Una boda en las Bahamas con Madea

Every scene: Black people talking loudly, saying cliché things that really are not clever. At the hotel, in the airport, in the airplane, in the parking lot,...you name it! Like Sam I Am, in the rain on a train, in a house w/a mouse! Trying to be funny. But are not. Long loud impromptu scenes out of a minstrel show. The scene are so terrible they can only be compared to 3 things: 1. Those ridiculous Spanish shows on Latin TV channels where nothing happens but the same shtick. Some man wearing clown ears keeps looking at an attractive woman's low cut halter top. You ask yourself do Latins really watch this stuff. People get paid real money to make these shows? Really?!

2. Tyler Perry is making minstrel shows. Who needs black face when you hire black actors and direct them to act so utterly stereotypically awful; or 3. All high school teachers know that this kind of loud, unintelligent, rude, crass, attention seeking behavior is what you get from a typical high school class of standard kids. They make the day feel so long. All trying so hard to be funny, rude, loud, cute, and clever. All they make you want to do is jump out of a window.

This movie is SO bad. I challenge anyone to locate just 1 original joke or plot point in this movie.

I was disappointed with this. Madea seemed kinder and softer - remember when Omarosa said this about Wendy Williams. The tv version of Wendy Williams was not as hard and tough as the television version.

There were s couple of funny scenes but this was hardly the 2003 Madea we all knew. I do hope though that people watch. Madea still can be salvaged. Truth be told, Madea needs to be back live on stage. Madea is awesome as an on stage grandmother.

Madea ideas are not over. I can think of a few titles - Madea's half sister. A reboot of the Madea farewell play with some of those characters possibly striking it rich! I just need something challenging.

I was excited when I saw a new Madea movie being released. This is one I don't think I would ever rewatch. The plot was weak, there was no real strong story to follow as it jumped around. Any storyline that was conveyed was predictable. Some of the acting was so awful, I couldn't understand how they were cast for a Madea movie. In moments of seriousness or emotional dialogue, it looked like a couple of them could barely get through the scene without a smirk. I was looking for laughs and this one did not deliver. Seemed more like Tyler Perry was bored and decided to make a movie and threw it together in a week.

Said it before, I'll say it again, it seems the more money Perry makes, the more talent he loses.

This installation feels like he had to do it because he owes neflix.

For starters it's called Madea destination wedding, but the entire movie has Brian & his dad

The plot is so shallow that you forget about it & try to love the corny jokes here and there but Lord they don't hit right.

This will sell only because, straw pulled in numbers & ppl willing to see whats it all about.

But I doubt in a few weeks anyone will remember it.

I won't recommend this as the main focus, but the sort of movie you won't mind going to the toilet while it plays, or make a snack and let it roll.

There isn't much to it even the emotions brought forward don't move you at all.

The film unfolds with a seemingly vibrant backdrop of a destination wedding in the Bahamas, setting the stage for what initially promises to be an engaging narrative. However, it quickly becomes apparent that the plot is predictable, adhering to familiar tropes often seen in Tyler Perry's previous works. The storyline lacks distinctive elements that could set it apart, resulting in a formulaic progression that offers few surprises.

The comedic elements fall flat, failing to elicit genuine laughter or evoke strong emotional responses. While the film is not without its merits-it remains watchable and competently produced-it ultimately feels like a routine addition to the genre rather than a refreshing or innovative entry. The overall impression is that of a film created more for commercial appeal than for artistic exploration.