or adjusted elements, possibly to make the film more suitable for a younger or teenage audience.
The makeup effects are fitting and effective, but with other visual effects, the CGI is clearly noticeable.
The cast delivers a solid performance but remains in the shadow of previous iconic portrayals of characters from the Dracula story, such as Gary Oldman, Bill Skarsgård, Anthony Hopkins, or Willem Dafoe.
After the death of his wife, Prince Vlad (Caleb Landry Jones) turns against the church and humanity. He transforms into the vampire Dracula, retreating to his castle.
When Jonathan Harker (Ewens Abid) visits, Dracula learns about his wife Mina (Zoë Bleu), who bears a striking resemblance to the woman he once lost. He becomes obsessed with her and tries to win her over. This leads to an inner conflict: can the monstrous side of him make way for the more human Vlad so that he can experience love again?
Luc Besson based this adaptation on Bram Stoker's Dracula, which has been filmed several times before. One of the most famous versions is Bram Stoker's Dracula (1992) by Francis Ford Coppola. Last year, a new version of Nosferatu, directed by Robert Eggers, was also released. All these films essentially tell the same story of Dracula but emphasize different elements.
While Bram Stoker's Dracula is mainly a gothic-romantic story with horror elements, Nosferatu focuses more on the horror aspect. Besson also opts for the romantic angle, but takes a lot of time with it. As a result, you follow a lost, aimless Dracula who only regains direction when he meets Mina. Until then, the film feels empty and slow, much like the character himself. This emptiness is filled with familiar scenes and elements from Stoker's book, but due to their repetition, they can seem meaningless and shallow.
Though Besson places the romantic aspect at the center, he adds little new. At times, it even seems like he has removed or adjusted elements, possibly to make the film more suitable for a younger or teenage audience.
The makeup effects are fitting and effective, but with other visual effects, the CGI is clearly noticeable.
The cast delivers a solid performance but remains in the shadow of previous iconic portrayals of characters from the Dracula story, such as Gary Oldman, Bill Skarsgård, Anthony Hopkins, or Willem Dafoe.
Really enjoyed Luc Besson's Dracula. It's dark and stylish without trying too hard. Christopher Waltz was amazing, this could be expected. And honestly, the whole cast was just beautiful to look at. The visuals, the costumes, the mood... all of it was gorgeous. Definitely worth a watch if you're into gothic stories with a fantasy touch.
¿Sabías que...?
- CuriosidadesHistorian Martin Mares, who served as production consultant on this film, had previously worked in the same capacity on another Dracula adaptation, El último viaje del Demeter (2023), making him a rare expert to contribute to multiple interpretations of the iconic vampire legend.
- ConexionesReferenced in Midnight's Edge: Ridley Scott Leaves Alien, New Dracula & More - MEAD Live (2025)
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Detalles
Taquilla
- Recaudación en todo el mundo
- 1.776.642 US$
- Duración
- 2h 9min(129 min)
- Color
- Relación de aspecto
- 2.39:1
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