Calendario de lanzamientosLas 250 mejores películasPelículas más popularesExplorar películas por géneroTaquilla superiorHorarios y ticketsNoticias sobre películasNoticias destacadas sobre películas de la India
    Qué hay en la TV y en streamingLas 250 mejores seriesProgramas de televisión más popularesExplorar series por géneroNoticias de TV
    ¿Qué verÚltimos tráileresOriginales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPremios STARmeterCentral de premiosCentral de festivalesTodos los eventos
    Personas nacidas hoyCelebridades más popularesNoticias de famosos
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de seguimiento
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar la aplicación
  • Reparto y equipo
  • Reseñas de usuarios
IMDbPro

Mientras no estás

Título original: Sitter Cam
  • Película de TV
  • 2014
  • TV-14
  • 1h 40min
PUNTUACIÓN EN IMDb
5,4/10
2,1 mil
TU PUNTUACIÓN
India Eisley in Mientras no estás (2014)
When the beloved, elderly nanny of the Kessler family begins to suffer from Alzheimer's disease, they hire a young, pretty new nanny who might not be as perfect and sunny as her outward exterior implies.
Reproducir trailer1:59
1 vídeo
86 imágenes
DramaMisterioThriller

Añade un argumento en tu idiomaAn ambitious professional ad executive watches as her gorgeous new nanny slowly bonds with her daughter and husband.An ambitious professional ad executive watches as her gorgeous new nanny slowly bonds with her daughter and husband.An ambitious professional ad executive watches as her gorgeous new nanny slowly bonds with her daughter and husband.

  • Dirección
    • Nancy Leopardi
  • Guión
    • Brian McAuley
  • Reparto principal
    • India Eisley
    • Laura Allen
    • Cam Gigandet
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,4/10
    2,1 mil
    TU PUNTUACIÓN
    • Dirección
      • Nancy Leopardi
    • Guión
      • Brian McAuley
    • Reparto principal
      • India Eisley
      • Laura Allen
      • Cam Gigandet
    • 27Reseñas de usuarios
    • 6Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 1:59
    Official Trailer

    Imágenes86

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 79
    Ver cartel

    Reparto principal23

    Editar
    India Eisley
    India Eisley
    • Heather
    Laura Allen
    Laura Allen
    • Linda Kessler
    Cam Gigandet
    Cam Gigandet
    • Mark Kessler
    Farrah Mackenzie
    Farrah Mackenzie
    • Chloe Kessler
    Renée Felice Smith
    Renée Felice Smith
    • Jess
    Richard Portnow
    Richard Portnow
    • Detective Jones
    Carol Herman
    Carol Herman
    • Mrs. Highsmith
    Andrew Fiscella
    • Mr. Reynolds
    Anthony Backman
    Anthony Backman
    • Spy Shop Clerk
    Steve Bencich
    • Spy Shop Customer
    Kate Fuglei
    Kate Fuglei
    • Gale Lambert
    Hamilton Mitchell
    Hamilton Mitchell
    • Jake Lambert
    Amber Hamilton Russo
    • Erika
    David Sullivan
    David Sullivan
    • Jayson
    Andre Gower
    Andre Gower
    • Gary
    Adam Chernick
    • Dylan
    Jason Sims-Prewitt
    Jason Sims-Prewitt
    • Officer Clinton
    David Hill
    David Hill
    • Officer Moschella
    • Dirección
      • Nancy Leopardi
    • Guión
      • Brian McAuley
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios27

    5,42K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Reseñas destacadas

    7rainbowcupcakes-12417

    Classic Lifetime Movie

    This reminded me of so many of the Lifetime movies I used to watch with my grandma. It has a predictable storyline with an expected plot twist in the end. But I still found it enjoyable to watch. It's a good time waster.
    7jswindter01

    Really, a great lil' made-for-TV movie--

    Lifetime Movie Network got it right this time with a great spin on the age old "hand that rocks the cradle" concept!

    I'll give no spoilers here, only to say that they did just enough tweaking on the thriller movie concept that was undoubtedly done best when played by the beautiful Rebecca De Mornay as the sexy-psycho-sitter, Peyton.

    LMN kept all the key factors that made this type of thriller work, and added a few, fresh concepts that really, really did work all in favor of the movie.

    All 3 of the key characters were, IMO, perfectly cast for each of their respective roles in the "love triangle", so to speak, with the husband/wife duo, and pulling up the rear is the devious lolita nanny, Heather.

    Impressive, IMO, when looked at for exactly what it is..a made-for-TV- movie!..

    Watch and enjoy, I say.
    3vnssyndrome89

    Insulting to Both Men and Women...

    NANNY CAM/SITTER CAM (TV Movie 2014)

    Brian McAuley, please contact me, I could help.

    BASIC PLOT: The Kessler's are a hard working couple, with a small daughter, Chloe (Farrah Mackenzie). After a near miss at serious injury, with their last babysitter, Mrs. Highsmith (Carol Herman), they are determined to find a better replacement. The Kesslers want to make sure they find the right person, but are having no luck. Linda Kessler (Laura Allen) is an ad exec, and Mark Kessler (Cam Gigandet) is a contractor, who's working flipping a house. He's been trying to pick up the babysitting slack in the afternoons, when Chloe gets home from school. It's not going well, and after a near miss with a nail gun, they are relieved to have Heather (India Eisley), a local girl, save the day. She seems like the perfect fit, and Chloe loves her, but after the last disaster, they decide to get a nanny cam. It's illegal in their state to record audio, without both parties consent, but it seems like video will be enough. At first all seems fine, but over time Heather's behavior becomes increasingly bizarre. Can they discover her secret in time to save their family?

    WHAT WORKS: *Finally, an awesome trailer, with a fantastic voiceover! Excellent!

    *Cam Gigandet's portrayal of Mark Kessler, man-child, is excellent. He embodies the role, and presents the challenges many women have to have to face when dealing with "two children".

    WHAT DOESN'T WORK: *Most people, in today's modern age, wouldn't take just one phone reference, as gospel. They would do an intensive background check, especially after what happened with their last babysitter, Mrs. Highsmith (Carol Herman), who ended up having dementia.

    *What is with the lighting in the kitchen scene, at the 28 min mark? That kind of lighting is terrible for EVERYONE! Who thought that was a good idea? Most kitchens are lit with more than one bulb.

    * It's a mistake killing Mrs. Highsmith (Carol Herman). There's no need, Heather's cruel behavior towards her was enough as a plot device. There was no need to eliminate her, it's overkill.

    *NO WORKING MOTHER WOULD OBJECT TO A NANNY/BABYSITTER THAT CLEANS! As a matter of fact, it's part of the job description for full-time nannies, and au pairs. A man definitely wrote that drek (I'm talking to you Brian McAuley), because no woman would feel that way. A nanny/babysitter would see the pressures a working mother is dealing with, and try to help. Linda would be grateful for this, NOT HOSTILE.

    *Once again, I can tell this is written by a man, before even looking, because men tend to write older women as jealous shrews. I see this time and time again as a plot device, and frankly, it's insulting to women in general. Linda Kessler (Laura Allen is supposed to be a smart, attractive and very successful ad executive. She's the only woman in the room at her job, and she's good at it. Those types of women, powerhouses, would not be intimidated by some tiny 18 year old babysitter, because she can cook and clean, or because the family likes her. Men fantasize about women fighting over them, but often times what's going on in the male brain, is not reality. Brian McAuley's depiction of older women, both in this movie, and in the movie Conexión peligrosa (2016), says more about him, than any real woman. His infantalized Mark Kessler (Cam Gigandet), as the man-child, is believable to a point, but eventually becomes insulting to men. Mark's a man who needs constant reassurance, who runs from responsibilities, and makes the woman do everything. Why is it Linda's job to cook, clean and do the laundry, when they both have full-time jobs? She's also the sole breadwinner, and yet he's mad when she often has other things on her mind, like the safety of their child.

    *Mark implies to Heather that he wishes Linda wouldn't focus on her career, would stay at home, and be a 1950's housewife. Why? Because he only cares about his needs, and could give a flip about hers? The movie also tells us, it's the woman's fault when her husband cheats. Mark screws up the house he's flipping, screws up the deal to sell it, and then calls his wife in the middle of the work day, to get reassurance. She's busy, can't coddle him, and so he goes home and commiserates with the 18 year-old babysitter, while getting loaded. Are any of these tropes healthy for the viewers, men or women? Why perpetrate negative stereotypes to your audience? Why do we, as viewers, put up with it? WE, AS WOMEN, SHOULD DEMAND BETTER FOR OURSELVES! The days of, "bringing home the bacon, frying it up in a pan, and never let you forget you're a man" are over! Art imitating life, can also end up with life imitating art. Demanding change is how we, as viewers, can change the zeitgeist, and our lives, for the better.

    *Mark does not fire the babysitter, or tell his wife, after she makes a pass, and performs a striptease for the nanny cam. Addicts call this, "making a reservation" to misbehave later. I find this goes beyond melodramatic stereotyping, and into blatant man bashing. It's one thing to have your character be flawed, it's another to make him have every flaw there is.

    *Linda is detained by police, after an anonymous call informed them she might have kidnapped a child. No child had been reported missing, there was no respondent, therefore no means to get a warrant.

    Police need a warrant to search your trunk, or detain you. We have rule of law in this country, and you can't bypass it for a plot device.

    *Finding out your babysitter lied should be grounds for dismissal, any sane parent would find Heather's behavior disturbing. Mark's defense of the babysitter puts his daughter at risk, and is not believable, even for a man-child.

    *Executive assistants are very much like concierge, they get the tasks done. Jess (Renée Felice Smith), Linda's executive assistant, wouldn't dream of telling her boss no, especially since what she's asked to do is a legal background check. Jess's change of heart, also doesn't work, since it was Jess who gave Linda the idea about the nanny cam in the first place. WRITERS! UNDERSTAND YOUR CHARACTER'S MOTIVATIONS!

    *After Linda and Mark's horrendous fight, she wouldn't be calling him "babe". They wouldn't be speaking at all! He not only shoved an abortion in her face, but also called her a terrible wife and mother. She accused him of sleeping with the nanny. Those kind of fights hang around in a relationship for awhile. WRITERS, REMEMBER YOUR CHARACTER'S MOTIVATIONS!

    *Your movie has a problem, when the most likeable character is the Spy Shop Clerk (Anthony Backman).

    *Most healthy, white newborn babies, are adopted quickly. They should have given Heather a heart defect, or some other ailment, that would have made her less adoptable.

    TO RECOMMEND, OR NOT TO RECOMMEND, THAT IS THE QUESTION: *I can't, in good conscience recommend a movie that's bad for the audience. These types of messages to men and women, are abhorrent. We, need to demand better! If you're looking for an evil nanny movie, try Un extraño con mis hijos (2017). It's one of my favorites.

    CLOSING NOTES: *I have a background in psychology, I also worked as both and executive assistant, and an au pair.

    *This is a made-for-tv movie, please keep that in mind before you watch\rate it. TV movies have a much lower budget, and so your expectations should be adjusted.

    *I have no connection to the film, or production in ANY way. I am just an honest viewer, who wishes for more straight forward reviews. Hope I helped you out.
    6Movie_Freak_2019

    Entertaining with a Twist

    I did not expect much as the actors were not that known to me. But I must say that the movie turned out to be suspenseful, entertaining and very much satisfying.

    Two thumbs up to the cast and director 👍👍
    4aarpcats

    a Wifetime of Tropes

    How many times have we seen this plot in a movie?

    Also, there were times in this working woman's life when I wouldn't have cared if she slept with my husband, as long as she took good care of my daughter AND cleaned the house.

    Más del estilo

    Social Suicide
    4,8
    Social Suicide
    Dead Reckoning
    3,8
    Dead Reckoning
    The Crossroads of Hunter Wilde
    2,4
    The Crossroads of Hunter Wilde
    AmeriGeddon
    3,8
    AmeriGeddon
    Viviendo con una extraña
    5,4
    Viviendo con una extraña
    Adolescence
    5,4
    Adolescence
    Mi dulce Audrina
    5,5
    Mi dulce Audrina
    Rising Fear
    4,0
    Rising Fear
    Clinical
    5,1
    Clinical
    Amor destructivo
    5,1
    Amor destructivo
    El caso Hartman
    5,9
    El caso Hartman
    No mires
    5,8
    No mires

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Pifias
      When glasses are broken at the front door at the sight of the old lady, a black car parked behind her suddenly appears, which was not there a few seconds before.
    • Banda sonora
      Camera Parts
      Written and Performed by Roy Maurice Mayorga

    Selecciones populares

    Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
    Iniciar sesión

    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de diciembre de 2014 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Mentre no hi ets
    • Localizaciones del rodaje
      • 329 Melrose Ave, Monrovia, California, Estados Unidos
    • Empresa productora
      • Indy Entertainment
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 40 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.78 : 1

    Contribuir a esta página

    Sugerir un cambio o añadir el contenido que falta
    India Eisley in Mientras no estás (2014)
    Principal laguna de datos
    By what name was Mientras no estás (2014) officially released in Canada in English?
    Responde
    • Más datos por cubrir
    • Más información acerca de cómo contribuir
    Editar página

    Más por descubrir

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación IMDb
    Inicia sesión para tener más accesoInicia sesión para tener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación IMDb
    Para Android e iOS
    Obtener la aplicación IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Anuncios
    • Empleos
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una empresa de Amazon

    © 1990-2025 by IMDb.com, Inc.