Una ejecutiva de fusiones y adquisiciones viaja a Francia para negociar la venta de una marca de champán, pero se enamora del hijo del fundador en medio de un romance torbellino que se desar... Leer todoUna ejecutiva de fusiones y adquisiciones viaja a Francia para negociar la venta de una marca de champán, pero se enamora del hijo del fundador en medio de un romance torbellino que se desarrolla durante las Navidades.Una ejecutiva de fusiones y adquisiciones viaja a Francia para negociar la venta de una marca de champán, pero se enamora del hijo del fundador en medio de un romance torbellino que se desarrolla durante las Navidades.
- Director/a
- Guionista
- Estrellas
- Director/a
- Guionista
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
6,15.5K
1
2
3
4
5
6
7
8
9
10
Reseñas destacadas
A great Christmas movie.
Sydney Price is sent by her boss to strike a deal for Châteaux Cassell, a French champagne business that's in trouble. On her first night she meets Henri, a Parisian, who happens to be the son of Hugo Cassell, the man she needs to convince to go for her deal.
The Christmas miracle has struck early, I never thought it would happen-a Christmas movie that's a little different, one I actually can give a positive review about. I found myself not texting or playing games, just engrossed.
You're not forced into feeling anything for the characters; you'll naturally warm to them. They're grounded, realistic, and somehow down to earth, even Roberto has more going on than you'd first think.
I like the premise, I love the setting: Christmas in Paris, what could be better? You really do see it in all its glory, the bad bits naturally are absent. Anyone that can afford multiple snacks from a French Christmas market must own a châteaux. The mix of French and English gives it a Hallmark-free, grown-up vibe.
Our lead character is likeable; once she forgets her power trip head and puts her phone down, she shines. And our French love interest has a bit of depth, he's handsome but not in a Hallmark catalogue kind of way, he's not manicured to within an inch of his life. The pair are great.
The supporting characters develop with time; initially you'll shudder at the stereotypes, but they'll win you over.
The true star of the show must be Hugo's scene-stealing Citroën DS Cabriolet-that's some car.
This was number three in the Netflix charts, and I'd suggest it actually deserves its spot. This is a genuinely lovely Christmas film.
Heart, but it's not encased in a cinnamon-coated sugary casing; it's warm and natural.
8/10.
I never thought I'd write a Christmas movie review like this.
The Christmas miracle has struck early, I never thought it would happen-a Christmas movie that's a little different, one I actually can give a positive review about. I found myself not texting or playing games, just engrossed.
You're not forced into feeling anything for the characters; you'll naturally warm to them. They're grounded, realistic, and somehow down to earth, even Roberto has more going on than you'd first think.
I like the premise, I love the setting: Christmas in Paris, what could be better? You really do see it in all its glory, the bad bits naturally are absent. Anyone that can afford multiple snacks from a French Christmas market must own a châteaux. The mix of French and English gives it a Hallmark-free, grown-up vibe.
Our lead character is likeable; once she forgets her power trip head and puts her phone down, she shines. And our French love interest has a bit of depth, he's handsome but not in a Hallmark catalogue kind of way, he's not manicured to within an inch of his life. The pair are great.
The supporting characters develop with time; initially you'll shudder at the stereotypes, but they'll win you over.
The true star of the show must be Hugo's scene-stealing Citroën DS Cabriolet-that's some car.
This was number three in the Netflix charts, and I'd suggest it actually deserves its spot. This is a genuinely lovely Christmas film.
Heart, but it's not encased in a cinnamon-coated sugary casing; it's warm and natural.
8/10.
I never thought I'd write a Christmas movie review like this.
Actually decent
I usually end up turning off these hallmark style Christmas movies about half way through, but this one was different. The characters were actually likable and believable, the setting was beautiful. It was actually quite funny too! I highly enjoyed watching this, it'll be added to my rotation of yearly Christmas movies!
It's a very cute love story
"Champagne Problems" arrives as one of 2025's softer, Hallmark-leaning romances, and with Minka Kelly stepping into the lead role, the film immediately gains a warmth and grounded maturity it might not have achieved otherwise. Kelly, now in a stage of her career where her craft feels richer and more layered, brings a calm, lived-in charm to the story. She looks different, she feels different, and most importantly, she acts different-there's a polish and emotional clarity in her performance that elevates even the simplest scenes. From the first frame, she becomes the anchor that keeps the film steady, even when the screenplay wanders into familiar territory.
The movie follows every expected beat of a Hallmark-style love story, and for some audiences that's exactly the appeal. "Champagne Problems" knows its lane: soft lighting, small-town charm, romantic tension, and a cozy emotional payoff. Yet there's something undeniably sweet about the way the film leans into its tropes rather than trying to reinvent them. Even though the relationship forms unusually fast-faster than makes logical sense-Kelly adds enough emotional sincerity that you're willing to let realism slide. After all, classic Disney romances had characters falling in love after a single song; quick feelings are practically a genre tradition.
Still, the screenplay isn't perfect. There are noticeable plot holes, moments where motivations feel underexplored, and story points that could've been strengthened with just a bit more attention to detail. Certain scenes feel rushed, almost as if the film is afraid to linger too long on the emotional beats that needed more breathing room. But even with its structural flaws, the script carries a sweetness and charm that fits the aesthetic it's trying to embrace. It doesn't aspire to be groundbreaking-it aspires to be comforting-and in that regard, it succeeds.
The director deserves credit as well. Despite the film's modest ambitions, the directing choices help capture the blooming relationship with softness and intimacy. The chemistry between Minka Kelly and her co-star isn't the strongest pairing in recent romance films, but the director compensates with thoughtful framing, gentle pacing, and a clear desire to highlight Kelly's emotional beats. The romantic arc may not feel entirely solid, yet there's an effort to make each shared moment feel meaningful, even if the script doesn't always justify those leaps.
Where "Champagne Problems" truly finds its stride is in its atmosphere. It's a warm, easy watch-the kind of movie you put on wrapped in a blanket, with a cup of cocoa, and no interest in challenging yourself. It's not trying to shock you, reinvent romance, or push stylistic boundaries. Instead, it succeeds by being exactly what it sets out to be: a feel-good, soft-hearted rom-com with likable characters and a cozy emotional payoff. Minka Kelly's presence alone makes it significantly more watchable, and her performance gives the film a sense of emotional legitimacy that it might otherwise lack.
In the end, "Champagne Problems" is a cute, flawed, undeniably charming film. It may not stand up to the scrutiny of harsher critics, but for viewers who enjoy Hallmark-esque romances-especially those elevated by strong lead performances-it's worth the time. I genuinely enjoyed it more than expected. Despite its imperfections, it has a sweetness that lingers, and Minka Kelly's performance makes it easy to recommend. If you're looking for a gentle, comforting love story that doesn't pretend to be anything more than what it is, this is one worth checking out.
The movie follows every expected beat of a Hallmark-style love story, and for some audiences that's exactly the appeal. "Champagne Problems" knows its lane: soft lighting, small-town charm, romantic tension, and a cozy emotional payoff. Yet there's something undeniably sweet about the way the film leans into its tropes rather than trying to reinvent them. Even though the relationship forms unusually fast-faster than makes logical sense-Kelly adds enough emotional sincerity that you're willing to let realism slide. After all, classic Disney romances had characters falling in love after a single song; quick feelings are practically a genre tradition.
Still, the screenplay isn't perfect. There are noticeable plot holes, moments where motivations feel underexplored, and story points that could've been strengthened with just a bit more attention to detail. Certain scenes feel rushed, almost as if the film is afraid to linger too long on the emotional beats that needed more breathing room. But even with its structural flaws, the script carries a sweetness and charm that fits the aesthetic it's trying to embrace. It doesn't aspire to be groundbreaking-it aspires to be comforting-and in that regard, it succeeds.
The director deserves credit as well. Despite the film's modest ambitions, the directing choices help capture the blooming relationship with softness and intimacy. The chemistry between Minka Kelly and her co-star isn't the strongest pairing in recent romance films, but the director compensates with thoughtful framing, gentle pacing, and a clear desire to highlight Kelly's emotional beats. The romantic arc may not feel entirely solid, yet there's an effort to make each shared moment feel meaningful, even if the script doesn't always justify those leaps.
Where "Champagne Problems" truly finds its stride is in its atmosphere. It's a warm, easy watch-the kind of movie you put on wrapped in a blanket, with a cup of cocoa, and no interest in challenging yourself. It's not trying to shock you, reinvent romance, or push stylistic boundaries. Instead, it succeeds by being exactly what it sets out to be: a feel-good, soft-hearted rom-com with likable characters and a cozy emotional payoff. Minka Kelly's presence alone makes it significantly more watchable, and her performance gives the film a sense of emotional legitimacy that it might otherwise lack.
In the end, "Champagne Problems" is a cute, flawed, undeniably charming film. It may not stand up to the scrutiny of harsher critics, but for viewers who enjoy Hallmark-esque romances-especially those elevated by strong lead performances-it's worth the time. I genuinely enjoyed it more than expected. Despite its imperfections, it has a sweetness that lingers, and Minka Kelly's performance makes it easy to recommend. If you're looking for a gentle, comforting love story that doesn't pretend to be anything more than what it is, this is one worth checking out.
Carried by supporting cast
8.3 stars.
I'll watch this again in the next few years. It's got some actual comedy that is literally funny, and even some of it is laugh-out-loud.
'Champagne Problems' has a generous amount of clever and humorous dialogue, and don't be surprised if you find yourself smiling because of the secondary characters. The gay man whose father is a billionaire -- totally hilarious. I think he must be a comedian, but if not, his lines were perfectly timed and his material was really good. The German man was also hilarious. He had a spot-on dark and "bleak" humor that was so intriguing and fun. He's such a silly cynic, who refers to himself as a glass half full type. The German and the lead female discuss 'Die Hard' nuances and how he grew up believing Hans Gruber is comparatively Robin Hood, then her rebuttals were so fresh. Totally the funniest scene in the movie, and quite a surprise, because you won't see this level of cleverness in this genre of movies very often. Honestly, the gay man and the German elevate this movie by a full star, from 7.0 to 8.0. When I watch it again in a few years, I'll be looking forward to their weird humor and puns. The French lady was more serious, but she had her moments as well. All three of them were quite entertaining.
Oddly, the leads were the least fun of the bunch. I'm sure it was by design as they were more serious, which allowed for the romance to blossom organically; however without the levity of the secondaries, this film might fall flat. Usually with romantic dramas, we rely solely on the leads to provide a whimsical experience, but for this film, that aspect is not enough to carry it. Sure, there are early moments, but it's not developed or smooth enough to satisfy until the end. Therefore, my conclusion is that the allure of 'Champagne Problems' is the supporting characters with their wackadoo personalities and oddball comments.
The plot is the usual trope featuring a wealthy wine business owner, negotiating with corporate executives from a larger corporation, who will either help manage his company, or purchase it. It's generally a hostile takeover disguised by fake smiles and false promises. Per usual, the protagonist female, one of the negotiators, is unaware of her boss's intentions to exploit the underdog. Naturally, the leading man mistakes her intentions as those of a double-crosser, and they have a brief falling out. As I said, the usual blueprint of romance stories.
What makes this rom-com really stand out amongst its peers is that it doesn't run out of steam. It will likely stand the test of time.
I'll watch this again in the next few years. It's got some actual comedy that is literally funny, and even some of it is laugh-out-loud.
'Champagne Problems' has a generous amount of clever and humorous dialogue, and don't be surprised if you find yourself smiling because of the secondary characters. The gay man whose father is a billionaire -- totally hilarious. I think he must be a comedian, but if not, his lines were perfectly timed and his material was really good. The German man was also hilarious. He had a spot-on dark and "bleak" humor that was so intriguing and fun. He's such a silly cynic, who refers to himself as a glass half full type. The German and the lead female discuss 'Die Hard' nuances and how he grew up believing Hans Gruber is comparatively Robin Hood, then her rebuttals were so fresh. Totally the funniest scene in the movie, and quite a surprise, because you won't see this level of cleverness in this genre of movies very often. Honestly, the gay man and the German elevate this movie by a full star, from 7.0 to 8.0. When I watch it again in a few years, I'll be looking forward to their weird humor and puns. The French lady was more serious, but she had her moments as well. All three of them were quite entertaining.
Oddly, the leads were the least fun of the bunch. I'm sure it was by design as they were more serious, which allowed for the romance to blossom organically; however without the levity of the secondaries, this film might fall flat. Usually with romantic dramas, we rely solely on the leads to provide a whimsical experience, but for this film, that aspect is not enough to carry it. Sure, there are early moments, but it's not developed or smooth enough to satisfy until the end. Therefore, my conclusion is that the allure of 'Champagne Problems' is the supporting characters with their wackadoo personalities and oddball comments.
The plot is the usual trope featuring a wealthy wine business owner, negotiating with corporate executives from a larger corporation, who will either help manage his company, or purchase it. It's generally a hostile takeover disguised by fake smiles and false promises. Per usual, the protagonist female, one of the negotiators, is unaware of her boss's intentions to exploit the underdog. Naturally, the leading man mistakes her intentions as those of a double-crosser, and they have a brief falling out. As I said, the usual blueprint of romance stories.
What makes this rom-com really stand out amongst its peers is that it doesn't run out of steam. It will likely stand the test of time.
Superb cinematography, Paris shines!
Cute story - the script is a mix of love and business conflict and the film offevrs the BEST scenes of Paris. For a dreamer like me who idolizes how Paris was in the 90's and 2000's, this movie is like a cosy blanket on an Autumn Night. Film is for everyone - families couples girlfriends. Please do not miss this gem of a movie and Minka Kelly is as lovely as ever! Stayed away from fillers and stayed natural.
35 Romantic Holiday Movies to Stream at Home
35 Romantic Holiday Movies to Stream at Home
Get your fill of happily-ever-afters with this year's lineup of holiday-themed romantic movies to watch from the comfort of home.
¿Sabías que...?
- PifiasWhile they are having champagne tasting at evening dinner table: Brigitte holds her glass around the base of the bowl- if she was the wine-champagne expert her character claimed to be she would NEVER hold the glass so improperly, as it would alter the wine. To a connoisseur, that is a cardinal sin. Rather she would hold it by the stem.
- ConexionesReferences Jungla de cristal (1988)
- Banda sonoraThe Night They Invented Champagne
written by Alan Jay Lerner and Frederick Loewe
performed by The Marauders Five
courtesy of: The Math Club
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
- Duración
- 1h 39min(99 min)
- Color
- Relación de aspecto
- 2.39:1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta






