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IMDbPro

Late Shift

Título original: Heldin
  • 2025
  • 1h 32min
PUNTUACIÓN EN IMDb
7,9/10
2,4 mil
TU PUNTUACIÓN
POPULARIDAD
354
59
Leonie Benesch in Late Shift (2025)
Ver Trailer - [OV]
Reproducir trailer1:36
1 vídeo
38 imágenes
¿CrimenDramaThriller

Floria, una enfermera dedicada, trabaja incansablemente en una sala de hospital con poco personal. Sin embargo, hoy su turno se convierte en una tensa y urgente carrera contrarreloj.Floria, una enfermera dedicada, trabaja incansablemente en una sala de hospital con poco personal. Sin embargo, hoy su turno se convierte en una tensa y urgente carrera contrarreloj.Floria, una enfermera dedicada, trabaja incansablemente en una sala de hospital con poco personal. Sin embargo, hoy su turno se convierte en una tensa y urgente carrera contrarreloj.

  • Dirección
    • Petra Biondina Volpe
  • Guión
    • Petra Biondina Volpe
  • Reparto principal
    • Leonie Benesch
    • Sonja Riesen
    • Alireza Bayram
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,9/10
    2,4 mil
    TU PUNTUACIÓN
    POPULARIDAD
    354
    59
    • Dirección
      • Petra Biondina Volpe
    • Guión
      • Petra Biondina Volpe
    • Reparto principal
      • Leonie Benesch
      • Sonja Riesen
      • Alireza Bayram
    • 15Reseñas de usuarios
    • 53Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 premio en total

    Vídeos1

    Trailer - [OV]
    Trailer 1:36
    Trailer - [OV]

    Imágenes38

    Ver cartel
    Ver cartel
    Ver cartel
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    + 34
    Ver cartel

    Reparto principal28

    Editar
    Leonie Benesch
    Leonie Benesch
    • Floria Lind
    Sonja Riesen
    • Bea Schmid
    Alireza Bayram
    • Jan Sharif
    Selma Jamal Aldin
    • Amelie Afshar
    Margherita Schoch
    • Frau Kuhn
    Urs Bihler
    • Herr Leu
    Albana Agaj
    • Frau Osmani
    Ridvan Murati
    • Herr Osmani
    Urbain Guiguemde
    • Herr Nwachukwu (Nana)
    Elisabeth Roll
    • Frau Lauber
    Heinz Wyssling
    • Herr Schneider
    Doris Schefer
    • Pascale Schneider
    Jürg Plüss
    Jürg Plüss
    • Herr Severin
    Eva Fredholm
    • Frau Bilgin
    Onur Kurtulmus
    • Sohn Frau Bilgin
    Ali Kandas
    • Nabil Bilgin
    Mustafa Kuzucu
    Mustafa Kuzucu
    • Bekir Bilgin
    Nicole Bachmann
    • Frau Dr. Strobel
    • Dirección
      • Petra Biondina Volpe
    • Guión
      • Petra Biondina Volpe
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios15

    7,92.3K
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    10

    Reseñas destacadas

    9ZeddaZogenau

    The third consecutive Leonie BENESCH classic

    This film review is dedicated to nurse Miri and male nurse Jörg, who selflessly supported me during those difficult days in March a few years ago. Unforgotten and with great gratitude!

    The Swiss film by Petra VOLPE follows nurse Floria Lind (Leonie BENESCH) during her late shift at a hospital near Basel. The ward where Floria works is chronically understaffed. On top of that, someone is absent due to illness. Selflessly, the young nurse tries to do justice to her diverse patients, some of whom are terminally ill. Like a thriller, events escalate during this particular late shift and culminate in a special action.

    Making the late shift the subject of a film was a wise decision by the director. The patients are still awake and venting their despair. The doctors and nurses of the day are exhausted and are clamoring for their long-awaited end of the day. This special atmosphere is captured brilliantly by the quasi-documentary film, which is in fact a stylized monument to all the self-sacrificing people in hospitals around the world.

    Hamburg-born actress Leonie BENESCH (2023 EUROPEAN FILM AWARD: nomination for THE TEACHER'S LOUNGE) plays this role - as usual - phenomenally well. This actress has the potential to appeal to a global audience. She brings an extraordinary radiance and inner truth to her characters - whether in television series such as BABYLON BERLIN and THE SWARM or in cinematic masterpieces such as THE WHITE RIBBON, THE TEACHER'S LOUNGE, and SEPTEMBER 5. It's regrettable that former festival director Carlo CHATRIAN had neither a competition slot available for THE TEACHER'S LOUNGE in 2023 nor one for SEPTEMBER 5 in 2024. The fact that the then BERLINALE director failed to recognize the potential of these performances by Leonie BENESCH remains a tragic oversight. However, it's a bad sign that the new BERLINALE director, Tricia TUTTLE, was also unable to find a place for the third consecutive Leonie BENESCH classic in the Berlin Film Festival's competition. Not a good prospect for the future of the BERLINALE!

    This film from German-speaking Switzerland is something truly special that shouldn't be missed! Be sure to see it on the big screen, if possible!
    10mumukuh

    Hard to watch

    This film hit me deeply - not just as a viewer, but as someone who has seen parts of this world up close, though never from the inside. It's a quietly devastating portrait of a healthcare system where staff are constantly overwhelmed, and patients often reduced to numbers. The film is restrained in its tone but unflinching in its realism.

    For medical professionals, especially those who have worked in underfunded hospitals, this might feel less like cinema and more like déjà vu. A person close to me worked in multiple hospitals over the years and immediately recognized the emotional detachment that can become necessary when death is a regular occurrence - not because you stop caring, but because the system gives you no room to act otherwise. For them, the film was not emotional but eerily accurate - a reflection of shifts they'd rather forget.

    But for viewers like me - those who've only seen the burnout and emotional toll secondhand - the film was powerful, even overwhelming at times. I found myself on the verge of tears multiple times, not only out of empathy for the patients but also out of frustration and deep respect for the caregivers who navigate this impossible environment.

    The acting is superbly naturalistic, with a rawness that serves the film's themes perfectly. The sound design and score are minimal but poignant, never pushing emotion but allowing it to surface organically. This is not a feel-good film - far from it - but it's an essential one. It asks not only how we treat the sick and dying, but how we treat those who care for them.

    If you're looking for comfort, look elsewhere. But if you're ready to see what "broken system" truly means, this film will stay with you.
    9Protestator

    Too realistic

    A very realistic depiction of the everyday professional life of a nurse. The atmosphere in the film is excellent, so much anxiety, stress and lack of time, that it often causes a raw mixture of emotions in the viewer. From anger, tension, to sympathy with the main character and hope for people. An excellent choice of characters, where each, in their own way, shows a certain type of human character and each, in their own way, affects the main protagonist. The camera is exceptional and through the entire film fantastically portrays the events almost exclusively following the main character. Dialogues are short, very realistic and meaningful. Leonie Benesh, in the role of the nurse who carries the plot of the film, is fascinating. And the rest of the actors, in the roles of patients, are up to the task. Although, in several moments, I had to collect my thoughts, due to too many memories that certain scenes evoked, the film is really excellent. Perhaps it is not for those who carry too much trauma from the hospital, because there is too little fiction and too much reality.
    9lulu3333

    I didn't expect to be this invested

    Empathy! This nurse's empathy really stood out, even in the most chaotic moments. Yes, there's a huge workload and not enough staff or enough minutes, but she still manages to offer precious seconds to make her patients feel seen and heard.

    She stays calm, while everything is coming at her nonstop and, at same time, she manages to remain human, to be as kind as possible in those moments.. You can definitely see that even if when she's overwhelmed, she still remains a decent human being.

    I felt like I was there with her the whole time, never bored.. if anything, I could feel the urgency and the stress and I was rooting for her to pull everything off.

    It also made me a bit sad because in my country hospital stays are nothing like this. Hospitals don't have as many features and useful tech I saw here and most of the medical staff have lost their empathy over time, probably because it's tough to survive in this environment without shutting off emotionally. Not to mention that in reality the procedures aren't always followed as carefully as this nurse tried to do in the movie.

    In the end I just want to say I admire everyone who chooses this career path, stays compassionate and does their best despite all the challenges.
    10imdbfan-756920

    I've created an account just to leave a review and that says a lot

    This is an excellent movie that peeks the door to the challenging and often unseen world of medical workers.

    It shattered me into a thousand little pieces, because this is what really happens.

    I'm not a healthcare professional, but you don't have to be one to understand the incredible work doctors do every single day. The director managed to show us a glimpse of their daily reality with honesty and care.

    Thanks to every doctor who chose this difficult path to be there when we need it most.

    And the original title, Heldin - meaning heroine - fits the film much better. Because real heroes don't wear capes. They wear blue scrubs and a pair of worn white sneakers...

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    • Banda sonora
      Hope There's Someone
      Written by Anohni

      Performed by Anohni

      (Played during the end credits)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de noviembre de 2025 (España)
    • Países de origen
      • Suiza
      • Alemania
    • Idiomas
      • Alemán
      • Turco
      • Francés
    • Títulos en diferentes países
      • 失控夜班
    • Localizaciones del rodaje
      • Zúrich, Suiza
    • Empresas productoras
      • Zodiac Pictures
      • MMC Zodiac
      • Schweizer Radio und Fernsehen (SRF)
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 3.700.000 CHF (estimación)
    • Recaudación en todo el mundo
      • 2.270.399 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 32min(92 min)
    • Color
      • Color
    • Relación de aspecto
      • 2.00 : 1

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