Mountainhead

They're all intentionally insufferable, and I was happy for it to be over. I laughed once ('suddenly'). And though some of their behaviour is outlandish, they're not all that far-fetched when you look at the behaviour of someone like Musk, which is depressing, But I appreciated that we got a critique of the new tech overlord mindset so quickly after their collaborative inauguration with Trump. It's the kind of fast responsive filmmaking that we got at the start of covid and lockdowns. We shouldn't only have a diet of movies that have been years in development and don't reflect the present day.

"Mountainhead" is the kind of film that clearly could have been something special. The premise carries the weight of mystery and psychological depth, and you can sense that somewhere in there, buried beneath the missteps, is a brilliant story struggling to surface. Unfortunately, what we get instead is a film riddled with mediocre dialogue, undercooked ideas, and character choices that slide from naive into outright dumb.

The central theme had potential to explore something meaningful - maybe a descent into obsession or isolation - but it's hard to stay invested when the script constantly undercuts its own gravity. The male characters are frustratingly unrealistic: wealthy yet clueless to a degree that breaks immersion. Their actions, supposedly driven by ambition or fear, feel more like the product of lazy writing than believable motivation.

The cinematography and atmosphere hint at what the film could have been under stronger direction - moments of eerie tension and visual style do appear. But they're fleeting, drowned out by the clunky pacing and lack of coherence. It's a shame, really, because the bones of a great story are here. They're just never given a chance to shine.

"Mountainhead" isn't unwatchable, but it's a textbook case of wasted potential.

This movie is basically four rich guys talking in a fancy mountain house - that's it. And weirdly... I really liked it. At first I thought it was gonna be boring, but after 20 minutes I was fully in.

The characters are so over-the-top but also weirdly real. You really feel how disconnected they are from normal people. The dialogues are smart but not too heavy, and some moments are actually really funny in a dark way.

Souper was my favorite - trying so hard to be a billionaire with a meditation app, but clearly lost inside. The tension between the characters is always there, like something bad could happen anytime, but it never turns into a cliché.

There's no action, no music really, not much going on visually, but it still keeps you watching. It's just... different. And in a good way.

If you liked Succession or enjoy dark comedy with smart dialogue, give this one a shot. I didn't expect to like it this much.

Bonus points for making me laugh and feel a little uncomfortable at the same time.

Mountainhead isn't your typical popcorn movie - and that's precisely its strength. Many viewers might walk in expecting a comedy (perhaps misled by the marketing), but what they'll find is a cerebral, slow-burning exploration of AI, power, and the people shaping our future.

This film is a must-watch for AI executives, tech enthusiasts, and anyone involved in the design or governance of digital systems. It offers a sobering reflection on the values of those leading technological development, and the real-world consequences of their choices. In a world inching toward techno-feudalism, where unelected tech moguls can steer the fate of entire nations, Mountainhead asks hard questions about who holds the power-and what they believe in.

It's not always easy to digest. Some scenes feel abstract or overly intellectual, and casual viewers looking for laughs might leave confused or disappointed. But maybe that's part of the point. The people who "don't get it" may soon find their jobs-and their agency-at risk in an AI-driven world they didn't help design or understand.

In the end, Mountainhead isn't a film for everyone. But for the right audience, it's a compelling and necessary piece of storytelling.

I am not sure what they were going for. It was marketed as somewhat of a thriller, but the dialogue was trying to be comedic and quite frankly the execution was poor. The whole plot wasn't very feasible and it's another one of those straight to TV movies. The premise that one of them released software that could create deep, fake AI stories that couldn't be detected seem to be ignored by everybody in the world, and it was causing disruption everywhere when everybody in the world knew the stories were only on that particular platform, which had already announced that you should be skeptical. Aside from that a whole plot involving the four billionaires was not very believable.