Slow West

(2015) Slow West WESTERN ART HOUSE

Written and directed by John Maclean directing art house movie of young Irish teenage boy, Jay Cavendish (Kodi Smit-McPhee) attempting to find his young crush, Rose (Caren Pistorius ) when he used to live in Scotland, and hires bounty hunter, Silas Selleck (Michael Fassbender credited as co-executive producer) to locate the house she supposed to live in. You're basically watching it for the scenery and the picturesque landscapes regular movie watchers does not have time to do often. I'd put this movie in the same category as "Hostile" from 2017, "The Power of the Dog" made 2021 and "The Homesman" to name a few.

Just a quick review here, Slow West is one of those Indie films in redbox I have wanted to catch up with before I do my best films of 2015 so far. Anything with Michael Fassbender in it is worth seeing and am also a big fan of the always gruesome Ben Mendelsohn. Violence is present throughout.

Slow West is an unusual Western about a young Scottish man/boy, Jay (Kodi Smit-McPhee), who is in love and due to a tragedy that he claims to be his fault, his love had to flee to the West. On his way to the west Jay has a run in with some men having a "hunting party" for Indians. At gunpoint and not knowing what to do, Jay is rescued? by Fassbender's character, Silas. They agree to a deal where Silas will protect and lead him to the West for a hundred dollars. Along the way the audience learns that Silas is truly just using Jay in a diabolic way, and that Jay's love Rose and her dad, have a $2,000 bounty on their bodies and Silas wants to collect.

On their way, encounters with Bandits and people of many kinds are frequent. Silas also learns a lot about Jay and sometimes seems to becoming fond of him but you are never really sure if Silas is using or helping Jay. Narrating, Silas says about Jay "That kid was a wonder. He saw things differently. To him, we were in a land of hope and good will." The uncertain relationship and even at times, a seeming mentor-ship between Silas and Jay is a component in Slow West that outright works. Will Silas help Jay save his gal or will Jay unknowingly lead Silas to his gal? Slow West is propelled by its great characters and cast. First time writer and director John Maclean has full control of this film and while it may be too slow for some, he succeeds in getting the audience to its inevitable finale caring about the characters and their fates. Overall throughout the film I was only mildly compelled by Slow West and without the intriguing characters, I would of been uninterested. That's what Fassbender and McPhee are their for, tremendously portrayals of their well written characters.

While Slow West will most likely miss my top 5 of 2015 so far list, it was an interesting and different look into the West. Hold on and focus on the characters to get you to the extremely effective and absorbing ending.

After a grueling journey from Scotland to America on a quest to reunite with his beloved, Jay Cavendish (Kodi Smit-McPhee) crosses paths with a mysterious drifter named Silas (Michael Fassbender) in the forests of Colorado. It's fortuitous timing, as Jay has gotten himself into a bit of trouble, and Silas understands that violence is necessary in order to survive in the west - a concept which the timid youth struggles to grasp.

For a price, Silas offers to accompany Jay on his journey to locate his sweetheart - although as we learn through a series of flashbacks sprinkled throughout the film, Rose (Caren Pistorius) may not be terribly excited to see Jay again. But she'll almost certainly be less excited by an introduction to Silas, who knows that a reward has been offered for the capture of Rose and her father (Rory McCann) in relation to a crime that occurred before their journey to America.

Further complicating matters is Payne (Ben Mendelsohn) and his group of bounty hunters, with whom Silas has a prior relationship. After crossing paths with Jay in the woods, Payne and his men seem to always be lurking just out of sight, lending the latter half of the film a near-constant sense of foreboding as we keep waiting for them to strike.

Slow West gradually peels back the layers of its narrative while constantly remaining focused on the burgeoning friendship between Jay and Silas. Despite his distaste for ferocity, Jay finds himself becoming increasingly reliant on Silas and his wisdom, while Silas tries to fight a growing desire to protect the boy from the dangers of a world he isn't prepared for.

Director John MacLean (who also wrote the screenplay) gives the quieter moments just enough room to breathe before punctuating them with instances of absurdly black humor or sudden, brutal flashes of violence, both of which seem to have been influenced by the likes of Quentin Tarantino and the Coen Brothers. Of particular note is a tense, riveting shootout during the film's climax, featuring a moment so farcical that I burst out laughing in spite of the on screen carnage. It's the kind of thing only the most competent of filmmakers could get away with, and MacLean absolutely nails it.

But despite MacLean's prowess as a writer and director, Slow West ultimately succeeds on the strength of its cast, with Smit-McPhee as the wide-eyed innocent and Fassbender as the grizzled, trail-weary wanderer. Mendelsohn deserves a nod for being suitably creepy as the flick's sort-of villain, but at its heart, this is a coming-of-age story about a young man in need of a strong role model and father figure, who finds it in the most unlikely of places.

"A jack rabbit in a den of wolves."

After their collaboration together in two short films, John Maclean and Michael Fassbender team up for the director's feature debut in this originally fresh take on the Western genre. In Slow West we get a different glimpse of the West, avoiding the typical Americana style confrontation between cowboys and indians. Here we are introduced to a world where immigrants are trying to force their way through this lawless land. Surviving in this place has nothing to do with how well of a shot you are, it's more about luck and being at the right place at the right time. The story, which was written by Maclean, follows the journey of a 16 year old boy named Jay Cavendish (Kodi Smit-McPhee) who has traveled from Scotland to the West in search of Rose (Caren Pistorius), the woman he's in love with. Along with her father, John (Rory McCann), they had to flee from Scotland after an incident with Jay's father. Jay is clueless about the West, but determined. He runs into a former bounty hunter named, Silas (Michael Fassbender) who offers his service as his chaperon realizing he will need protection if he wants to survive in this place. What Jay doesn't know however is that there is a bounty for Rose and her father, and there are many people interested in collecting the reward. Among them there is the eccentric Payne (Ben Mendelsohn) who is an old acquaintance of Silas.

What the film does extremely well in Slow West is balance the western genre with a dry sense of humor. There are plenty of surprisingly funny moments in this film that help build the story. Through a series of fortunate (and misfortunate) events we follow these characters through their journey. Kodi Smit-McPhee and Michael Fassbender share strong chemistry together and keep us hooked during the slowly paced scene. There is a memorable scene that takes place in a store/bar during the first half of the film and a fantastic final shoot out at the end, which stands out from most Westerns. The film has a unique taste to it and some interesting characters, but the gorgeous cinematography is what stands out in this immense landscape. It's only 84 minutes long, but it is a perfect fit for this movie which ends in memorable fashion. It took its time to grow on me, but the more I think about it the more I end up liking this film. I've always been a huge fan of the Western genre, and adding Michael Fassbender to that mix only makes this an even more rewarding experience.

Slow West is stylish and uses its gorgeous landscape very well (it was actually filmed in New Zealand), but it also includes a dreamy atmosphere and plenty of humor. There is a scene during the beginning of the film where Jay is looking at the night stars and pointing his gun towards them and as he imaginarily shoots at them, they light up. There are plenty of dreamy sequences like this one, but there is also plenty of dry humor as well. There is a narration over a camp fire about an outlaw who wants his very own wanted poster. Ben Mendelsohn's eccentric coat is also a feast for the eyes which adds its comedic touch. Slow West has a great cast and it is a film worth recommending.

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In what may be one of the most aptly-named films at this year's festival, Slow West is in no hurry to tell the story of Scotsman Jay Cavendish (Kodi Smit-McPhee) and his continent-spanning quest to find Rose (Caren Pistorius), the long-lost love from his hometown. Things get complicated when a desperado named Silas Selleck (Michael Fassbender) decides to accompany Cavendish on his journey—possibly to cash in on a bounty that hangs over Rose's head. Taking a cue from neo-westerns like Jim Jarmusch's Dead Man, Slow West uses the chaotic landscape of the American frontier as an allegorical exploration of love and death. There is something surreal about seeing the old west interpreted through the lens of New Zealand where the film was shot, and it added to the story's dreamlike tone. The immensely watchable Fassbender exudes some serious Han Solo vibes as he guides Cavendish through the unforgiving wilderness while trying to act like he doesn't give a crap. McPhee's boyish, innocent appearance is ideal for a character whose belief in true love has guided him so far into the lions' den. While the film's ending is sure to polarize audiences, it was a ballsy way to emphasize the point that the frontier was an ecosystem all its own, indiscriminately filling some hearts with purpose and others with bullets.