TLDR: An interesting homage to old school cult cinema with a soundtrack that is strangely addictive. While an enjoyable watch, the film suffers from the normal issues with lower budget indie cinema in that that production value is lower and the script may have benefited from one more pass.
Christopher Bickel does a solid job with his throw back cult film about a nefarious hippie commune who uses music to lure in an unsuspecting record store clerk into a situation straight out of 60's/70's psychedelic cinema. The cast here is fairly good with the standouts being Adara Starr as the main protagonist, Max, and I was thoroughly entertained by Mike Amason as Pater Noster. The rest of the cast rounds it out well enough considering the budgetary restraints. The gore, surprisingly, was ample and utilized a style befitting of the timeframe. Some cliches and tropes had me rolling my eyes at times, but with any homage to a classic style of cinema that is to be expected. I don't foresee that many audience members will capture anything new in this film, but it's use of music both as an inciting event and as a frame for the story was well done and not something that I see very often. The idea of a film having it's own score/soundtrack is a lost art in modern cinema and I really wish it would make a comeback. Short story long, this is an entertaining, throwback piece of low-budget cinema that deserves a watch by anyone who is a) a fan of folk music, b) a fan of cult cinema, and c) someone looking for something new to see but is tired of the bloated studio fare that is normally served up.
