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It starts with a murder, and catches you even though it is... calmly paced. The acting is really what hooked me. You never really like any particular character, but they are all unique, intriguing, and layered. The story line is a bit ridiculous at its most basic, but the character growth and slowly revealed history has a little something anyone can relate to. The build in revelations is done well and really catches your interest. Worth noting; some of the writing is a little too on the nose, but I viewed it as a comedic lightening of the general serious weight of the show, and kind of enjoyed it. I didn't binge, but one episode a night kept me ready for the next.

Just as with Bad Sisters, it was great seeing the dynamic of the sisters and how they loved and protected each other. Jessica Biel and Elizabeth Banks had a wonderful chemistry between them. While the husband in The Better Sister was definitely a villian, he wasn't to the same level of evil as John Paul...that guy a zero redeeming qualities.

Some of the characters were typically stereotypical- the greedy corporate lawyer played by Matthew Modine and I never really understood 'Chloe's' Business partner 'Catherine', she seemed pretty irrelevant to the storyline.

I did like most of the twists and turns, never real sure 'who done it', so overall it kept it interesting.

I really wanted to like this as it features two talented and likeable leads, especially Elizabeth Banks. I also love a mystery thriller.

However, it was too heavy on the social commentary, which doesn't reflect reality and therefore becomes distracting. Firstly it featured the trope of the black women whose only purpose is to support the white female leads with no complexity of their own; meanwhile the themes includuded that everyone is LGBQT and the majority of men are violent, stupid or drunk. Drunk men are bad, while drunk women are complex and redeemable. Looking forward to a time when we can just watch tv and movies that focus on being human and on original, creative story-telling.

Jessica Biel and Elizabeth Banks as sisters - it just works. The casting clicks immediately: familiar faces, magnetic in different ways, grounded enough to feel real but polished enough to keep your eyes glued. From the start, there's tension, that quiet kind that hums under every line. The show doesn't rush. It unspools slowly, feeding you just enough to stay hooked, each clue another tug on the line. And Biel? She's a force. Strong, lean, commanding in every frame. The camera knows it, too - it lingers, those sleeveless shirts doing half the storytelling.

But then comes the final episode. The rhythm stutters. That careful pacing, the mystery, the restraint - it all gives way to a clumsy data dump. Answers come too fast, too neat, and you're left wondering how something so taut unraveled so suddenly.

6.9 stars.

In spite of the stellar cast, not just a few major Hollywood personalities, but five or six big-time actors, this series does not serve up a very entertaining experience. I've seen a hundred shows better than this in the same genre.

I made it through about half of episode four, and realized that I had wasted hours of precious life. Just because Banks and Biel are sisters in the story with interesting contrasts of character, doesn't mean they can force more stimulation out of the anemic narrative. Sure enough, the story is slow and somewhat mundane for a murder mystery.

Why is this show even on television? We are so accustomed to more intrigue and suspense without all the fluff and filler. This should be four episodes at most. I'm done with it.

After watching Lincoln Lawyer and True Detective and Fargo and The Sinner (season one with Biel-fantastic) and even Girl on a Train (not great), The Better Sister is not what I would prescribe for your mystery thriller cravings.