Casebre

As the director said while talking to me on their online page, will come the day where movies will be made by anyone with a good idea.

This movie has little budget, you can see that even with the efforts (well made efforts) of the creative team. Specially the Cinematography by Renato Villas. But beyond that, you can see a beautiful story for Brazilian people to connect with. No one can take that away. Brazilian mixed-race spirituality and experience, the way our society moves and sometimes breaks.

Casebre is a first-time movie, and it must have been scared, but with little budget the movie achieves what it has to, touches the audience.

It is not a large production in scope, it is possible to see that there was a budget limitation.

But the film gets everything out of what it has. The actors work with charisma, the soundtrack is a real delight, the kind that will make you search for the songs and discover that they are not yet available on streaming.

It sounds like a great creative exercise by the director, always talking to the audience as if he was waiting for a counterargument or a response.

I don't always give films a 10, but somehow this one managed to convey to me that all its greatness began and worked in simplicity. I hope this is the beginning of a career for the professionals involved.

The photography is also a landmark and makes the film stand out from other amateur productions.

This review was done using Google Translate because I don't speak English well.

I saw this film at the TRANSFORMA festival in Santa Catarina do Brasil. I put the name of the film on Google to find out if the songs were available and I landed on this page.

Long Story Short:

My opinion is that a film that talks about blackness, African religion, mental health and homosexuality will certainly have its haters. But don't believe the bitter ones, this film is destined to be seen. It's a Brazilian and accessible story about serious themes.

And it is this team's destiny to reach as many Brazilians as possible, because WE need these stories to be told.

Applause to the actress who does the grandmother!

It is so lovely to see a movie with so much courage. The movie navigates from comedy to drama without you noticing. It touches important themes to the LGBTQ+ community here in Brazil and all over the world.

But what made me love this movie was the tiny details, cheers to the art direction. The character PASTOR, who befriends the protagonist in a way really got me thinking, the movie casted a transgender man (almost a boy) to a role that represents a social class that often has struggles to deal with LGBTQ themes. The movie does not care to explain it a lot, and I love it, trans people just exist in so many ways and are free to have their own beliefs.

Brazil still being one of the most dangerous places in the world to the LGBTQ+ community, I have to congratulate this independent movie for thinking outside the box and still giving a chill movie about identity.

Saw this movie in a tiny theater on Rio de Janeiro last September during the MOSTRA DO FILME MARGINAL. The audience laughed and gasped during the whole thing.

I think the movie talks a lot about the Brazilian experience of this days, dealing with mixed culture and contemporary themes such as LGBTQ+ rights and anxiety. Everybody who lives in Brazil knows how they love each other and still can have huge feuds about politics, soccer and even their favorite beer. This movie reminded me of the first time I saw the culture of this land. Hope it gets a bigger theatrical release. The team talked about how they made this movie with little to no-budget, so even a no-brazilian can say, give this movie a chance.