Anul Nou care n-a fost

My father tried two times to cross the border (with his friend) during communism, the first time being caught at the border with Yugoslavia and 2nd time being caught in Greece, sent back to Romania, and beaten and interrogated exactly like in the movie. Yesterday was a very special night since I assisted at a very special screening together with my father.

In the past years, I was disgusted with any subject related to communism since I hated so much the consequences supported by so many generations of Romanians. We still suffer because of this past dictator, even the ones born after the revolution.

Now I see the importance of going back 'there' to remind us not to repeat the same mistakes.

Very emotional film for the entire sold-out cinema hall... One of the best movies ever made after the Romanian Revolution (1989).

This film is a triumph of Romanian cinema, showcasing a generation of actors who have reached artistic maturity. The film portrays the mood leading up to the 1989 revolution, but without exaggeration, because reality itself was absurd. The way the film manages to capture both the everyday scenes from before 1989 and the emotional state of the people, along with the verbal patterns used at the time, makes the viewer relive (or experience for the first time) the lives of people in 1989. By the end of the film, no one from the audience could get up from their seat! Moving and uplifting, a true work of art! A big "bravo" to the director, the actors, the cinematography, the script and the soundtrack!

Is an extraordinary movie that captures the essence of the late 1989, just before the Romanian Revolution. The story follows the lives of people living under Ceausescu's regime, just one day before the events that would change the course of Romania history. The film accurately portrays the tension, fear, and uncertainty that gripped everyone during that time.

I was only 6 years old when the Revolution happened, but many scenes in the movie brought back memories of that era. Although I didn't fully understand everything back then, I remember the dramatic atmosphere and the feeling of unease everywhere around me.

While the beginning may feel a bit slow, which is often the case with Romanian films, the ending is powerful and unforgettable. I can say that the movie conveys a deep and clear message, especially for those who lived through those times.

This movie feels like 4 shorts mixed into one long feature, but not in a bad way. It presents 4 different stories during the last days of Ceausescu's regime. The director gracefully navigates through the material and unveils many social mechanisms, fears and motivations. Although there are signs of living in an absurd political regime, permeated by the fear of State Security, and everybody tries not to make the slightest mistake and look good in the eyes of their superiors, nevertheless there is kindness, emotion and empathy between people. It is a movie about how the small folk can swim across the turbulent waters of history, so to say, without losing their hope and sense of humor. Which reminds me: this is really fun to watch, it has many good lines and hilarious situations. Thumbs up for the director, the cast and the whole team for this piece of art!

'The New Year That Never Came' tells stories from the last two days of non-freedom for the Romanians. It is, incredibly, the debut feature film - at the age of 50! - by director Bogdan Muresanu. A solid, mature, emotional film and a history lesson for those Romanians - alas, too many - who do not know or have forgotten the past of the communist dictatorship. In my opinion, in the history of Romanian cinema, it is a significant film, as was Lucian Pintilie's 'Reconstitution' from 1970. That one was only the second film of Romania's most important theater and film director in the second half of 20th century.

The action of "The New Year That Never Came" takes place on December 20 and 21, 1989, at the end of the period of the communist dictatorship. The characters of the film, like most of those who lived those times, have neither the feeling nor the hope that they will get to live the change that will take place soon, the fall of communism that had already happened in almost all the countries of Eastern Europe. Even when foreign radio stations announce the protests that started in Timisoara, nothing seems to budge in Bucharest. The Securitate secret police seems all-powerful, the propaganda machine is in full swing, life full of shortages and dominated by fear continues. A Securitate officer manipulates his informants who surveil the lives of students and intellectuals. He also has a mother who is about to be evicted from the house she had lived in all her life, which will be demolished to make way for grandiose buildings in the new city center. A television crew has to urgently change a tribute film to the dictatorship scheduled for New Year's Eve, in which an actress who had fled to the West appears in the foreground, in a situation reminiscent of the collection of short films 'Memories from the Golden Age' of Mungiu. The replacement actress has a crisis of conscience when she is forced to participate in the show. A family enters a crisis after learning that their eight-year-old boy asked in a letter to the communist version of Santa Claus to see Uncle Nicu dead, 'because that's what dad wants'. The son of the television director plans to flee the country with a friend across the Danube, the border with Yugoslavia. In the music of Ravel's Bolero, the narrative planes alternate, the tension builds, the boiling point approaches. Will the mamaliga (Romanian polenta) explode?

I found the narrative construction excellent. At first, the viewer may be a little confused by the multitude of characters and situations, but quite quickly the common denominator (fear, hope suppressed in struggle with resignation, long-repressed anger) and the connections between the characters become clear. For those who lived through that era, the settings and cinematic style create a sense of immersion in the past. All the actors are formidable, but I can't help mentioning three names: Iulian Postelnicu (who had major roles in at least three good films I've seen in the last year), Adrian Vancica and Nicoleta Hancu. I found the reconstruction of those last days and hours of the dictatorship impressive, with only one major flaw related to the final scene, that of the rally in Palace Square, where a fictional intervention in the key detail of the start of the protest that changed history leaves room for a revisionist interpretation. Romanian cinema has returned, repeatedly, for 35 years now, to the final years of the dictatorship and even to the days when Romania's fate changed. Several of the resulting films were memorable. "The New Year That Never Came" is a remarkable creation, which adds to this list at a time when politically motivated revisionism fuels the pseudo-nostalgia of those who have forgotten or who did not know the dictatorship.