Athhoi

I don't know why bengali films with classics stories always ends up having english dialogues with cringe accent...otherwise everything was good..and somethings were outstanding.

Choice of screenplay was awesome.

A film based on a village should also be based on its intellect.

Atthoi's character would have been better if it was near to reality.

Some scenes were truly beautiful to watch and complements the current bengal situation.

Switching from health care fund function to item song was truly hilarious which truly explans why people prefers freebies and alcohol over development.

Thanks to the director for not making it that slow pace as a first timer big scale project holder.

We need more of these kind of direction.

Must watch 👌!!

Outstanding acting by all characters, specially by Anirban and actor/director Arna Mukherjee .

I would count this as one of all time best acting by Anirban Bhattacharya. Other actors also significantly did well in their account .

The direction ,cinematography, storytelling are very well done which successfully captures viewers attentions right from the beginning.

Use of BGM ,colours and lights are also commendable.

Well there are very few negative opinions also I have on the movie.

In a few scenes the transition was little fast which did not gave enough focus and empathy to some other parallel events which were happening, It showed an anomaly with respect to the whole cinema.

Some parts of this movie were added only for commercial interests,which is fine but on the same thing a little more logical approach would have been better planning some scenes.

While this movie is not for everyone but still this is excellently well done and an good adaptation of the famous Shakespearean play "Othello" .True cinema lovers will love this one.

Athhoi is a dustbin. It is full of wastes, both degradable and non degradable. The film is a trip through the wastebin, and how the waste materials try to destroy themselves like sleeper cells when human beings are no where visible.

I'm humble towards their miserable condition so I've given 2 stars, one definitely for the actor Arpan Ghoshal who did a great job out there to create a character which was terribly understated by the director himself. None of the characters are established within this huge time span of some 2hr 30mins... And what the hell were those amature camera handlings? Tbh ig the acting and storyline is engaging, no one gives a damn about cinematography and camera movements and stuff, but this movie is nowhere good. I would praise Paglu 2 instead for being honest to its roots and story, just not produced to state the name of the director beside William Shakespeare.

I had one nagging doubt, going in for 'Atthoi'. One litmus test, if you may. Would the film be effective for an audience that had never read 'Othello'? (Or watched 'Omkara' for that matter?)

For the most part, the answer is in the affirmative, and I can't be happier about it. Arna Mukherjee's directorial debut (adapted from the now-famous theater play) is raw, moody, and entirely cinematic. Overstylized and indulgent, for sure. But entertaining nonetheless. It almost takes you by surprise from the get-go. The Bangla cinema audience is so used to mediocrity at this point, that a project that attempts anything remotely cinematic amazes us instantly.

'Atthoi', with its constant fourth-wall breaking, smart camera work, gorgeous visuals, and amazing musical score, grabs the audience by their throats and pulls them into the world of 'Vinsura'. It's hard to escape the intensity that the movie unleashes from the very beginning, and you can't help but surrender to this understated stage play and its never-ending barrage of tension.

It's an enthralling theatrical experience with Anirban Bhattacharya, pulling off an all-timer of a performance. He is in exemplary form in this movie. Single-handedly transforming 'Atthoi' into a one-man show. A solo play of sorts, where he screams, shouts, cries, and abuses in rampant feats of villainy. He chews the scenery with glee and hams it up, cartoonishly, whenever the occasion calls for it.

It's effective. His motivations are vague. His intentions are disdainful. The connivance makes your skin crawl. The performance does the maximum heavy lifting in elevating the end product. So much so that Arna's portrayal of Atthoi ends up falling short of the mark. Him and Sohini's Diamona (and their undercooked arcs) seem pale, and devoid of chemistry when compared to Anirban and his manic take on Gogo. Almost like a proverbial double-edged sword that cuts both ways.

The dialogue is intriguing. Hit-or-miss, at times. Sometimes crude, sometimes prone to expository soliloquys, considering the scope of the venture. Several sensitive topics are broached as well. Some, like cast identities and colorism, take precedence, staying true to the original source material. While others, like poverty and social oppression, are introduced but not really explored beyond the basic surface level. Mostly in favor of the tantalizing relationship drama.

Or, as Gogo calls it, 'The Game' and its dismal repercussions.

However, the runtime makes its presence felt by the end. There's a shallow attempt at commercialisation that doesn't really work out for the movie. The screenplay drags on by the second half. The engagement falters as the tension slackens. The movie parades slowly towards the 'Tragedy of Atthoi' and you can sense the gloom taking over. The penultimate descend feels slightly repetitive and rushed as well. Thus, the weaker (see : loopy/fantastical) ending stretch makes this one a 4-star watch. Not one star less, not one more.

As such, go out and watch 'Atthoi' for all it's pent-up angst. Watch it for the moody shots of winter vistas and decaying humanity. Watch it for the subtle homoerotic tension seeping through. Watch it in theaters to experience something fresh and visually rewarding in the Bengali language. God knows, the industry needs more of this. God knows, we, the ticket payers, do as well.

More of this. Fingers crossed.

In comparison to Shakespeare's other renowned works, "Othello" has traditionally been my lesser favorite.

This sentiment arises from the adaptations I have experienced thus far, including Bharadwaj's acclaimed "Omkara," which did not resonate with me as deeply as his Haider (Hamlet) or even Maqbool (Macbeth) did.

However, after viewing "Athhoi," a contemporary Bengali retelling infused with modern style and flair, my perspective has shifted.

Anirban's character's frequent breaking of the fourth wall can become somewhat tiresome, and some may contend an argument to which I concede that the persistent oscillation between the drama and dark comedy tonalities may deter certain segment of audiences, I firmly believe that the technical excellence and the substantial depth in character development more than compensate for the script's shortcomings.

Screenplay is brilliant, despite its occasional tendency to prolong scenes, and the performances are truly engaging, showcasing literary and technical fluency at their peaks.