The Beach Boys, el documental

When you consider the Beatles got six hours out of their group life-span in their "Anthology" TV series of the mid 90's and they weren't in existence above ten years, it seems a bit strange to have the plus 60 years working career of the Beach Boys condensed to under two hours.

That said, I thoroughly enjoyed this surf through their career, although it effectively ends at 1974 when the release of their oldies hits collection "Endless Summer" put them back at the top of the US charts after being in the wilderness for so long. I totally get that subsequent hits like the awful "Lady Lynda" and "Kokomo" don't begin to compare with anything on "Endless Summer" but to just write off the last 50 years or so, ignoring one or two decent records like "The Beach Boys Love You", "15 Big Ones" or they are more recent reunion album, seems to me to do them something of a disservice. There's also no mention of Brian's return to recording which included at least one fine album "Love and Mercy" and his own imagining of the "Smile" album or about Dennis Wilson's lovely solo album "Pacific Ocean Blue". I also felt the omission of mentioning the passing of Dennis and Carl, apart from a subtitle commemoration over the end credits.

Anyway, let's quit with the moaning and hit the beach, because unquestionably some of the best pop music ever made came from the band and in particular the creative genius of Brian Wilson. Much is made of the sense of competition he felt with the Beatles but you have to remember that there were four of them with three strong writers plus George Martin as their producer, while Wilson was more or less left to do everything on his own. Throw in poor promotion on the part of their record label for their classic album "Pet Sounds", mismanagement by the Wilsons' own father which cost them millions in royalties and of course Brian's well-documented problems with drugs and you can see that the band certainly had to ride some big breakers in their time.

Inevitably much of the narrative centres around Brian but I do think that the contribution of the remaining group members was unfairly downplayed. Even after Brian effectively withdrew from the band after the "Smile" fiasco, they made some great records before big brother hooked up with them again. I didn't even hear the likes of "Do It Again" (a UK no..1), or their early 70's classic "Sail on Sailor" on the soundtrack, not do I recall hearing "Heroes and Villains", surely one of the most important songs in their library, never mind the stories about how it was recorded and "failed" on release.

All the surviving members contribute to the story and are supplemented by vintage footage of Dennis and Carl. Programmes like this always feature fan-boys and girls offering their adoration and this one's no different with Lindsey Buckingham and Ryan Tedder chorusing their approval.

It ends touchingly with the remaining members reuniting at the location over 60 years on from the cover shot of their "Surfin'" album, with Brian and Mike happily letting bygones be bygones in the wake of their rather uncivil lawsuit case.

All of the members come out of it well in their advanced ages, although for me Brian will never look fully recovered again and Mike Love acts much less like a prat than he usually does.

A fascinating family story then which however rather seems to skim the surface rather than go for the deep dive I'd much rather have seen.

After finding out a new Beach Boys documentary was going to be released this year I naturally got quite excited and looked forward to enjoying it. "The Beach Boys" is a pretty compelling documentary on the legendary band. Featuring interviews of the band members, their families, associates and fans including footage of home videos, live performances and the times the film chronicles a memorable and dramatic story of a trio of siblings who formed a band with friends and relatives and, seeing the potential their times and surroundings promised as a rich source of inspiration went on to fame and fortune with trials and tragedy serving as a dark counterbalance.

Beginning with a shaky start on an abrupt introduction to the Wilson household the doc charts the band's formation and their tapping of the popular surf craze in Southern California during the early - 1960s. With bassist, vocalist and main songwriter Brian Wilson emerging as a major songwriting and production talent the boys came up with a string of great songs that topped the charts which have since become classics and standards of Rock and Pop Music. The pressure of fame, drugs, competition from the other side of the pond led by four young and talented men from Liverpool and changing times brought the group's winning streak to a halt. A compilation album of their hits from their peak years hit #1 leading to a revival of the group's fortunes and they've been coasting on that success since.

From the start the flaws of the documentary are apparent. As mentioned above the film starts too immediately with the formation of the band without giving a necessary background to the band, their place and the times. The Beach Boys is one of the most influential bands in music history but only a scanty number of prominent figures are featured in the film to justify the band's important and enduring legacy. Don Was, Lindsey Buckingham and Janelle Monae (!) are the only notable figures included. Finally the film is too short with it ending in the '70s without including Brian Wilson's controversial relationship with his therapist at the time, Dennis and Carl Wilson's passing and the other major comeback they had with the huge hit "Kokomo". There's no final summary and conclusion to the band's inestimable legacy although it's nice to see the surviving members get together at the end of the film. This is one tribute that should have been at least another hour long.

Flawed but watchable, "The Beach Boys" is a good artifact of a great band, a great time and great music which is what it all boils down to. When snippets of the band's great tunes buoyed from the speakers I felt that instant automatic rush and high I always feel when I listen to their masterpieces. Watch this release and celebrate the power of art and music to uplift life and make it truly worth living.

Anybody expecting a Peter Jackson Get Back style documentary will be disappointed.

Visually this is very poor. Old photos and films have all been seen before in countless other documentaries on the Beach Boys and generally, apart from some recent interviews, there is nothing new at all. In fact there is so much that is not in-cluded that should have been.

It would have been interesting if the early days and their first four albums (1962-1963) were covered in some depth.

The same applies to the Wild Honey/Friends/20-20/Sunflower period. These hardly get a mention or the fact that some material from the abandoned Smile album was included on these albums.

Any compilation of hits by the Beach Boys is inevitably going to focus on the early days and the "Californian Dream", and as such, more time should have been spent on the surf/hot rod/girl music of that period.

The shelving of Smile made no mention of a well aired opinion that after hearing Sgt. Pepper, Brian Wilson felt his Smile project was not suitable as a Beach Boys album. He expressed this view in the documentary but then they released Smiley Smile which was even less representative of their music culture.

The last album mentioned was Holland, but the Beach Boys made 10 studio albums after that and these do not include Brian Wilson finally releasing a version of Smile in 2004.

After the confusing Carl and the Passions album (not mentioned), they made Surf's Up, an important album that barely gets a mention. The same with Holland.

No mention is made of the deaths of Dennis and Carl, the true state of Brian's mental health and the fact he reportedly spent three years in his room sleeping, smoking and taking drugs is not covered at all. Neither is the piano in a sandbox or how he was treated and manipulated by a psychologist in the mid-1970s.

Overall, a missed opportunity. I am left with the impression that is was made on the cheap and relies on the Beach Boys name to sell the documentary.

Decent, staight forward documentary on the group. It's formation, all the surf/car 60's parts, Pet Sounds and a Bit of smile. But like other docuseries I've seen, It just glossed over the late 60's early 70's records that didn't really chart but the hardcore fans Loved! Sunflower, Wild Honey, Friends, 20/20. There was so much more history to cover and it just didn't dig deep. Some of those records got me more into the non beach, surf sound and how deep Brian was as a musician.

I was hoping for a 6 hr or more series like The Beatles - Anthology or Let it Be.

Its just good.. for average fans..

Thoroughly enjoyed watching this. Knowing a fair amount about the ups and downs throughout The Beach Boys' history, I kept waiting for things to turn dark. I was pleasantly surprised however, that the documentary prioritised the band's music and the impact it has had and continues to have on the world. Most people who are familiar with The Beach Boys are likely aware of Eugene Landy and the premature deaths of Dennis and Carl and so I found it refreshing that the film focuses mainly on the good. It reminded me of the recent 'Wham!' Documentary in that sense, taking you through the different musical phases of the band and ending on a positive note long before outstaying it's welcome. The film doesn't shy away from drama completely. Tensions between band members and the negative impact Murray had on the group are covered. Everyone gets a fair shake however, including Murray, whom without The Beach Boys may not have had the initial success they did. The documentary also reinforces the often overlooked fact that each member was integral to the band's sound without taking anything away from Brian's brilliance as a visionary. A moving tribute to one of the greatest bands in pop music history. I recommend this to any music fan and those in need of something positive (aren't we all?).