In Space, No One...
- El episodio se emitió el 3 sept 2025
- TV-MA
- 1h 4min
PUNTUACIÓN EN IMDb
8,8/10
4,8 mil
TU PUNTUACIÓN
Una nave espacial en apuros desencadena un peligroso ajuste de cuentas.Una nave espacial en apuros desencadena un peligroso ajuste de cuentas.Una nave espacial en apuros desencadena un peligroso ajuste de cuentas.
- Dirección
- Guión
- Reparto principal
Sydney Chandler
- Wendy
- (crédito solo)
Alex Lawther
- Joe Hermit
- (crédito solo)
Essie Davis
- Dame Sylvia
- (crédito solo)
Adarsh Gourav
- Slightly
- (crédito solo)
Erana James
- Curly
- (crédito solo)
Lily Newmark
- Nibs
- (crédito solo)
Jonathan Ajayi
- Smee
- (crédito solo)
David Rysdahl
- Arthur Sylvia
- (crédito solo)
Diêm Camille
- Siberian
- (crédito solo)
Moe Bar-El
- Rashidi
- (crédito solo)
Adrian Edmondson
- Atom Eins
- (crédito solo)
Timothy Olyphant
- Kirsh
- (crédito solo)
Reseñas destacadas
This series has excellent production values. The art department has replicated the signature "Alien" look to a "T". The Xenomorph looks amazing when it is either the guy in a suit or cgi. Top-notch effects! Episode five feels like it belongs in the canon of Alien. The sets, costumes, lighting and creatures successfully transport the viewer into a Ridley-esque claustrophobic space-ship full of doomed mission-specialists fleeing in terror from the menacing, Xenomorph. Just what we want and expect from the Alien franchise. Amazing work, providing motion-picture quality on a television-series budget. I don't know how they did it, but it really works well. The sets remind us of the Nostromo and other ships from previous Alien films while bringing their own style to the mix. Any Alien fan would enjoy this episode. It almost feels like the series should have started with Ep.5.
This is a strong horror-focused chapter that does a very good job portraying events on board the Maginot before those shown in the episode Neverland.
As we already know the outcome for the ship and most of the characters on board, there is only so much tension to be generated. However, the filmmakers use the space tics and ocellus well to keep the atmosphere suitably creepy and sustain the suspense. Additionally, the mystery of the saboteur and how it connects to the overarching narrative unfolds nicely.
For me, the development of the character Morrow is a highlight. The writers have drip-fed information about him so far, and here we are given a sufficient amount to keep the arc interesting. We needed to know more about his backstory and motivation, and this chapter explains it well.
There are likely to be eyebrows raised in relation to the xenomorph scenes. I anticipate words like inconsistency and phrases like plot armour being used to describe certain moments. That being said, their presence is still nightmare fuel, but maybe not as potent when it shares the chamber with a variety of other horrors.
What will frustrate most is the lack of caution shown by certain characters in key moments that stretches plausibility to the limit. It depends on how seriously you take fictional stories.
As we already know the outcome for the ship and most of the characters on board, there is only so much tension to be generated. However, the filmmakers use the space tics and ocellus well to keep the atmosphere suitably creepy and sustain the suspense. Additionally, the mystery of the saboteur and how it connects to the overarching narrative unfolds nicely.
For me, the development of the character Morrow is a highlight. The writers have drip-fed information about him so far, and here we are given a sufficient amount to keep the arc interesting. We needed to know more about his backstory and motivation, and this chapter explains it well.
There are likely to be eyebrows raised in relation to the xenomorph scenes. I anticipate words like inconsistency and phrases like plot armour being used to describe certain moments. That being said, their presence is still nightmare fuel, but maybe not as potent when it shares the chamber with a variety of other horrors.
What will frustrate most is the lack of caution shown by certain characters in key moments that stretches plausibility to the limit. It depends on how seriously you take fictional stories.
Easily the best episode so far. A perfect balance of a gripping story, funny moments, and nostalgia for the original movie.
For me, the Alien franchise has always been about a monster in space, so I'm glad the creators went back to a ship to show the beginning of the story. Although, it would also be interesting to know where and how the crew collected this monstrous zoo?!
And how can you not love the eyeball? She's such a smart sweetheart.
For me, the Alien franchise has always been about a monster in space, so I'm glad the creators went back to a ship to show the beginning of the story. Although, it would also be interesting to know where and how the crew collected this monstrous zoo?!
And how can you not love the eyeball? She's such a smart sweetheart.
This episode gave us the classic Alien chills, thrills and kept us on the hook even though we knew how exactly it's going to end. If the previous episodes were half as intelligently written and made as this one, the series would have been already considered one of the great sci-fis.
The eye in the goat was the creepiest moment among all the otherwise inane and bland previous episodes. This episode further expands the eye's capabilities, and I love it. I hope we get to see a longer battle between the eye and xenomorph in future.
The eye in the goat was the creepiest moment among all the otherwise inane and bland previous episodes. This episode further expands the eye's capabilities, and I love it. I hope we get to see a longer battle between the eye and xenomorph in future.
Exhilarating! THIS is how to do an Alien show.
I'm still digesting but the best way to describe would be a super intense dose of 'Alien' injected directly into your veins.
This episode is a beautiful nod to the first movie. It works well to connect the story line but as can work as a stand alone episode.
Even managed to create the new creatures that are just as creepy as are of the other creatures. It'll definitely give people with eyeball sensitivities the heebee jeebees.
I'm still digesting but the best way to describe would be a super intense dose of 'Alien' injected directly into your veins.
This episode is a beautiful nod to the first movie. It works well to connect the story line but as can work as a stand alone episode.
Even managed to create the new creatures that are just as creepy as are of the other creatures. It'll definitely give people with eyeball sensitivities the heebee jeebees.
¿Sabías que...?
- CuriosidadesThe episode title is the first half of the iconic tagline: "In space, no one can hear you scream", used as part of the promotional material for the original Alien, el octavo pasajero (1979) film.
- PifiasWhen Morrow is sitting at the computer while the alien is breaking down the door, the words on the screen reflect onto his face, but if the text on his face is a reflection, it should be backwards, which it isn't.
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Detalles
- Duración
- 1h 4min(64 min)
- Color
- Mezcla de sonido
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