Retro

Watched Retro with decent expectations-it looked cool from the trailer, and the idea had promise. The visuals and vibe were pretty solid, and I liked the music. It really tried to give off that gritty retro feel, and some scenes did pull me in, especially in the first half. The lead actor did a good job carrying the story, and the action was alright.

But after a point, it kinda lost me. The pacing slowed down, and it felt like the plot wasn't going anywhere. Some characters didn't feel fully developed, especially the villain-just felt flat and predictable. There were scenes that should've hit hard emotionally, but they didn't land. Felt like it needed tighter writing and maybe a bit more depth.

Overall, not a bad movie, but not great either. It's watchable, especially if you're into dark, stylish thrillers-but don't expect anything too deep or mind-blowing. I'd say it's okay for a one-time watch.

This movie is all about the main character finding his purpose in life. It stars The One Suriya, with Pooja Hegde, Prakash Raj, Nassar, Jayaram, and Joju George. The music is by Santhosh Narayanan, and the film is written and directed by Karthik Subbaraj.

Suriya, as always, did a great job. I think this is the first time he played such a violent role. His attitude, body language, and expressions were perfect. He really brought the character to life. Pooja Hegde was a surprise in this film. She didn't play a typical glamorous role, but she still looked cute and beautiful. More importantly, her acting was really good. I hope she picks strong scripts like this in the future. Jayaram's role was also very interesting, and he played it well. And the music by Santhosh Narayanan was one of the biggest strengths of the film it added a lot to the mood and energy.

In the first half, there's a long single-shot sequence that includes a song, action, and conversations and they pulled it off really well. Before Suriya's entry, the film takes its time to build up his character and show how violent he is. Those scenes also highlight the relationship between him and his father.

The story mainly follows Suriya's character. At one point, he ends up in jail, where he punishes himself, learns new physical skills, and eventually takes control of the place. After the jail scenes, the story moves to the Andaman Islands, where most of the second half takes place.

The chemistry between Suriya and Pooja Hegde is really good. Their love story is written nicely and feels natural. However, in the second half, a conflict arises between them, and Suriya's character enters a darker, more aggressive phase kind of like a fight club. That is when the tone of the story changes completely and becomes more intense and action-heavy. Overall, the first half is excellent. It follows the two taglines: Love and Laughter, and the film maintains that mood really well. The scenes are written clearly with proper emotion and setup. At the same time, the film hints that the second half will be all about War

Now, here is the issue the second half did not work as well as the first. The first half was strong, with well-developed characters and conflicts. So, people expected the second half to be even better. But the writer suddenly introduced a new plot, and that shifted the story from being about characters to being about a big plot, If the new plot had been solid, it would have worked. But sadly, it felt similar to the Jigarthanda DoubleX, The film started as a love story with action, but halfway through, it felt like a different movie. That is why I am pointing out the problem because the first half had great setup and payoff, but the second half didn't continue that level of quality.

Personally, I still liked the movie. The only problem was the second half. If they had written it as well as the first half, it would have been a blockbuster. Still, it is a strong theatrical comeback for Suriya. I hope he continues to get more good films.

There is a line in the film: "Once upon a time, there lived a ghost."That line really fits Suriya. About 10 years ago, his choice of films and box office performance were amazing. Everyone goes through difficulties. I hope this movie marks a strong comeback for him.

"Retro 2025" is primarily a showcase for the undeniable talent of Surya, who delivers a performance that is bound to leave audiences stunned. His portrayal of the character is captivating and powerful, demonstrating his commanding screen presence. Adding to the film's initial appeal is the "Kanimaa" song sequence, a vibrant and memorable portion of the movie with excellent visuals and an infectious soundtrack.

However, despite these significant strengths, "Retro 2025" ultimately struggles to maintain consistent engagement due to an overreliance on action sequences. While initial fight portions may be exciting and showcase Surya's physicality, their sheer volume becomes repetitive and eventually leads to a noticeable dip in viewer interest as the narrative progresses.

The focus on seemingly endless action overshadows other crucial elements of the film, potentially hindering the development of a more nuanced storyline and the exploration of supporting characters. While Surya's dedication to these scenes is evident, their excessive presence detracts from the overall cinematic experience for those who prefer a more balanced blend of action and narrative depth.

In conclusion, "Retro 2025" is a film that benefits immensely from Surya's stunning performance and the memorable "Kanimaa" song. However, viewers should be prepared for a movie that leans heavily into action, which unfortunately becomes its primary drawback, preventing it from reaching its full potential.

Karthik Subbaraj's latest offering follows in the footsteps of his earlier films-ambitious in length and stuffed with more elements than a buffet plate at a wedding. The story juggles fresh ideas with some relics from the cinematic Stone Age, creating a mix that's uneven but occasionally intriguing.

The narration bears Subbaraj's signature-stylized, layered, and occasionally indulgent. It's a heady cocktail of drama, crime, action, and a social message thrown in for good measure, though not always blended smoothly.

The period setting and costume design, unfortunately, don't do much to transport us. Some scenes are crafted with flair, but much of the film feels like a slow jog through mediocrity.

Surya, ever the dependable performer, delivers yet another stellar turn in the lead. Joju George is excellent, making the most of every frame he appears in. As for Pooja Hegde-let's just say we've set our expectations at sea level, and she comfortably meets them. Blame the makeup team for some unflattering moments, not the mirror. The supporting cast does their job without making much noise.

The background score is decent, though it never soars. Cinematography is competent, with a few standout shots that show visual creativity.

Watch it if the promos got your attention, but leave your expectations at the door. It's not a bad film-just one that settles for being average when it could have aimed higher.

I stand with Selvaragavan, After 2020 March the world has changed,Corona has changed the peoples minds, we enjoy only entertainment, we do not bother about the story or stroy line, we come to theatre only to spend our valuable time into a laughable time, but that too we miss it, we miss vivek sir. He too was taken by Corona. This movie is nothing but a childish remake of Ayirathil Oruvan,The original source of the story is the story of Exodus. Santhash Narayanan also didnt do justice for the movie by his music only Ilayarajas songs were used but nothing surpasses Rajinikanths Johnny. We lost our Ice Quarter.